Posts Tagged ‘Jeff Bridges’

No Concessions: George Clooney Stares at “Goats”

Jon Ronson’s The Men Who Stare at Goats had the makings of a good movie. The journalist got hold of an interesting strange-but-true subject: the story of the First Earth Battalion, an Army/CIA initiative that, from the ’60s to the ’80s, explored “psychic warfare.” That is, training soldiers to read minds, walk through walls, and stare at hamsters and goats so long and hard they keeled over dead. I can see a documentary in the coming together of the New Age and the New World Order, or, fictionalized, a sci-fi epic. What we have, instead, is a just-for-the-hell-of-it military satire, so shapeless it just sort of flops around for an hour-and-a-half, oblivious to attention spans and entertainment value.

This is the feature directing debut of Grant Heslov, who, with George Clooney, co-wrote the Oscar-nominated screenplay of Good Night, and Good Luck. Clooney co-stars as Lyn Cassady, whose eyebrow-raising tales of being the army’s prized goat whisperer attract flailing reporter Bob Wilton (Ewan McGregor). Wilton, whose life and career are in tatters after his wife dumped him for an editor, wants to be embedded in Iraq, but instead winds up entwined with Cassady, who claims to be a member of the “New Earth Army” that is training “warrior monks” to literally brainstorm America’s enemies. But the program’s founder, uber-hippie Bill Django (Jeff Bridges) has gone missing, and the whole agenda is floundering due to petty grievances between the New Earth Army and a rival camp run by rebel psychic Larry Hooper (Kevin Spacey), who is training his own elite squad. Hooper is wildly envious of Cassady, who is bent on finding his mentor, as Wilton ultimately finds himself. (more…)

Bootleg City: Bad Company in Orlando, May ‘99

The mayoral election is only 11 days away, and if the endless online chatter here in Bootleg City is any indication, voter turnout is sure to break all kinds of records! Keep in mind, of course, that if you break any and all kinds of vinyl records within the city limits, you’ll be shot on sight by Lindsey Buckingham. I’m sorry, but I can’t control that animal.

With four candidates vying to be this city’s next mayor — and each one of us drawing roughly 25 percent of the vote in the latest tracking polls — I had no choice but to create negative attack ads (as opposed to positive attack ads, which usually feature footage of me engaging in surprise tickle fights). They’ll begin airing next week, but because I like you so much and know you’ll vote for me simply because you need all the friends you can get (we’ll discuss your wardrobe later), I’d like to offer you a verbal preview of each ad.

First up, the most inspirational opponent of the bunch but also, oddly enough, the least lively:

Bob Marley wants to be your next mayor. If elected, he promises to “stir it up” at City Hall and restore “one love” to Bootleg City.

All he asks is that voters “get up, stand up” to elect Mayor Robert Cass out of office. But how can Mr. Marley get up or stand up when he’s been lying down … for the last 28 years?

Could you be loved by Bob Marley? Isn’t the more urgent question “Could you be dead, Bob Marley?”

The answer is yes. Because he is.

On November 3, vote for a candidate who’s still alive. Vote for Robert Cass for Mayor.

Paid for by the Committee to Re-elect a Mayor Who’s Never Shot a Sheriff.

(more…)

Basement Songs: Joe Jackson, “The Trial”

TuckerIn my mind he’s sitting at the kitchen table writing so diligently the table shakes and the white swivel chair he’s sitting on squeaks. Outside it’s night, and the autumn chill is trying to get in. The television is on; we’re watching some inane ’80s sitcom, and my father is someplace else. As he writes in the kitchen, he’s hearing music, scribbling notes on scrap pieces of paper.

My father, Budd, is a great arranger of band music. He can take a song and compose parts for various wind instruments simply by sitting at the piano, pulling notes from the air and writing them in pencil on the back of discarded paper from the school, drawing the music clefts by hand. A staggering number of students have played his arrangements, though he never got paid for this extra work as the high school band director. When he retired, for the second time, earlier this year, he was still writing out arrangements for the musicians in his bands to perform. Why did he do it? I’m not sure, but I think some of it had to do with that bird called creativity chirping in his ear. Watching him work so hard all of the years of my childhood influenced me profoundly, teaching me to keep at something until you get it right, even if it means going back and revising again and again.

When I sat down to write this column, Joe Jackson’s “The Trial” seemed to leap out at me. I had been thinking of my father and our relationship. So much of what we have bonded over has been music. While he is definitely a student of classical music, I am a disciple of rock. Where we often met halfway was the populist movie themes of some of our favorite composers, like John Williams and James Horner. That this track, a classical piece of film music written by a pop artist like Joe Jackson would come to mind when I haven’t listened to it in years, well, to me that’s serendipity. (more…)

DVD Review: “How to Lose Friends and Alienate People”

how-to-loseHow to Lose Friends and Alienate People (2009, MGM)
purchase this movie from Amazon: DVD

How to Lose Friends and Alienate People is a film that wants to be the type of slapstick, ‘R’-rated fare that Vince Vaughn has struck gold with, yet it also yearns to be the type of Richard Curtis breezy, romantic comedy that has made Hugh Grant a leading man. If it had stuck with the latter and dispensed with the slapstick shtick, I believe it could have been a much better movie, especially with a cast as talented and pleasant to watch as this one.

