Posts Tagged ‘Joe Walsh’

The Friday Mixtape: 10/9/09

No major theme this week, folks. Next week, on the other hand, will have a theme very close to me, so don’t forget to stop by for that one. Yeah, next week’s mixtape is gonna RAWK, but this week… Eh.

Now that’s some kinda salesmanship right there, y’all.

Amorphis – Shattered Within from Am Universum (2001)

Eddie Izzard – Squeezy Squeezy Things from Definite Article (2003)

Glass Hammer – Longer from Shadowlands (2004)

Joe Walsh – Look At Us Now from Ordinary Average Guy (1991)

Lindsey Buckingham – Did You Miss Me from Gift Of Screws (2008)

Megadeth – A Secret Place from Cryptic Writings (1997)

Mike Birbiglia – Like Fun! from My Secret Public Journal Live (2007)

Roxy Music – Editions Of You from For Your Pleasure (1973)

Symphony X – Communion And The Oracle from V: The New Mythology Suite (2000)

The Afghan Whigs – Faded from Black Love (1996)

Uriah Heep – Sweet Lorraine from The Magician’s Birthday (1972)

ZZ Top – Tush from ZZ Top – Greatest Hits (1992)

Basement Songs: Joe Walsh, “Rosewood Bitters”

CD_ConfessorThe summer vacation. As I’ve mentioned a couple of times in the Basement Songs, during my childhood, when school let out for the summer, my parents would pack up the family and take us on long voyages around the country. We’d explore the great tourist attractions each state had to offer, camp in an Apache pop-up trailer at KOAs, and spend endless hours on the open road. While my dad drove and my mom worked on her current latch hook rug in the front of the van, my siblings and I would go off into our own worlds. As a young boy I invested hours in the lives of the Hardy Boys or Henry Huggins, then moved on to the supernatural tales of Poe and Stephen King as I got older.

One year, after pestering my parents for a comic book, they surprised me with the oversized “graphic novel,” Superman vs. Wonder Woman. I read that book so many times, it’s in tatters. Eventually I traded some kid from grade school my copy of X-Men #137, “Phoenix Must Die!” for a better copy of Superman vs. Wonder Woman. The X-Men comic is worth a lot of money now while Superman vs. Wonder Woman is a quaint novelty from a bygone era. I don’t regret the trade one bit.

Occasionally, while my brother Budd was stretched out in one of the seats and my older sister Beth read her own books and magazines, I would hang out in the back of the van with my younger sister, Heidi, creating stories with her Barbie dolls while the wheels of the van whirled underneath us on hot black asphalt. The time spent staring out the window as the countryside of the U.S. passed by me developed a yearning in me. To this day, I love to get in my car and just drive. The seed to become a writer was also planted in those summer road trips. (more…)

The Friday Mixtape: 5/29/09

This week’s mixtape is Chris Hansen approved! Truly! Would Chris Hansen steer you wrong? By the way, why don’t you head into the kitchen for some sweet tea and brownies?

Emerson, Lake & Powell – Vacant Possession from Emerson, Lake & Powell (1987)
Ennio Morricone – L’estasi Dell’oro from The Good, the Bad and the Ugly [Expanded] (1966)
Firewater – 7th Avenue Static from Psychopharmacology (2001)
Joe Walsh – Rockets from There Goes the Neighborhood (1981)
Jon Brion – Voices from Meaningless (2001)
Mr. Bungle – Vanity Fair from California (1999)
Pinetop Seven – Drying Out from Rigging the Toplights (1988)
Sentenced – No One There from The Cold White Light (2002)
Spock’s Beard – Ghosts of Autumn from Feel Euphoria (2003)
Talk Talk – Ascension Day from Laughing Stock (1991)
Television – No Glamour for Willi from Television (1992)
The Kinks – Underneath the Neon Sign from Soap Opera (1975)
The Rutles – Eine Kleine Middle Klasse Musik from Archaeology (1996)
Utopia – You Make Me Crazy from Adventures in Utopia (1980)

CHART ATTACK!: 1/15/83


Welcome back to CHART ATTACK!, all new for 2009! This year we’ll be doing much like we’ve done in the past: ripping apart Billboard Top 10 charts for years ranging from the early ’70s to the early ’90s. You know the drill: some of ‘em are going to be great; some will be abysmal; some will feature way too many appearances by stupid Andy Gibb. (Not this week — just his brothers.)

This week, we’re looking at early 1983, a fairly diverse week featuring punk, pop, R&B, adult contemporary and whatever category you want to stick “Dirty Laundry” into. Also, here are a few of the odd words you’ll find in this week’s chart: Sharif, Serengeti, she-cat, and Vegemite. We’re also featuring three songs that, in some way or another, essentially were given a second chance on the charts this week.  Which ones?  Stay tuned as we attack January 15, 1983!

10.  Heartbreaker — Dionne Warwick Amazon iTunes
9. Rock the Casbah — The Clash Amazon iTunes
8. Baby, Come to Me — Patti Austin (with James Ingram) Amazon iTunes
7. Africa — Toto Amazon iTunes
6. Mickey — Toni Basil Amazon iTunes
5. Sexual Healing — Marvin Gaye Amazon iTunes
4. Maneater — Daryl Hall & John Oates Amazon iTunes
3. Dirty Laundry — Don Henley Amazon
2. The Girl is Mine — Michael Jackson/Paul McCartney Amazon iTunes
1. Down Under — Men at Work Amazon iTunes

10. Heartbreaker — Dionne Warwick (download)

“Africa” holds my spot for the best song on this relatively solid Top 10, but “Heartbreaker” is in second place.  It has very little to do with Dionne Warwick; while her vocal is fine, I think I’d also be okay with a number of other female vocalists singing. It’s more about the chorus, which is not only unmistakably catchy but contains just the right amount of Bee Gees — the fantastic backing vocals with none of the ridiculous falsetto wailing that Barry prefers to use at every turn.  And once again we have to give credit to Mr. Gibb for wisely handing out his songs to other vocalists at a time when the Bee Gees were certainly less welcome on the charts.  This one wasn’t initially his idea, though: in ‘82, Barry had planned on collaborating with a few different female vocalists for an album he was working on, but Clive Davis asked him if he’d write an album of material for Warwick.  He did so, and though Warwick didn’t really care for “Heartbreaker,” she recorded it anyway — and it wound up being her biggest solo hit of the decade.  I can’t believe I love “Heartbreaker” more than Dionne Warwick.  Anyway, the Bee Gees eventually recorded their own version in 2002:

The original demo can also be found on YouTube (or on iTunes).  Beware, though: Barry sings the whole thing utilizing the aforementioned falsetto wailing.

9. Rock the Casbah — The Clash

One can only imagine what Joe Strummer thought about spending time in the Top 10 next to Dionne Warwick. Even worse, only a few weeks later he’d wind up stuck next to Eddie Rabbitt and Crystal Gayle. The Clash’s Top 40 singles were far and few between — we’re talking this one and “Train in Vain (Stand By Me).” (”Should I Stay or Should I Go” reached #45.)

“Rock the Casbah” was born out of a piano part composed by drummer Topper Headon, and it’s Headon who plays bass, drums and piano on the track. The origins of the lyrics have been disputed, but the story I’ve heard the most is that Strummer was inspired by a news report of Iranians being flogged for owning disco music. I don’t see why that’s so wrong.

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