Posts Tagged ‘Jethro Tull’

Bootleg City: Motörhead in Sweden, November ‘00

I believe the children are our future. I also believe my future in politics would’ve been cut tragically short on November 3 if Jethro Tull frontman Ian Anderson hadn’t returned all the children of Bootleg City to their parents in one piece yesterday. He was angry that he’d traveled all the way here from England to receive a 35,000-year-old flute, which, due to a clerical error of some sort, turned out to be only 35,000 seconds old. Unlike the children of Bootleg City, the flute was returned in several pieces, but only after being met with strong resistance from my skull.

I’m relieved, of course, that the children are back safe and sound — as is my official hagiographer, who was still working off his hangover a couple hours ago — but I can’t help but be disappointed in Mr. Anderson’s timing. Sorry to nitpick, but if you’re going to steal a town’s entire tween-and-under population in an election year, it makes more sense to return them the day after Halloween, right?

That way there are only a few days left until the election, the whole abduction can be blamed on a combination of evil spirits and a Sweet Tarts sugar high, and the incumbent mayor can look like a hero for never giving up hope that the children would be returned, even if, technically, he gave up hope a half hour after they disappeared. Besides, with 18 days left until the election, there are countless ways my opponents or random circumstance could force me to screw up again through no fault of my own.

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Bootleg City: Jethro Tull, 11/25/87

As election day approaches, it’s important for a political candidate like myself to line up celebrity endorsements. One of my opponents, David Byrne, has the support of famous people-slash-political activists like Jane Fonda and Danny Glover, while another opponent, Bob Marley, has lined up a bunch of dead celebrity endorsements, including Robert Palmer, Nina Simone, Mickey Rooney, and John Lennon, who would’ve turned 69 today. How am I supposed to compete with—

… My sources have just informed me that Mr. Rooney is still alive. I’m sure they’re wrong, but I don’t want to embarrass them, so I’ll check Wikipedia after I get home.

So far the only endorsement I’ve gotten is from Jethro Tull frontman Ian Anderson, who made the trip to Bootleg City only after I convinced him that I’d gotten my hands on the world’s oldest instrument, a 35,000-year-old flute discovered by archaeologists in Germany last year. Once he arrived, I explained that my e-mail contained a few extra zeros, not to mention a gratuitous three and five.

Mr. Anderson wasn’t thrilled about traveling thousands of miles to receive a brand-new flute made in the Little Germany neighborhood of Bootleg City, but he did seem to enjoy the flute whipping he gave me, which was apparently a first. I was inspired to create a new tourism campaign with the following tag line: “Bootleg City: Experience the Unexpected (Just Be Prepared for Some Violence).”

I convinced Mr. Anderson to stay and give a talk to all the children of our city about the consequences a rock musician faces when he continues to play flute solos into his 60s. I left the City Auditorium during his speech so I could send my condolences to all the former Mrs. Mickey Rooneys of the world, but when I returned, the children were gone.

Some of these kids’ parents are still waking up from that disastrous Wizard of Oz screening. What am I going to tell them? “Sorry, folks, but a modern-day Pied Piper whose band won a Grammy in 1989 for Best Hard Rock/Metal Performance, Vocal or Instrumental, has run off and taken every child in the city with him. It’s a mystery as to why. I mean, everybody knows that award should’ve gone to Metallica.”

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Bride of Popdose: A Wedding Songs Mixtape

If you’ve ever ventured into that thicket of sweetness and stress known as Planning A Wedding, you’ve probably at least considered buying one (or five) of those awful compilations of “wedding music.” They come in all sorts of flavors – classical, country, Contemporary Christian, pop standards, classic R&B – and they’ve got icky titles like A Day to Remember, or Songs That Say “I Love You.” They tend to feature a lot of the same songs, like “Always and Forever,” and “Three Times a Lady,” and “Wonderful Tonight,” and Pachelbel’s Canon, and “The Way You Look Tonight,” and that horrible Boyz II Men song “On Bended Knee.” And, just like the Book of Common Prayer, they’re all diabolically designed to make your nuptials sound just like everybody else’s.

