Posts Tagged ‘Jeff Vrabel’

The Steel Horse Archives: Prologue — Step Inside, Walk This Way

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With the exception of whichever one Mase was in, perhaps no musical genre has endured a swifter or less celebrated mainstream extermination than Hair Metal, whose predominant 1980s celebrants – generally uncomplicated fellows who came to town with nothing more than hearts of gold, dreams of fame and lady makeup – wanted nothing more than to have a good time, even if you couldn’t get one to write a decent lyric about it by electro-shocking him in the shoulder pads.

Once that floating naked baby record and the flannel people materialized, of course, such bands couldn’t do much but struggle to quote-fingers evolve (anyone remember Poison’s gospel-tinged ode to individuality “Stand?” Pfft.), but surprisingly, most fans resisted the abruptly spiritual carpe-diem stuff emerging from the very same people who just minutes prior were panting out songs like “The Hunter” and “Wanted Man” and “Slip of the Lip” and “You Are The Saint, I Am The Sinner” while thrusting, into the MTV cameras, anything attached to them that was thrustable. Eight minutes later “Beavis and Butthead” put a dingus named Stuart in a Winger T-shirt and the coffin was closed. For a while.

Because these days, a great many hairtacular bands have circled their wagons on the middle-tier nostalgia package-tour circuit looking, if not to conquer the Earth, to at least ruin some more of its ozone. These are the lucky ones, of course, as some are surely moving used cars in Lexington, some are assembling weird simulacrums of their former bands and releasing “Chinese Democracy” and still others are smacking their noses into parts of the Tony Awards. It’s a mess, is what I’m saying. But regardless, somewhere on its plummet down from the wild ’80s schmaltz-glitz years of Bon Jovi, Poison, Motley Crue and the 250 bands that started with W, hair metal — and this was really nice of it — forgot to die. (more…)

The Friday Linkfest: 3/20/09

Topless Robot counts down the 13 greatest Garbage Pail Kids and — oh happy day — the 10 best movie games for the Atari 2600;

The A.V. Club finds 20 examples of TV shows that mutated during their time on the air;

Popular Science wonders if the iTunes App Store can be saved;

WebMD teaches you how to make your own sports drink;

Slashfood shows you how to turn an old wine bottle into a terrarium;

Bob Lefsetz gets into a slapfight with Gene Simmons, and the Internet goes wild;

Michael Jackson’s run of “comeback” concerts sells out lickety-split;

Cahl’s Juke Joint reviews the least funny Bill Cosby album ever made;

Jeff Vrabel explores the seamy side of quilting (get it? Ha, ha, ha!)

Something Else! surveys the latest from Mike Marshall;

Stereogum unveils the artwork, track listing, and story behind Ben Folds’ latest, University A Cappella;

In its latest installment, the Boston Globe’s Big Picture documents some scenes from the recession;

Ickmusic’s latest Ick’s Pick looks at the latest from Black Joe Lewis & the Honeybears;

Cahl’s Juke Joint reviews Hugh Masakela’s Home Is Where the Music Is;

A chimpanzee is the greatest music critic of all time;

The Decemberists invite you to stream their Hazards of Love in its entirety;

…and Nine Inch Nails and Jane’s Addiction release a free EP.

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The Friday Linkfest: 2/20/09

WFMU’s Beware of the Blog strips out the best parts of the Dreams of My Father audiobook;

Will Harris runs down and wraps up the New York Comic-Con;

Pet Shop Boys debut a new track, “Love Etc.”;

JJ Fad prepared to get Supersonic all over again;

Culture Bully offers an early appraisal of Morrissey’s Years of Refusal;

Green Day announces plans to release a new album in May;

Jeff Vrabel is at a 5-year-old’s birthday party, and it is on fire…and he also knows it’s still a Small World after all;

Something Else! profiles the great Jon Hassell;

Ken at Gaper’s Blog loves the Damnwells, and tells us their new album is available for free download, then focuses volume LXIX of his Unheard Music series on the very MBV-ish band Medicine;

