Posts Tagged ‘Jon Cummings’

Political Culture: The Boston Tea Party

For about four months now I’ve had a copy of Ted Kennedy’s memoir, True Compass, sitting on my nightstand. So far it has served as a coaster and as a paperweight – and as an acceptable pile-topper when I don’t feel like cleaning old newspapers and half-read magazines off the table. But I’ve never cracked it open. I’m not really sure why – actually, I can think of one reason – but now I’m wondering if I’ll ever read it at all. Since Tuesday it has come to seem decidedly less necessary, historically speaking … like a rock band’s phenomenal debut album that was followed by a dozen shitty ones, or like Tiger Woods’ pursuit of Jack Nicklaus’ record for major championships.

In fact, something interesting happened on Tuesday night. Remember that scene near the end of Back to the Future, when Marty’s hand begins to disappear as chances of his parents getting together become less likely? Well, on Tuesday night an entire section of True Compass vanished from my nightstand. It was Teddy’s health care legacy. Will Democrats somehow find a way in the coming days and weeks to restore those pages to the book, or are they – and, with them, the usefulness of the Democratic Party as a governing coalition – gone for good?

Ted’s legacy is hardly the most important potential casualty of Massachusetts’ idiotic decision to place Scott Brown in Kennedy’s U.S. Senate seat, but it’s hardly the least important, either. Symbolically speaking – and we may as well speak of symbols, because reality flew out the window a long time ago when it comes to the health-care debate – Tuesday’s vote represents the (overwhelmingly Democratic-leaning) people of Massachusetts marching en masse down to Arlington Cemetery and pissing on the eternal flame. One day very soon, Brown will cast an inevitable, lockstep “No” vote on an issue that hasn’t yet been utterly poisoned by demagoguery — an issue for which Teddy would have been leading the fight, on behalf of the huge majority of people in his state who favor progressive action rather than the conservative let’s-do-nothing approach. A jobs program, maybe? On that day, some significant number of currently spiteful, moderate Massachusetts voters will think to themselves, and not for the last time, “My God, what have we done?” (more…)

Political Culture: The Rapture of Ayn Rand, Part One

“We do not tell – we show.”

So says the mentor of Atlas Shrugged’s three key “strikers,” philosopher Hugh Akston … on page 735 of a 1,168-page novel, in a passage that precedes by 300 pages the beginning of a 60-page, 35,000-word monologue by John Galt that is, if nothing else, an absolute triumph of telling over showing.

I note this contradiction not merely for an ironic chuckle – though I must say, I did spend a half hour guffawing after I read it – but also to preface the peculiar challenge I’ve set for myself now that I’ve finally finished Ayn Rand’s rambling rhapsody of (supposed) rationality. I must, of course, complete the task of synopsizing the novel – which is easy enough, except for the requirement of posting the phrase “Spoiler Alert!” for the benefit of anyone who’s just now stumbling across this series and might not want to find out what becomes of Dagny, Hank, and the gang down at Galt’s Gulch. But I must also say whatever it is I have to say about the novel as literature, and about Objectivism as a philosophy, since I have no plans of returning to either topic at any length. So settle in … this is going to take a while. In this “Part One” post, I’ll cover the synopsis and the literary criticism; if you survive it, please mosey on over to Part Two for a generalized take on Objectivism as viewed through the prism of Atlas Shrugged and some other Rand-related materials I’ve sampled recently.

I am well aware that whatever summary and analysis I offer in this relatively short space will be insufficient, either for novices or for those Students of Objectivism (inside joke – we’ll discuss it later) who, if recent history is any indication, will soon be suggesting in either a pleasant or troll-like manner that I am “uncomprehending” or “lazy” or “witless,” or some such. That’s fine; to each his own. (Which, by the way, in four words pretty much sums up Rand’s philosophy.) (more…)

Popdose Flashback ‘90: Julia Fordham, “Porcelain”

If you were watching music videos during the winter of 1990, you probably saw a lot of Taylor Dayne’s bustiers … watched Michael Bolton as he seemed to strain mightily to release something from one orifice or another … and wondered why it was ever necessary for Paula Abdul to team up with anything called a “Scat Cat.” But if you were lucky enough to flip away from MTV during one more airing of “Janie’s Got a Gun,” waiting over on VH1 was the clip for the classiest, most retro-romantic pop song of the season.

