Earlier this week, I posted an item to Twitter (sorry, I refuse to use the word ‘tweeted’ in regard to any action I’ve ever taken) saying that I was listening to Rhino’s latest box set, The Doors: Live in New York. The response I got was immediate, negative in tone, and came from two colleagues who know a little something about music. One took a shot at Jim Morrison, the other at drummer John Densmore. The subject of the Doors has always been, and apparently still is, a provocative one. Battle lines are drawn. Feelings are strong on both sides. In the end, the fact that a simple mention of the band evokes such reaction, 40 years after the fact, is itself commentary on the band’s legacy.
Madison Square Garden opened in 1968, the fourth building in New York City to bear that name. In addition to the world famous arena, home to the New York Knicks, and New York Rangers, and the site of many legendary concerts, the complex includes what was then called the Felt Forum. The theater, which can seat up to 5,600 people for concerts, was named after then-Garden president Irving Felt.
On January 17 and 18, 1970, the Doors showed up to play four shows, two a night, at the Felt Forum. In 1969, they were one of the first rock bands to play Madison Square Garden itself, but opted to play the smaller Forum the next time around in order to recapture the intimacy with the audience that had characterized their early career, and to take advantage of the superior acoustics that the Felt Forum offered. It was just a few weeks before their album Morrison Hotel would be released. (more…)



Things should have been going swimmingly for The Cult. Their album Electric had succeeded in becoming the biker-rock record they hoped it would be – raw, straight-ahead and helmed by a fledgling production wunderkind named Rick Rubin. It gained some necessary traction in the sales and recognition departments as well, based in part on the single “Love Removal Machine.” By the time the band went on the road, however, the future for the Cult looked grim. By most accounts, the blame fell squarely on the shoulders of frontman Ian Astbury, his hedonism and earth-child eccentricities becoming far too difficult for the rest of the band to absorb. The Japanese leg of the tour was nixed as Astbury’s proclivity toward destroying the instruments every night was becoming too costly to continue.

Val Kilmer wants to be the next governor of New Mexico. In fact, as he told the Associated Press in a recent 