Cahl’s Juke Joint spins the new one from George Kontrafouris, and posts a mixtape of the best songs about coffee;

Nah Right posts J.Period’s Q-Tip remix/best-of project, The [Abstract] Best;

Brandon Schott kicks off his series of Homegrown Recordings with a lovely lullaby, “All Is Full of Love”;

The Wall Street Journal makes the case for Miley Cyrus as a good role model, and praises the work of jazz archivist Anthony Barnett;

Tommy Keene makes a mixtape for Magnet Magazine;

Ickmusic has spotted some Lions in the Street, and wants to alert you to their rockin’ presence;

Slacktivist celebrates Darwin’s birthday by mourning how far we haven’t come;

Some hellbound son of a bitch robs Daptone Records;

Darren Robbins’ favorite rock star announces plans for a tour with Jane’s Addiction;

…and, of course, some poor hysterical woman missed her flight out of Hong Kong International Airport:

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Popdose Flashback: Tone-Lōc, “Lōc-ed After Dark”

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Tone-Lōc – Lōc-ed After Dark (1989)
purchase this album (Amazon)

There’s no way around this: Tone Lōc’s 1989 debut, Lōc-ed After Dark, is COMPLETELY ADORABLE. The elementary, dubious and occasionally tortured rhyme scheme (”lax-adaiscal’ with “that’s the way to go,” “night” with, uh, “tonight”)! The sustained reports about how skilled a rapper one can be without actually rapping anything! The neurotic reliance employment of the first four break-beats in the history of the world! Lōc-ed After Dark may be the only album with the word “motherfucker” in it you sort of feel like you could play for your kids.

Compared even with the nascent gumball-rap of the time, Lōc-ed — recently reissued in a remarkably inessential “Deluxe Edition” with a couple of recycled remixes and instrumentals — is like an, um, super-chewy gumball. It’s dated like Def Leppard-drummer jokes and lousy with lines that’d seem wacky even in the Camelot Music-era context — mall-shopping, Stroh’s beer, Fila wear (brought up often enough to convince you they kicked in for the studio time) — to say nothing of Lōc’s constant egging on of his DJ in what is an oddly seductive fashion (check out title track, in which Lōc requests the fella to “scratch his back for me,” while he moans, provocatively). Danger is only hinted at; the bad words come infrequently enough to seem like tiny hugs. Even Lōc’s obsession with pot (”Cheeba Cheeba”) comes with caveats both psychological and economical: “It’s not harmful like heroin, and also, it’s cheaper.” See! You’d be silly not to smoke this stuff! (more…)

Listening Booth: Guns n’ Roses, “Chinese Democracy”

Guns n’ Roses – Chinese Democracy (Geffen, 2008)
purchase this album (Best Buy)

Unless you’ve spent a lot of time in the company of William Shatner, Chinese Democracy will likely be one of the most ridiculous audio recordings you ever come across. It is sprawling and stupid and ludicrous and hilarious and will make you shoot milk out of your nose and cringe and it is not very good and sometimes extremely terrible, and just when you think things cannot possibly get any more extraordinarily strange, that’s when Axl Rose drops the MLK sample on you.

Originally slated for release in 1948, Chinese Democracy comes out Sunday exclusively for people shopping for Black Friday-sale plasmas at Best Buy, a wise promotional stunt and kind of an all-in proposition — if putting this record out this week doesn’t create interest or move units, nothing will. Because one thing is sure: the songs won’t sell it.

The final, finished, ostensibly archival version of Chinese Democracy is a fucking mess, a haphazard, stop-and-go Transformer of rap-metal parts, ideas, sketches, Chester Bennington riffs, lyrical crimes, la la las, and ridiculous electronic touches and twists that only occasionally resemble completed songs; in what will be the least surprising thing you’ll read all week, it sounds like what happens when you dicker around with something so long it stops making any sort of cohesive sense. Tracks like “I.R.S.” and the absurd “Riad n’ the Bedouins” barely begin accelerating before they veer into left-field guitar solos, tempo shifts, distracting vocal tricks, and Axl’s never-far-afield need to drop in something robotic. These songs build no momentum, create no wave. It’s more like Axl’s “A Day in the Life”; you feel like he cut up the tape, threw it into the air, and sticky-taped together the results.