Julia Fordham spent portions of the ’80s as a backing vocalist for Mari Wilson and Kim Wilde, before graduating to the spotlight with a self-titled debut album on Virgin that landed in 1988 — right in the middle of about a zillion other debuts by female singer/songwriters. If Sinead O’Connor and Melissa Etheridge were at the rock-based edge of that spectrum, Fordham was at the other extreme, with a delicate voice that ranged easily over three octaves and begged for lush, jazz- and world-music-tinged arrangements. She scored a top 30 U.K. hit with “Happy Ever After” from that first album, and made some serious headway in the U.S. as well, but she sometimes seemed uncomfortable in the midst of the disparate instrumental elements (Spanish guitar here, heavy-handed horns there) she chose for herself. It wasn’t until her second album, the perfectly titled Porcelain, that she found perhaps the fullest expression of her style. (more…)

Popdose Interview: Freedy Johnston

There’s something joyous, even heartwarming, about hearing Freedy Johnston’s distinctive voice again. It’s been easy to lose track of him over the last decade; after all, he hasn’t released a new studio album since 2001’s Right Between the Promises , the last of his four recordings for Elektra. Between then and now he has charted a nomadic course, moving around from NYC to Austin to Madison to Nashville, with a stint in his Kansas hometown thrown in. He has messed around on occasion with a ramshackle covers band, the Know It All Boyfriends (also featuring Butch Vig and Doug Erikson of Garbage, and he has released an album of covers, an album of demos and a live recording — all while working in fits and starts on a collection of new songs that seemed (to him and his fans alike) as though it might never reach fruition. As it turns out, Rain on the City (available tomorrow) was worth the wait – in fact, it’s probably his best work since his early-’90s commercial peak with Can You Fly and This Perfect World. It’s full of his trademark finely turned phrases, and pop-rock tunes like first single “Don’t Fall in Love with a Lonely Girl” that seem bright and melancholy at the same time. He’s back on the Bar None label, which released his first albums, and he’s hitting the road for a brief series of shows beginning next week at City Winery in New York. “It’s not exactly a U2 tour,” he joked during an interview with Popdose in the late autumn, “but we’re going to hit a dozen or so cities with a band, and then I’ll fill it out with solo gigs. That’s the way I’ve had to do it for several years now, but I love doing the band shows whenever I can. Come to think of it, those band shows are coming up soon. I’d better get the group together quick.” (more…)

Political Culture: Ayn Rand’s Shangri-La of Self-Interest

I tried. I tried so hard. You’ve gotta believe me when I tell you how I tried and tried to finish Ayn Rand’s oversize chronicle of obsessive-compulsive capitalism, Atlas Shrugged, over the holidays so that I could wrap up this series today. Alas, somewhere in the early-late-middle of John Galt’s 32,000-word disquisition on “Men of the Mind,” “Mystics of Muscle,” and other assorted (and alliterative) figments of Rand’s imagination, I fell into a long yet fitful sleep. And after numerous horrifying dreams about Welfare Queens with entitlement complexes … not to mention one very lovely vision of a nude Dagny Taggart presenting me with a pristine copy of the novel’s Cliff’s Notes … I awoke to discover I had slept six days, it was 2010, and somehow our republican (though hardly Republican) form of government had survived into the New Year.

Relieved at the knowledge that the teabaggers had it all wrong, and that President Obama’s first calendar year in office hadn’t concluded with the declaration of a “People’s State,” I decided to throttle back my attempt to finish Atlas Shrugged in time for this column. Instead, my wife and I spent the long weekend dreaming up ridiculous reasons to call each other “moocher” and “looter,” and even that most powerful of Rand-ian insults, “loocher.” That last one, in fact, may yet come to replace “Socialist Schmoopy” as our go-to term of mutual endearment.

I’m sure some of you are quite pained to learn that my heretofore sincere quest to devour Rand’s magnum opus has, temporarily at least, devolved into openly mocking pillow talk with the missus. But don’t despair! Thanks to that magical Internet phenomenon known as the “pingback,” I learned this week that one of our nation’s most respected investigative reporters, the extravagantly mustachioed John Stossel, has picked up this hot potato and run with it — preparing an hourlong program on Atlas Shrugged and Rand’s Objectivist philosophy, to be broadcast this very evening at 8 p.m. EST on the Fox Business Network! (more…)

Political Culture: Ayn Rand’s Polemical Porn

Here’s the thing about reading Ayn Rand: She forces you to think the way she does. Once you’ve immersed yourself in her black-and-white worldview — and once you’ve adjusted your expectations to accommodate her rhetorical method, in which every fictional event is created as a forum in which she can communicate her notions of good and evil, morality and immorality – it’s hard to avoid applying that same method to the real world around you. Not to reach the same conclusions, necessarily … but to judge every person and situation on her terms, and to use those judgments to create a tidy little moral cocoon around yourself.

