Posts Tagged ‘Joel Schumacher’

Blu-ray Review: “Falling Down”

Falling Down (Blu-ray book) (Warner Bros., 1993/2009)
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He’s made some good movies (The Lost Boys), some overrated movies (St. Elmo’s Fire), and some offensively shitty movies (Batman & Robin), most of which have made lots and lots of money — but it’s my contention that Joel Schumacher has never (and most likely will never) make another film as timely, smart, and important as 1993’s Falling Down. If you still remember the helpless dread that filled your soul during Batman & Robin, the idea that the same man was also responsible for something as well-made as Falling Down is still a little hard to swallow, but no matter how hard he’s tried to hide it, there’s an auteur lurking beneath Schumacher’s apparently unquenchable thirst for garishly framed bozo flicks, and more than any of his other detours down more esoteric filmmaking paths, this movie proves it.

No one is more uncomfortable admitting this than I am. As you may have guessed, Batman & Robin ranks as one of the most painful experiences I’ve ever had in a theater; I didn’t hate it enough to walk out mid-screening — that honor remains reserved for Eddie Murphy’s Metro, a movie so bad that the audience at my showing booed when it came back on after being paused while paramedics evacuated a man suffering a heart attack — but still, revisiting Falling Down on Blu-ray was a profoundly disorienting experience for me. What happened to this Schumacher? The one who was so good at putting you in a place? Here, Schumacher makes Los Angeles an unwritten character, using the oppressive summer heat and shittiness of the city brilliantly in every frame. In a film full of weapons, Schumacher wields the mid-day sun as perhaps the most lethal of all. (more…)

The Bigger Picture: In Defense of McG: Or, Why I’m Not a Movie Critic

terminator-salvation1When our esteemed editor and retired slow jam artist Jeff Giles first asked me to contribute to this site, he wanted me to contribute as a movie critic. I believe what he wanted was a “Chuck Klosterman of movies.” Certainly all of my friends would have thought me a perfect fit, but I told Jeff I’d rather do something a little different.

Popdose currently has two fine critics in Robert Cashill and Lance Berry. These are two gentlemen whose opinions I respect and enjoy. Many times, however, I find myself in serious disagreements with them.

I don’t consider myself a critic, though I have agreed to do the occasional DVD review here. Though I argue with my friends incessantly about film, to the point where they are often surprised when I actually like a movie, I don’t want people to think of me as a critic. Often my opinions stem more from feeling than actual critical thought, which may or may not be a good thing.

Say the name “McG” out loud. Sounds pretty stupid, doesn’t it? Now allow your natural reactions be displayed when I tell you he brought us Charlie’s Angels and Charlie’s Angels: Full Throttle. Are you vomiting yet? Now that you know all that, check out this little movie he just made based on the cult, critical, and fan favorite Terminator movies. (more…)

Sugar Water: Break On Through (To Another Side of Acting)

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“A liar lies and a thief steals from you, but a hustler gives you something that you don’t mind parting with your money for. You’re entertained by the meal or the sex or the impression that something is going to happen. You’re given a sense of well-being….” –actor Val Kilmer describing porn star John Holmes, who he portrayed in 2003’s Wonderland

Val Kilmer wants to be the next governor of New Mexico. In fact, as he told the Associated Press in a recent interview, “If I run, I’m going to be the next governor.”

That’s the spirit! After all, Arnold Schwarzenegger had never held public office before he became governor of California in 2003, and by most accounts he’s done an admirable job in that post. But Schwarzenegger was always more of a movie star than an actor, and one reason he got to be such a huge international star was because he was a smart businessman (and, by extension, politician). He promoted action films like Total Recall and comedies like Twins with equal amounts of salesmanship and hyperbole, appearing on as many talk shows and in as many entertainment magazines as he could. He knew he wasn’t a great actor, and he knew his fans didn’t want to see him try anything Oscar-worthy, which is why the clip of him playing a pyrotechnic Hamlet in 1993’s Last Action Hero is the best joke in that otherwise misbegotten attempt at melding Schwarzenegger’s two favorite genres. (“To be or not to be,” he says before deciding on “not to be” and detonating the royal castle.)

Kilmer, however, is much more of an actor than a movie star, despite matinee-idol looks and brief brushes with superstardom in blockbusters like Top Gun (1986), in which he played one of Tom Cruise’s rivals, and Batman Forever (1995), where his Batman was overshadowed by Jim Carrey’s Riddler and Joel Schumacher’s campy direction. (To be fair, 2005’s Batman Begins is the only Batman film that focuses more on the title character than the villains. Even last year’s critically adored The Dark Knight gave more screen time to the Joker and Two-Face.) Kilmer decided not to reprise his role for 1997’s Batman & Robin. This probably pleased Schumacher, who returned for the franchise’s fourth installment and told Premiere magazine in ‘97 that “Val is the most psychologically troubled human being I’ve ever worked with. The tools I used to work with him — tools of communication, of patience and understanding — were the tools I use on my five-year-old godson. Val is not just high-strung. I think he needs help. I say this to you only because I have said it to him.”

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