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The Friday Linkfest: 11/14/08

Slacktivist chimes in on the Prop. 8 debacle, and Keith Olbermann delivers a moving (and restrained!) special comment:

Hip new music on Alabama public television? Yes indeed — check out We Have Signal, live from Birmingham;

Jeff Vrabel braves his local megaplex for a viewing of Madagascar 2;

Topless Robot recounts how exactly it happened that a town in Turkey decided to sue Chris Nolan;

Stereogum kicks off its partnership with Amazon’s MP3 store by offering Guided by Voices’ Bee Thousand for $3.99;

The Onion A.V. Club catches up with the Nirvana Nevermind baby;

Funky16Corners pays tribute to the recently departed Miriam Makeba;

Mitch Mitchell, drummer for the Jimi Hendrix Experience, passes away;

Rolling Stone compiles a list of the 100 greatest singers of all time and the 50 best rock & roll videogames of all time;

The Faces contemplate a most unexpected reunion;

JamsBio compiles a list of 25 great closing tracks;

The mysterious chord that kicks off “A Hard Day’s Night” is identified at last;

AudioTuts identifies five all-time classic albums that critics despised;

…And our new friend Alan O’Day, of “Undercover Angel” fame, has produced a new video:

Lists You Didn’t Ask For: Ben Stein Edition

Happy Monday, faithful readers! Are you ready for a new series? We hope so, because we’ve got one for you. Welcome to the inaugural edition of Lists You Didn’t Ask For!

Here’s the deal: Since we know everyone out in Webland is a sucker for lists — and since we’re unapologetic whores for traffic — every other Monday we’ll be bringing you a new list based on a theme you never knew you cared about. Case in point: this week’s List of Other Things Ben Stein Defends.

As you may know, Mr. Stein has a terrible new movie out titled Exposed: No Intelligence Allowed. In what is being charitably called a documentary, Stein tries to make a case for the “intelligent design” theory by claiming a vast anti-ID conspiracy (and making thinly veiled comparisons between Darwinists and Nazis). Currently, Expelled is sitting at a richly deserved 9 percent on Rotten Tomatoes’ Tomatometer, thanks to reviews from critics like the Chicago Reader’s Reece Pendleton, who calls it “ludicrous propaganda,” and the Onion AV Club’s Steven Hyden, who dismisses it as “grossly unfair, contradictory, and ultimately repugnant.”

So we know Ben Stein defends the idea that “intelligent design” should be taught in schools. What else does he defend? We convened a panel consisting of Jason Hare, Robert Cass, yours truly, and our friends at the Hilton Head Island Packet, Jeff Vrabel and Tim Donnelly, to put together a list. Read on to find out what made the cut: (more…)

Songs for the Dumped: Volume Fourteen

songsforthedumped.gifLadies, here’s a little-known fact about many guys: If you break up with them, but then don’t leave, they will very possibly assume that you weren’t the SLIGHTEST BIT SERIOUS about the breaking-up thing, and will hang around more or less waiting for that glorious moment when you say, “You know what, I’m really sorry — I don’t know WHAT that was all about! Hang on, let me just remove my shirt.”

Let us now join Popdose maestro Jeff Giles on the worst trip to Europe since Charlie Brown and Linus were sent to indentured servitude at that weird French manor.