It’s fun, really – and dangerous. It’s also becoming more and more common these days, as the news media, Hollywood, religious institutions, and government officials have mastered the skill of tailoring events (what we now call “spinning”) to fit their particular ideological viewpoints. Even as they do so, their audiences/parishioners/supporters increasingly use those institutions to reinforce their own beliefs, and become more attached to whichever news channel, films, churches and politicians provide the information and analysis that will confirm their worldview.

But enough of this sociological bullshit! I put the word “porn” in my headline, and that’s probably why most of you are here, so let’s get on with it. (more…)

Political Culture: Ayn Rand Takes a (Midas) Mulligan

When I was a senior in college, instead of prepping for a career as a Rand-ian Master of the Universe with high-level courses in economics or engineering, I chose a pair of classes in Northwestern’s speech department: “Rhetoric of Popular Culture” and “Rhetoric of Popular Music.” The professor for both was a crotchety, hilarious guy named Irv Rein, and I learned so much from him that I can safely say that without those courses I wouldn’t be who I am today – a stay-at-home dad who writes about pop culture for no money. Thanks, Irv!

Professor Rein had wonderful lessons to impart, from the ways in which pop bands were marketed to the “rhetoric” behind shopping center names and layouts: “Check out any shopping mall,” he’d say, “and most likely it’s named after whatever was destroyed in order to build it.” Unfortunately, in order to get to those lessons you’d have to sit through a lot of bullshit. Torrents and torrents of bullshit, really – ramblings that seemed utterly tangential to the stated topic, interspersed with classmates’ idiotic questions and comments that sounded like they came off the message boards at American Idol’s website. At some point during every lecture I’d think to myself, “I can’t believe I’m sitting through this … I’ve got to drop this class” – but then good ol’ Irv would finally get to the point, and the skies would open, the sun would shine, and he’d once again snatch reason from the jaws of inanity.

Right now, two paragraphs into a column that’s supposed to be about Ayn Rand, you’re probably thinking to yourself, “Yeah, Jon, you’ve obviously learned a lot from Professor Rein.” But two paragraphs is nothing! I’ve read 336 pages of Rand’s monument to megalomania, Atlas Shrugged – just under a third of the book — and I’m still waiting for her to cut the shit and get to the point. However, I thought of Irv today because Rand did manage to slip a bit of wisdom onto page 331. Here it is: “By the essence and nature of existence, contradictions cannot exist. If you find [the connection between two facts] inconceivable … check your premises. You will find that one of them is wrong.”

It’s a great set-up for whatever’s to come during the remaining 832 pages. Unfortunately, at the moment I’m still struggling to climb down (temporarily) from Rand’s Tower of Babble. (more…)

Political Culture: I’ve Been Ayn Randed!

A homework pass to the first commenter who can identify what inspired this column’s headline – without resorting to the Google (honor system!) – and can tell us why The Man is so unhip.

Class, today’s discussion concerns the first five chapters of Ayn Rand’s symphony of self-centeredness, Atlas Shrugged. I’m not the world’s fastest reader, so I’m sorry to disappoint anyone who’s managed to read ahead of me over the four days since I commenced this adventure in politically contrarian scholarship. But I gotta tell you … and here’s an obscure cultural reference … as I’ve worked my way through 125 pages of Rand’s polemic disguised as a novel, I’ve felt like I had mistakenly picked up the first couple of theme-notebook volumes of Henry Fool’s “Confessions.” (If you don’t get the reference, put the bizarre Hal Hartley film in your Netflix queue.) I’m already wondering if this thing is ever going to end.

That said, I must admit that Atlas Shrugged is far more gripping than I expected it to be – even if, half the time, it’s gripping in the way that a gruesome five-car collision commands the attention of passers-by on the freeway. I’m a sucker for stories full of workplace intrigue and political manipulations, so I’m having a surprisingly easy time tolerating Rand’s endless exposition and the most unfathomable attempts at dialogue I’ve ever read. As for the Objectivism … I suppose if I’m to read one work of delusional right-wing fiction this holiday season, I’m glad it’s this rather than, say, Going Rogue. (more…)

CHART ATTACK!: 12/2/89

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Hello again, everybody, and welcome to the final CHART ATTACK! of 2009! In case you haven’t noticed, Popdose has been pretty much taken over by horrible, horrible holiday music, and I’m smack in the middle of it. Therefore, I’ll be taking the rest of the year off so I can spend some quality time trying to get all of those crappy tunes out of my head.

So what’s on the table for this week? Well, let’s just say that I already know a few of you aren’t going to like this chart. See, one of my earliest CHART ATTACK! posts covered a week right around this one (featuring three of the songs from this chart), and many considered it to be a terrible week in music. I don’t necessarily agree, but I think it pretty much comes down to age. I was 12 years old when this chart came out, and while I agree that not all these songs are fantastic, most of these are the ones I just found myself surrounded by, both on the radio and on MTV, and so I wound up with a fondness for many of them. Let’s see if you agree or disagree, as we take on December 2, 1989!