Based on Toby Young’s memoir about his short stint working at Vanity Fair, the film stars Simon Pegg as the brash Sidney, a small-time aspiring British celebrity journalist who is brought to New York by Clayton Harding (Jeff Bridges), who runs an upscale magazine. Sidney believes he’s going to waltz into the big corporate offices and show them a thing or two. Harding puts him in his place as the new guy, telling him this is his big break and issuing a warning that he’ll have to impress everyone in order to succeed. Instead, Sidney just manages to piss off everyone around him.

Sidney is relegated to a small department that covers celebrity sightings and must work for a slimy exec, portrayed by Danny Huston. (It seems that after The Constant Gardener, Huston is really becoming the go-to guy when you want someone to play a sophisticated, sleazy jerk.) Sidney’s desk is located next to a smart, pretty aspiring novelist named Alison (played with typical girl-next-door adorability by Kirsten Dunst). She and Sidney develop a love/hate relationship that you know will grow into admiration and eventually love. Unfortunately, Alison is having an affair with a married man whose identity we can see coming from a mile away.

While Alison pines for her secret lover, Sidney becomes infatuated with a rising starlet, Sophie Maes (Megan Fox). Fox is great as the airheaded/manipulative Maes, showing that she has some range beyond the typical hot babe role. Sophie’s slick manager (Gillian Armstrong) arranges for Sidney to write an article about one of her other clients, a flavor-of-the-month film director. Selling out his principles for the opportunity of a featured piece in the magazine, Sidney is propelled to stardom and attains the kind of wealth and fame he always dreamed of. From that point, How to Lose Friends and Alienate People follows the tried-and-true formula of a hundred romantic comedies — until Sidney and Alison inexplicably find themselves watching La Dolce Vita in a park under the stars. (more…)

DVD Review: “Max Payne”

Cover of "Max Payne [Blu-ray]"
For the benefit of those who haven’t seen Max Payne yet, but are considering renting the DVD, I’m going to spoil as much of it as possible for you. Why? Because this is a film that shouldn’t be seen under any circumstances, even if you’re dragged off an airplane under the Presidential Directive of Rendition, and are placed in a dark room where CIA operatives intend to show it to you in order to forcefully extract information.

Forewarned is forearmed.

In the movie, based on the immensely popular 2001 videogame, Mark Wahlberg (The Departed, The Happening) stars as the titular character, a detective whose wife and infant son were brutally murdered by three home intruders, one of whom managed to escape and was never found. Despondent over the loss of his family and that the final assailant was never brought to justice, Max now works the Cold Case division of the NYPD, and in his spare time hunts down clues as to who the final killer might be.

Three years have passed since the murders, and one night Max tricks three punks into trying to rob him in a subway men’s room, and instead takes two of them down–riding one for clues while the third escapes into the darkness of the subway tracks. As the last punk flees, he is suddenly accosted by what appear to be winged demons (or possibly angels), before he meets his end as a train slams into him on its way to its final destination (ba-dum-bump!)

Max then heads to a club to gain more helpful info from the stoolie who led him to the subway punks. While there, he meets up with Russian hottie Natasha Sax (Olga Kurylenko) and her sister Mona (Mila Kunis). The girls enter into a heated debate before Max brings Natasha home to gain intel on a series of odd wing-shaped tattoos he spotted on one of the subway thugs, and which Natasha has as well. When Natasha unintentionally insults Max’s dead wife, he kicks her out of his place. Shortly afterward, Mona is murdered–seemingly by the selfsame demons from earlier, and Max soon becomes the prime suspect. Caring more about solving his wife’s murder than clearing his name soon plunges Max into a race to find the real killers, and eventually forces him to team up with Mona–head of a Russian mob family–before Max can be brought in by Lt. Jim Bravura (Chris “Ludicris” Bridges), another detective investigating both Natasha’s murder and that of Max’s old partner, in which Max is now also a suspect. (more…)

Motion Picture Soundtrack: “Just Checked In”

The first time I realized I was driving by one of the locations used in The Big Lebowski (1998)- Johnie’s Coffee Shop – I thought it would be great fun to host a Big Lebowski Tour. You’d rent a big, comfortable bus with video players, and show the film as you drove to the spots where pieces of the movie were filmed – Johnie’s, the “Big” Lebowski’s palatial residence, Jackie Treehorn’s home in Malibu, the bridge where the kidnapping exchange was to have taken place, Donny’s final resting place, etc. You’d serve white russians (or as The Dude refers to them, Caucasians) and maybe provide a smoke break for those suitably inclined. Finally, you’d end the evening in a starry bowling alley, knocking down pins.

It would never work, of course. To begin with, the locations are too far apart – The Dude’s home is in Venice, The Big Lebowski’s house is in Beverly Hills, Donny’s final resting place is down in San Pedro, Johnie’s is in the Miracle Mile, and the bridge is somewhere up north beyond the far side of the San Fernando Valley. To make matters worse, the bowling alley Hollywood Star Lanes no longer exists – it was closed and torn down in 2002. Apparently some of its decorations have been preserved at the Lucky Strike Lanes nearby, but it just doesn’t seem like it would be the same.  It’s a shame.  It would have been a brilliant tourist trap.

The Film: The Big Lebowski

The Artist: Kenny Rogers

The Song: “Just Dropped In (To See What Condition My Condition Was In)”

(more…)