Juliana Hatfield »
Greatest Un-Hits: The Posies’ “Going, Going Gone” (1994)
Back in the 1990s, there were these things called non-sequel movies, and the people that made these movies promoted them with youth-marketed soundtrack albums, shiny round objects containing primarily filler and unused album cuts
Read More »Desert Island Discs with Patti Rothberg
I asked New York-based singer/songwriter Patti Rothberg for a contribution to our Desert Island Discs series and a few short weeks later, I received the following note which cleverly came floating my way in
Read More »Greatest Un-Hits: The Go-Go’s, “The Whole World Lost Its Head” (1994)
A look at songs that aren’t necessarily good or bad, merely ones that, because of the climate of the music world during their release, somehow, someway, were not the massive hit songs they should
Read More »Popdose 2010: Michael Fortes’ Top Albums
From the San Francisco Bay Area and beyond, Michael Fortes runs through his top picks for the best albums of
Read More »The Friday Mixtape: 10/22/10 — Peace and Love
Peace and love - they were meant to be together. With that in mind, Michael Fortes brings together a mix of 20 songs with "peace" and "love" in their titles
Read More »The Friday Mixtape: 7/16/10
Having a mopey summer, like me? This is the mix for you. Chris Isaak – Dancin’ from Baja Sessions (1996) Cotton Jones – Gotta Cheer Up from Paranoid Cocoon (2009) Aimee Mann – Nightmare
Read More »CD Review: Juliana Hatfield, “Peace & Love”
Popdose writer Michael Fortes has developed a case of the warm and fuzzies after reviewing Juliana Hatfield's new acoustic album, Peace & Love
Read More »Bookshelf: Juliana Hatfield, “When I Grow Up: A Memoir”
Juliana Hatfield – When I Grow Up: A Memoir purchase this book (Amazon) “… if you’re timid and looking for mercy, stay on the road that leads to a more compassionate world. ‘Cause this
Read More »The Popdose Guide to Juliana Hatfield
Listening to rock radio in the early ’90s — particularly the college and ‘alternative’ varieties — was an experience like no other. The ratio of tolerable to intolerable music was so high that no
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