10. Poison — Alice Cooper null
9. When I See You Smile — Bad English null
8. Don’t Know Much — Linda Ronstadt (featuring Aaron Neville) null
7. Back to Life — Soul II Soul null
6. Another Day in Paradise — Phil Collins null
5. Love Shack — The B-52’s null
4. Angelia — Richard Marx null
3. (It’s Just) The Way That You Love Me — Paula Abdul null
2. We Didn’t Start the Fire — Billy Joel null
1. Blame It On the Rain — Milli Vanilli null

10. Poison — Alice Cooper

You may be wondering how Alice Cooper managed a comeback on the charts in 1989, seeing as he hadn’t made a dent in the Top 40 since 1980, hadn’t reached the Top 10 since 1977, and had almost died about six times in the ’70s alone. Two words explain the whole thing: Desmond Child. Child is the songwriter behind a million songs that you know like the back of your hand, for better or worse: “Livin’ On a Prayer” and “You Give Love a Bad Name” are just two of the many hits he’s written (or co-written) for Bon Jovi, but he also wrote smash singles for Aerosmith (“Dude (Looks Like a Lady),” “Brand Tyler is a Very Viable Brand”), Kiss (“I Was Made For Loving You”) and even Ricky Martin (“Living La Vida Loca”). Cooper called on Child to help him produce, co-write and record his first album for Epic, which pretty much explains why the album features Jon Bon Jovi, Richie Sambora, and everyone in Aerosmith except for Brad Whitford. Poor Brad Whitford. He should start a band with James “J.Y.” Young from Styx.

Peaking at #7, “Poison” was the only single to make any real dent in the charts; two others placed outside the Top 40. It’s a good enough hard rock single, carried by Child’s production (it’s certainly not carried by Cooper’s voice) and I can see how it did well during the late ’80s — however, I have absolutely no recollection of hearing it on the radio at all in 1989 or 1990. In fact, shamefully, enough, the first time I heard the song was at my gym, where they regularly play the cover version by Groove Coverage, a German trance group. That’s the kind of thing I probably shouldn’t be admitting in public.

9. When I See You Smile — Bad English
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Speaking of things I shouldn’t admit in public: I love this song. I love it despite the fact that it was written by Diane Warren and that the video features John Waite with an awful, awful haircut. I know it was the style at the time, but man, the late ’80s were not kind to him.

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Political Culture: A Liberal Reads Ayn Rand

Objectivism is back, baby! Don’t take my word for it – just check out this cover of the libertarian monthly Reason, which offers up a freaky old Audrey Hepburn-meets-the-wicked-witch photo of the philosophy’s founding fussbudget, Ayn Rand. Sales of Rand’s polemical novels apparently are on the rise in recent months – a replay of the uptick her works enjoyed in 1993-94, the last time one of those awful Democrats ascended to the White House and inspired an anti-government panic. This time, Rand’s ideas have come to serve as a rallying cry among tea-party protesters (not to mention their less-rabid conservative brethren) who positively despise the bailouts, loathe the prospect of expanding entitlements, and generally obsess over the need to hold onto whatever small portion of their paychecks the government hasn’t already confiscated. As a result, her tomes The Fountainhead and Atlas Shrugged have returned to the display tables at your local Big Box Boox, and a film version of the latter novel might finally emerge from its half-century of Development Hell, with names such as Brangelina and Charlize Theron currently attached.

It’s understandable, at a moment when the GOP is in such a shambles that citizens self-identify as “conservative” at twice the rate they identify as “Republican,” that increasing numbers of fiscal conservatives are searching frantically for something to say “yes” to even as they scream “no” at everything else. But what most of Rand’s new teabag followers probably fail to recognize, at least to this point, is that objectivism is about much more than taxes and government spending. It’s about each individual’s mandate to be the hero of his own life, to take nothing from anyone else – and, for the most part, to give nothing in return. Objectivists – and yes, I know a few, including some in-laws from whom I will no doubt catch hell just for embarking upon this endeavor – see themselves as the most clear-eyed and realistic of humans, and call their philosophy one of “self-reliance.” Many others, however — including conservatives who agree with Rand’s disdain for government but can’t abide her dismissal of religion, romantic love and other communitarian constructs — tend to view objectivism as little more than unabashed, trumped-up selfishness.

It will come as no surprise to regular readers that I’ve always counted myself among the latter group, even to the point of thinking up a pithy little insult that I’ve already tossed around once or twice in this space: “Selfishness isn’t a political philosophy, it’s a character flaw.” (more…)