The other day someone asked me what the “most valuable” record in my collection is. It’s a question I’ve always had a hard time answering, because I have no idea if anything in my collection is worth money. I mean, I know which of my albums and 45s are rare, and certainly I know some pieces are worth some kind of money, but for me any sort of “value” comes from just having that particular hole filled in my collection. I’m not the first collector to say this and I certainly won’t be the last, but there is no part of my collection that I’ve been working on in order to turn a profit. Granted, if I ever get that elusive Shamus M’Cool 45 my collection will jump tremendously in value, but for now it contains just what I think is cool. And in case you’re wondering how I define “cool” …
I own 19 different versions of “Talkin’ Baseball” by Terry Cashman, and Baseball America values them at up to $50 apiece. Of course, that’s Baseball America talking. I own “Dance Baby,” the 1983 single from Alfonso Ribeiro, aka Carlton on The Fresh Prince of Bel-Air. I own Alyssa Milano’s first album (1989’s Look in My Heart), and having Frank Stallone’s self-titled disc brings me much joy. I get endless conversations out of the men-hugging-each-other cover of Ambrosia’s One Eighty, and Scott Baio’s 1982 debut gives me nightmares.
These are the pieces of my collection that are valuable to me. One day I’m going to sell it off, and then I’ll really see what it’s worth to own way too much Peabo Bryson music, but until then I’ll keep lovin’ the Stryper picture disc simply because it’s mine. So the next time someone asks me what’s the “most valuable” piece of my collection, I guess I should answer, “All of it” (which of course is the lamest answer I could possibly give).
NEW MUSIC FOR THE COLLECTION:
DFX2, Emotion
Fiona, Fiona
Hanoi Rocks, Two Steps From the Move
Full Force, Full Force
The J. Geils Band, You’re Getting’ Even, While I’m Gettin’ Odd