My wife Gwen and I wed 15 years ago today, and to celebrate that occasion – along with the onset of the June wedding season – I thought I’d give Popdose’s loyal readers an anniversary present: a mixtape of wedding songs and stories from some of our columnists, and an opportunity to share your own remembrances and ideas in the comments. These songs aren’t your garden-variety bridal standards; in fact, a few of them are downright bizarre. But even if you don’t find them suitable for your own purposes the next time you get hitched, hopefully they’ll inspire you and your betrothed to follow your own muse, and not some music conglomerate’s. Click here for a compressed file of all the tracks featured here, and read on! (more…)

The Friday Mixtape: 5/15/09

I said I wouldn’t do it. I was called out, however, and if there’s one thing I’m not, that’s a punk. All my neon green hair fell out a long time ago. —Dw.

Ben Lee – Catch My Disease from Awake Is the New Sleep (2005)
Bleu – Could Be Worse from Redhead (2003)
Calexico – Ballad of Cable Hogue from Hot Rail (2000)
Devo – Devo Has Feelings Too from Smooth Noodle Maps (1990)
Fischerspooner – Never Win from Odyssey (2005)
Jethro Tull – Wond’ring Aloud from Aqualung (1971)
Kino – Holding On from Picture (2005)
Otis Redding – My Girl from Otis Blue: Otis Redding Sings Soul (1965)
Robert Vaughn & the Shadows – Love Came Falling from Love and War (1985)
RPWL featuring Ray Wilson – Roses from Live: Start the Fire (2005)
Sean Watkins – Summer’s Coming from Blinders On (2006)
Spoon – The Fitted Shirt from Girls Can Tell (2001)
Super Furry Animals – Lazer Beam from Love Kraft (2005)
Tammy Faye Bakker – The Ballad of Jim and Tammy from the 12-inch single (1987)
Terry Scott Taylor – Writer’s Block from John Wayne (1998)
Vanden Plas – Phoenix from Beyond Daylight (2002)

Bottom Feeders: The Ass End of the ’80s, Part 17

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Every now and then I like to talk about what I have deemed “inappropriate ghetto moments.” These moments occur when I have the windows open in my car, the stereo turned up really loud (there isn’t any other volume), and some really bad song is playing as I’m driving through the ghetto.

Now, this doesn’t happen often. Most of the time I drive straight home from work and I don’t pass through the ghetto at all. But on days where I stop to get some food on the way home, I have to take the long way back and, well, there goes the neighborhood. We’re definitely talking a lot of 40 oz. bottles of fine malt liquor, one or two crack whores, and maybe someone starting a fight outside of the Fried Chicken Shack. Oh, and the homeless man with the broken right leg. Yet even with this sunny description of the area, my fat belly often yearns for a double cheeseburger from some grease pit, so I risk it.

Anyway, the story is not about the food I eat but rather the songs coming out of my speakers. The first time I ever spoke about “inappropriate ghetto moments” came as I was riding down the street and a group of thugs were stollin’ along the sidewalk while I was playing El DeBarge’s “Who’s Johnny.” (Yes, I realize this song comes up all the time in my posts. I swear I listen to it way more than anyone should.) Another time was a 12-inch remix of “Electric Youth” by Debbie Gibson. And it usually doesn’t hit me right away either. After a half dozen people give me weird looks, it’s only then do I realize the reason and stop singing along.

So how do I top Debbie Gibson, you ask? Well, I think I did last week. I had four dudes walking down the yellow line in the middle of the street as I pulled up blasting the very beginning of “Ears of Tin” by Jethro Tull, off their Rock Island record. If you don’t know this song, it starts off with a fierce flute passage (typical), and of course nothing says “I’m a big pussy, please carjack me” like Riverdance-sounding bullshit bumpin’ outta da hooptie. And this time I was going through the ghetto for nothing more than a sweet tea — if I’m going to die it’d better not be while listening to Jethro Tull and sipping sweet tea. That’s far less cool than my plan of dying when I’m 90 during an orgy with barely legal teens after realizing my Levitra-induced erection has lasted more than the four hours they warned me about on the commercial. This, of course, only holds true if they don’t create some kind of bionic penis in the next 60 years. If they do, then maybe death by Tull will have to do.

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