“A Little Bit Of Sadness In My Life, Or, How It’s Possible To Not Get Smooched On A Monthlong Vacation That Ends In Paris”
By Jeff Giles

As a rule, bloggers are an exhibitionist lot — why do you think we’re always trying to shove our innermost thoughts in front of your eyeballs? — but music critics tend to be pretty guarded and self-conscious, so you can imagine the conflicting impulses our staff suffered when they received the assignment for this month’s feature. Being that I was the one who handed down the assignment, some of this conflict spilled over on me — I was sent more than one e-mail accusing me of getting off on your Popdosers’ suffering.

Nothing could be further from the truth. But just to even any perceived imbalances here, I will share with all of you the story of how I came to be dumped in Paris, and why I fucking hate Lou Bega.

It was the summer of 1999, and I was an idiot. This may sound like a strange setup, but there’s literally no other way to explain what I’m about to tell you, which is: I was in Europe, on a monthlong vacation, with my ex-girlfriend. And her mother. And I was footing the bill for the whole thing.

I say “ex-girlfriend,” but I don’t mean it as in “ex-girlfriend now.” Well, I mean, the woman in question is my ex-girlfriend now, but she was also my ex-girlfriend then, as in on the trip. That I was paying for. In Europe, remember? With her mom?

See, here’s the thing. Closure is important. And when you don’t get it — say, when someone breaks up with you over the phone, and gives you no reason for doing so, and continues flitting around the corners of your life for years, like a venomous moth — you might, if you are an idiot, find yourself committing a series of progressively more desperate and expensive acts. You might even find yourself on a treadmill in the basement of a hotel on the Isle of Capri, praying for a heart attack, or sending e-mails back home with the signoff “There’s mercy in Hell.”

I mean, heh, who hasn’t been there, right?

Fuckin’ anyway, like I was saying, it was the summer of 1999, and Europe — the source of all horrible novelty songs — was deep in the throes of Lou Bega mania. Everywhere we went, we heard “Mambo No. 5″ (download). I’m pretty sure I even heard it at the Vatican. In my mind, the song is inexorably linked with that “vacation,” which kicked off with my ex-girlfriend’s pronouncement that after much thought and internal discussion, she had decided she was satisfied with always being my ex-girlfriend, and from there went downhill with the speed of a piano on bobsleds coated in chicken fat.

For a month, I went to old castles and churches and stared at paintings of Jesus. For a month, I searched in vain for a decent breakfast. One night, I found myself in a late-night screaming match with a German border patrol agent on a train to…I don’t remember, really. I drank plenty, but not enough. Lou Bega was always there.

Finally, we reached Paris, and the last few days of the trip. I don’t know if it was the cumulative effect of all the booze, or the higher grade of porn on the Parisian hotel TV, but I somehow got the notion that one last roll in the hay wouldn’t be such a bad idea. You know, one for the road, right? On the road, even. The road I fucking paid for.

I will spare you the details of the conversation that followed — mostly because I’ve blocked it almost completely from my memory — but I can tell you two things: One, we were sitting on the sidewalk outside an ice cream parlor; and two — of course! — “Mambo No. 5″ was on.

Feel the burn, fuckers. Here’s the single edit of “Mambo No. 5,” the extended mix (download), the “Havana Club Mix” (download), and something called “Mambo (The Trumpet)” (download). You’re welcome.

Songs for the Dumped: Volume Thirteen

songsforthedumped.gifThere are few things more entertaining on planet Earth than watching a guy who’s recently gone through some sort of emotional distress. I once stopped by a buddy’s place after having to put my dog to sleep; clearly having no idea what the accepted etiquette in such a situation was, he asked me, straight-faced, “So, uh, how’d it go?” Luckily, guys are also especially equipped to handle such things, as they, if nothing else, probably have a horrifying movie in the cabinet to watch. Let us turn things over now to Jason Hare, who sure plays a mean pinball.

“Jesus Christ, when is she going to stop flinging poop?”
By Jason Hare

The song that reminds me of being dumped, thankfully, always ends with me rolling in hysterics on the floor.

