All posts tagged: Justin Timberlake

Songs of Freedom

Songs of Freedom, Episode 6: Appropriation

The sixth episode of Songs of Freedom focuses on the subject of cultural — especially musical — appropriation, using the inexplicable success of the “Harlem Shake” meme as a jumping-off point. Matthew Bolin and Lyana Fernandez discuss the difference between the meme’d Harlem Shake versus the actual dance, noting not only the lack of sample clearance by Baauer in constructing the “tune,” but the almost total dominance of white individuals taking part in this meme. Is it just a multi-layered form of cultural appropriation (or misappropriation)? Or does it go beyond even ignorance, and straight to what can be labelled “hipster racism”? This leads to discussions of what is “real” versus “artifice” and how that affects discussions of artists such as Amy Winehouse and Justin Timberlake for example. Furthermore, the idea of whether appropriation can ever actually have a positive connotation is debated, and possible examples of it are given. Matthew and Lyana also discuss whether only white fans are brought into the fold when white artists appropriate black culture, or whether, for instance, Eric …

crossroads

You’re Dead to Us…Movies Starring Pop Stars

In which we look at once common curiosities of pop culture that don’t exist anymore, be it because of changing tastes, the fragmentation of culture, or merely the fickle nature of fads.  Teen idols come and go, but the concept never leaves us, because there will always be hormonally crazed young people with questionable taste in music. Sometimes the pop star breaks free of their teen idol years and becomes a legitimate artist (Frank Sinatra, Ricky Nelson, Justin Timberlake); the rest are temporary, ephemeral, and cheesy: Fabian, Andy Gibb, the DeFranco Family, Rick Astley, Philip Glass, etc. Right now, we’ve got quite a few, and a solid 25 percent of social networks would appear to be teenagers just saying that they enjoy the music and/or appearance of, variously, One Direction, the Wanted, Justin Bieber, Cody Simpson, three more that have become popular between when I wrote this article yesterday and it published this morning. And these pop stars, up until the moment in which they choke under the pressure of fame and their souls, minds, …

Cole DeGenova (Landscape 600)

Download Now: Cole DeGenova “Lovely Generation”

  To say the shit’s about to get funky up in here is an understatement. “Lovely Generation” is a deep album cut from Another Country, the second album from Chicago neo soul singer Cole DeGenova. Backed by his powerful band, The Peoples Republic, DeGenova gets his groove on, channeling early Prince and latter-era Justin Timberlake (back when that lad used to make music). I’ve had this track on heavy rotation since October; it’s a designated power hitter on my workout, party and wake-up playlists. Cole DeGenova – Lovely Generation (to download: PC right click/save as • MAC option/click) And this isn’t even the single! “Those Kids” has an equally stellar groove and should be a big hit at radio once the blog buzz gives way to airplay. The mighty WXRT in Chicago is already a supporter. DeGenova recently gigged around Europe and sang back-up at a Lupe Fiasco show in New York. He has played a wide variety of concerts, alongside or opening for such diverse artists as Kurt Elling, Patricia Barber, The Alabama Shakes, …

Debbie Gibson

The Popdose Interview: Debbie Gibson

If you want to feel inspired, spend a few minutes talking with Debbie Gibson. Certainly, you’re probably aware of the chart success that Gibson enjoyed in the ‘80s, beginning with her first single “Only in My Dreams” in 1987, the first of five Top 40 singles that she would notch from her debut album Out Of The Blue. The first three singles from Out Of The Blue charted Top 5 and with her fourth single “Foolish Beat,” Gibson would become the youngest artist (at age 17) to ever write, produce and perform a Billboard #1 single, an accomplishment that remains unbeaten more than two decades later. Gibson faced challenges while working for the chance to record and release that first album and single, but she fought hard and the story of how Gibson stuck with the songs that she believed in — those very same songs that would be massive chart hits only a few years later, is a good one.

Ticket Stub: Genesis in Los Angeles, January ’75

A week ago this past Monday, prog kids around the world got their wish when Genesis was finally inducted into The Rock & Roll Hall of Fame. The list of artists that are not in the Hall stretches for miles and miles, with many kept out as a result of politics and critical disdain for their music. Among those on the list, Genesis have been a group that brought up in conversations past, would often provoke a surprised reaction, upon learning that they were not already among the bands/artists inducted. But what does it really mean as an artist to be inducted into the Rock and Roll Hall of Fame? I suppose it gives you a little bit of prestige, but what is that prestige worth in the long run? In the short term, perhaps a small bump in record sales. Who cares, right? And perhaps that is why many of the artists that are currently among the snubbed could care less.  They’re going to continue to make money from catalog royalties and touring – …

Dw. Dunphy On… Madonna

I said something that sent a jolt of disbelief through the ranks of Popdose. I have been known to take my opinions to the far side, but this one threatened to betray an ignorance I didn’t know I harbored. Let me spell it out and see if I’m as far off base as some have claimed me to be: Madonna will not be remembered for her music as much as her controversies. In fact, the latter is likely to shadow the former so much that her output as an artist will become an afterthought. And while Mariah Carey’s vocal acrobatics have become the standard pop style (thereby irreparably screwing everything up), Maddy’s antics have become the standard conduct by which all young up-and-comers must match or else not be noticed at all. Your first salient question would be, “Dunphy, do you even like Madonna’s music?” Honestly, it’s not that I dislike her music at all. No, I’m not a fan and no, I don’t own any of her albums, but I can say unequivocally that …