Albert Brooks made two comedy albums in the ’70s. Both have stood the test of time.
At 12:01am this morning, the world was gifted by The Beatles’ music appearing on virtually every available streaming service. But what have we gotten, and how does it sound?
Objectivity be damned; this is The Beatles we’re talking about. The single, most important cultural entity to happen in my lifetime; merely a rock and roll band who re-shaped traditions – musically and on a grander, far deeper social scale. But not to quickly digress, they also made the most memorable and beloved music in modern history. Two of them are now dead and they continue to live on as new, younger generations are finding them/finding out about them and how crucial they were and are, most importantly, musically. So here’s another repacking with a neat addition. The stripped down and wildly successful 1 collection (originally released in 2000) has now been remastered and reissued with a restored DVD/Bluray set of the band’s promo films – some actually shot when the Fabs were a going entity – to create 1+. The pictures are sharper than before; the sound is dynamic and, of course, the music is just as thrilling now as it was then. From the CD edition, you get all the singles that reached …
Doesn’t suck, but lacks bite.
Oh no! Bad words!! Wash my eyes with bleach!!
For a group that once loudly and proudly proclaimed that they were reapplying for the job of best band in the world, U2 have faced their share of humbling challenges in recent months: a widely panned deal with Apple that confused and angered iTunes users, a new album released to decidedly mixed reviews (sorry, Rolling Stone!), a bicycle accident that required major surgery and hampered the album’s launch, and a tour that got off to a rather unsteady start. In some ways, the backlash against Songs of Innocence‘s release has been so strong to now merit its own backlash—and may have helped to turn into unlikely underdogs a band that can claim to have sold more than 98 percent of all tickets to 68 arena dates through the end of 2015. While U2’s power as a live draw seems largely undiminished, they went through great pains in the lead-up to the iNNOCENCE + eXPERIENCE Tour to emphasize that they had no intention of settling comfortably into a rock middle age of filling arenas to play crowd-pleasing-but-rote greatest-hits sets that would include …
It’s the Friday Five! Shuffle through five random tracks from your library and share it with the Popdose community.
“Will It Go Round In Circles” was one of the biggest hits in a legendary career
Popdose is giving away “The Beatles in Mono” vinyl box set!
Gary Cherone is perhaps best-known for being the longtime vocalist of the Boston-based rock band Extreme and after that, the guy who picked up the microphone for Van Halen as the group’s singer for the Van Halen III album and tour. (If you’re a Van Halen fan, hopefully you got a chance to see Cherone on that tour — the shows were great!) Since 2007, Cherone has been focused on his new band Hurtsmile, a collaboration with his brother Mark playing guitars, bassist Joe Pessia and drummer Dana Spellman. They released their self-titled debut in 2011, which Cherone described at the time as an album which was “about returning to my roots [and] writing a record in my basement — a straight up rock `n’ roll record that turned out to be more diverse and ambitious than I expected.” The Hurtsmile album was well-received and Cherone and crew have come back around for round two, with plans to release their second album Retrogrenade in late May. Fans can pre-order the album now via PledgeMusic and …
Liverpool and the American south came together in Muscle Shoals
Betty Everett & Jerry Butler scored with a cover of a beloved Everly Brothers hit
The Olympics had it first, the Rascals made it huge
Wherein we look at ten of the weirdest and most random products to be marketed using the Beatles name and image.
Two music legends unite in a remarkable collaboration
It’s never easy to grow up in your father’s shadow, no matter who you are, so you can only imagine how it was for Julian Lennon, given that not only was his dad one of the Beatles but also there’s a distinct physical and vocal resemblance between the two of ’em. After grabbing the attention of listeners with his 1984 debut, Valotte, Lennon continued to release new albums every two or three years – The Secret Value of Daydreaming in 1986, Mr. Jordan in 1989, and Help Yourself in 1991 – before taking a break for a few years. When he returned in 1998, it was with Photograph Smile, an unabashedly Beatle-esque album which found Lennon seemingly comfortable at last with embracing his heritage. Unfortunately, it proved to be the last thing listeners would hear from him for many years. Finally, in 2011, Lennon emerged with a new album: Everything Changes. The only problem, however, was that its emergence was limited to the UK and Ireland. At long last, however, the album has finally found …
Ann Peebles was one of the great deep soul singers of the ’70s
Ah, it’s Friday, time to relax, and you know what that means, a glass of wine and the Friday Five!
In 1993 Billy Joel made people feel awkward and sad.
The Beatles second film has been released on Blu-ray
Stop! Drop! Shuffle into the weekend! Join in this week’s Friday Five.
In which we look at once common curiosities of pop culture that don’t exist anymore, be it because of changing tastes, the fragmentation of culture, or merely the fickle nature of fads. In the late ’70s in the Netherlands, most disco music came in bootlegged medleys on 45, in which popular dance songs were strung together with a cohesive beat, or the music of one band, say, the Beatles, was remixed with a generic 1-2 drum beat and some synthetic hand claps. Dutch music publisher Willem Van Kooten got wind of this trend when he heard a mix that included a danced-up version of “Venus,” of which he owned the copyright. He decided to record a legit dancebeat-assisted disco medley, using “Venus” as well as some Beatles songs as recorded by studio musicians who he thought sounded like John Lennon and Paul McCartney. (They didn’t.) Because of copyright reasons with the Beatles’ songs, Van Kooten and Stars on 45 had to list the name of every song in the medley in the song’s title: “Intro”/“Venus”/“Sugar, …
No list of the Seventies’ best albums is complete without Pink Floyd, right? Well, we got two of their albums here!
Just because a song gets stuck at #3 on the charts doesn’t mean it’s not an all-time great.
Rob Smith meditates on memory, music, and the Beatles in “The Vinyl Diaries.”
“I’ll finish you all now! You’ll pay!” So said Paul McCartney to Ringo Starr when Ringo tried to convince Paul to hold his solo album release so it wouldn’t conflict with the release of Let It Be. In a court affidavit describing the incident, Ringo said Paul “told me to put my coat on and get out” of his house. At Ringo’s urging, John and George relented, and Let It Be was shelved for a couple of weeks. And with a head start, McCartney reached #1 on the Billboard 200 before Let It Be dethroned it, on June 13, 1970. Let It Be held the top spot for four weeks, the shortest run of any Beatles album to hit #1 except for Anthology 2 in 1996. Although Let It Be was recorded before Abbey Road, it has the feeling of an album patched together out of bits and pieces, the sort of thing bands release as a stopgap or a last gasp. In early 1969, when the band’s squabbles were at their hottest, it looked as …
Rob Smith’s “Vinyl Diaries”: Billy Joel, “The Nylon Curtain”
It seems just about every musical style gets recycled whether it deserves it or not. Here are five genres that definitely do.
The NRA redefined Epic Fail in December 2012.
It must be great to be Paul McCartney. All that fame, all that money. And it must be terrible, too, because you have to compete with Paul McCartney, and a reputation that will last until the end of time. It’s been that way from the beginning. In 1970, at the precise moment the Beatles were making public their inevitable split, Paul released a solo album, McCartney, which was instantly compared to his previous work, and found wanting. John Lennon and George Harrison didn’t like it. Many critics didn’t care for it, either. Too ragged, too full of half-baked ideas, lacking the hook-laden sound everyone expected from a Beatle. Almost 43 years later, it’s easy to hear what they were talking about. But you can also hear it as a declaration of independence—here’s what interests me, Paul is saying, here’s what’s important to me now. Let John and Phil Spector do whatever grandiose thing they’re doing to Let It Be—I’m unplugging over here. Three tracks on the album stand out: “Maybe I’m Amazed,” which got a …