Posts Tagged ‘Joe Satriani’

Mix Six: “Supergroup … or Superdud?”

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On paper, it sounds like a moneymaking formula: take individual members from successful bands, put them together in a supergroup to make music, record the magic, and watch album sales go through the roof.  Yes, the Supergroup can, at times, be seen as a crass money grab, and at times it is.  However, there are other times when the result of these ventures bears some tasty fruit. Now, people’s taste being what they are, it’s going to be an argument without end as to which of the groups represented here are Supergroups or Superduds.  I certainly have my opinions, but don’t let that dissuade you from defending or slamming the six in this mix.

“Sole Survivor,” Asia (download)

Back when Asia made their debut in the early ‘80s, they were touted as the next big thing that would define rock music for the decade.  Think about it: you take a little bit of Yes, Emerson Lake and Palmer, and King Crimson, put them in a blender of sorts, serve up the contents  and … what do you think you’re going to get? Go ahead and insert a 40-Year-Old Virgin joke here. (more…)

Mix Six: “Hey, That Sounds Like …”

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One morning, Joe Satriani woke up to 40 text messages on his cell phone.  After scrolling through 40 variations of “holy schet u got ripped off,” Joe texted back his good friend (whose Internet name is Fuzzyslippers621) the following reply: “wot d feck R U talkin bout?”  This went back and forth for about 15 minutes until Joe realized his cell phone was actually a phone.  So he called Fuzzyslippers621 and asked in regular English, “What the fuck are you talking about?”  To which his friend replied, “Haven’t you heard the new Coldplay song?”  He had not, but after launching his Limewire program, he downloaded an illegal copy, waited for his iTunes player to play it, and lathered up his head for his morning shave.

The opening strains of the song were interesting, but he had no idea what all this “ripping off” business was, until …

He was stunned. There it was.  An unabashedly plagiarized portion of a song he wrote years before.  “How could this be?” He wondered as he carefully glided the Gillete “Fusion” razor over his grizzled pate.  The more his listened to “Viva La Vida,” the angrier he got.  Beads of shaving cream-infused sweat started rolling off his head. Furiously, he texted his lawyer the following message:  “I wnt 2 sue.”

And so began the story of one artist’s quest to right the wrongs that had, uh, wronged … him. Right.

Joe Satriani’s claim may have merit, but if he does win in court, lawyers for artists whose work has been the inspiration for other songs that sound uncannily like the original are going to have work after listening to this mix.

My Popdose colleague Matthew Bolin started a back and forth about Satriani’s lawsuit against Coldplay, and me being the opportunist I am, decided to float a Mix Six idea I had been thinking about for a few weeks. Jeff Giles, Scott Malchus and Michael Fortes all contributed suggestions to this mix, so with that, let’s get started! (more…)

Hooks ‘N’ You: Kyle Vincent, “Wow & Flutter”

When Kyle Vincent released his eponymous album on Hollywood Records in 1997, it looked for all the world that, after spending over a decade on a quest to earn himself a Billboard Top 100 hit, he was about to bring a dream to fruition. Unfortunately, that did not prove to be the case, but he made enough of an impact with the album’s single, “Wake Me Up (When The World’s Worth Waking Up For),” to show up on the radar of quite a few pop fans…including me. (Like you didn’t see that revelation coming up Main Street.)

Although Vincent’s stint on Hollywood Records only lasted for that one record, he didn’t let any moss grow under his feet. Indeed, he’d returned to the studio even before Hollywood went through the corporate restructuring that would cost both he and virtually every other artist on the label their deals. In the end, he released the follow-up to Kyle Vincent on his own label, SongTree Records, but it featured just as much gloss and sparkle as anything released on the majors that year.

Sadly, the sound of Wow & Flutter was a far cry from what the cool kids of the world were listening to in 1999. Their mothers, however, would’ve loved it…if only they’d had ample opportunity to hear it.

I don’t know about you, but I’ve often found myself listening to a song and thought, “My mom would like this,” and when I do so, I’m not thinking it in a sneering, disparaging way. On a Mother’s Day many moons ago, I made my mother a mix tape called A Little Bit of Mom Music, If You Please, and I filled it with songs by They Might Be Giants, The Beautiful South, the Cure, the Smiths, Captain Sensible, 10,000 Maniacs, the Blue Nile, and probably a dozen other artists…and she loved it. I think she played in the car until they finally upgraded from a cassette player to a CD player, in fact. Just because your parents might listen to music that you can’t readily defend in a court of cool – my mother’s love of Anne Murray is one which I’ve never personally been able to embrace – doesn’t mean that they can’t appreciate some of the tunes you’re grooving to, and Wow & Flutter is definitely a record that multiple generations can appreciate.

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