My first really hardcore dumping happened when I was 16 years old. I was pretty much completely oblivious to the fact that my girlfriend had been cheating on me for a couple of months; I had suspicions, but this was at a time where I still believed that people, when confronted with the devil on one shoulder and an angel on the other, would head in the direction of the harp and wings. One Saturday afternoon, I got the phone call where she finally gave me the one-two punch: yes, she had cheated on me, and yes, she was breaking up with me — and not even to necessarily be with the other guy. Somehow, that made it worse.

I had that horrible feeling in the pit of my stomach. You know the feeling. I got off the phone and did everything I could to hold back my tears. Luckily, I’ve always had good friends who are right there to try and take your mind off of things the minute something like this happens. I quickly called Andrew and Mike (formerly of Down With Snark) and invited them to come over and watch a movie. I was just becoming a Who fan, and decided that perhaps this would be a good time to see Ken Russell’s film version of Tommy. We were all in a band together, and all dug The Who; I figured this was a good opportunity to focus on something other than what a sucker I had been for a few months. Anything to get the day’s events off of my mind.

So we sat down to watch Tommy. Have you ever seen Tommy? If so, you’ll know it’s unlike just about any other movie. I know Who fans who insist it’s a cinematic masterpiece. However, I think it’s easily one of the worst movies I’ve ever seen.  But thankfully, it’s bad in one of those so-terrible-it’s-funny ways. Mike, Andrew and I started laughing within the first 15 minutes of the movie, when they continuously flash back to these shots of Captain Walker screaming bloody murder as his plane crashes. The whole movie is just so awful: from Jack Nicholson’s pathetic attempt at singing to Tina Turner’s awesome-yet-frightening-as-hell turn as The Acid Queen, to Eric Clapton’s “Hey, anybody got any more heroin?” turn singing “Eyesight to the Blind.” And I haven’t even mentioned Oliver Reed. (more…)

Songs for the Dumped: Volume Twelve

songsforthedumped.gifIf there’s anything worse than having your heart broken in high school, when your fragile emotional identity is still developing, probably badly, it’s having your heart broken in elementary school, when it’s just sad, and you don’t even know why it’s sad, and you don’t even know what you can do to fix it. Actually, maybe that’s not true. In elementary school, at least you can still play with your “Star Wars” figures. They won’t judge you for your sobbing.

“Why Must I Chase That Cat?”
By Will Harris

This is a story I’ve told countless times to countless people, even working it into my review of the movie “Little Manhattan,” but it remains one of my favorites, and whenever Valentine’s Day rolls around, I find it’s always worth re-telling…

All men have stories of their first love, and here is mine, so let it be told: it was 1980, and the girl’s name was Kathy Hawbaker. She lived a street over from me, and she made me feel funny in my tummy whenever I looked at her. I was only nine years old, but having already received all the information on love I was sure I was ever going to need (courtesy of movies, TV, and Top 40 song lyrics, thank you very much), I decided to make a romantic gesture to Kathy on Valentine’s Day.

I bought a card and a box of candy — both of which ended up being far smaller than I’d originally planned, since my bemused mother assured me it was the thought that counted — and took the suddenly-interminable stroll from my house to Kathy’s. I knocked, her dad answered, and then he called to her. She came up to the screen door and I presented her with her gifts, somehow getting out the words, “These are for you.”

Kathy opened the door and, as she took the card and candy, uttered those three words that every nine-year-old boy longs to hear:

“Oh, my cat!”

Before I knew what had happened, her cat had shot past my ankles. With card and candy in hand, Kathy ran past me and retrieved the feline from the yard, then ran back past me, went inside, and closed the door behind her. I stood dazed for a moment, then, upon the realization that my first-ever romantic gesture had come to a decidedly anticlimactic end, I walked home sobbing, and, upon coming through my own front door, proceeded to take as much comfort as my mother was willing to offer.

I ask you: is it any wonder that I’m more of a dog person?

If you look at a Chinese calendar, you’ll see that 1980 was actually designated the year of the monkey. For yours truly, however, it will always be remembered as…cue the Al Stewart, please…the “Year of the Cat” (download).