Posts Tagged ‘Kelly Osbourne’

Bootleg City: Ozzy Osbourne in Tokyo, June ‘84

The first six months after 9/11 were a confusing time, and America wasn’t sure when it would be okay to laugh again. Then on March 5, 2002, some well-funded foreigners snuck into our country — and into our hearts! That’s when MTV’s megapopular reality show The Osbournes debuted, and after a couple months of round-the-clock media saturation even I was demanding stricter anti-immigration laws. But it turned out British rocker Ozzy Osbourne and his wacky family had already been living in the United States for several years by that point. How could we have let this happen?!

I never watched a full episode of The Osbournes, one of the first reality programs to focus on famous people and their everyday lives, but it was hard to escape its net: Ozzy’s daughter Kelly recorded an album for Epic despite limited musical skills; his son, Jack, appeared in a few episodes of Dawson’s Creek despite nonexistent acting skills; his wife, Sharon, got her own daytime talk show despite having trouble completing a sentence without the F word; and Ozzy himself, a heavy-metal icon who once fronted the legendary Black Sabbath, found a new career as a mumbling, shuffling punchline who was (mostly) in on the joke. The entire family even had a cameo in the third Austin Powers movie. It was too much too soon, so when The Osbournes finally stopped production in 2005, it felt like it’d been on the air much longer.

But the war on terror didn’t end when G.W. left office two months ago, and the Osbourne family’s reign of terror isn’t over either — on Tuesday, March 31, they return to TV, this time on Fox, as the stars of the new variety special Osbournes: Reloaded. It airs after American Idol, the second point on the axis of pop-culture evil that we came to know after 9/11. We’ve temporarily won the war against the third point on the axis, Paris Hilton, but we must remain vigilant.

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Hooks ‘N’ You: Kelly Osbourne, “Shut Up” / “Sleeping in the Nothing”

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Given that the Osbourne family became the toast of MTV in 2002, thanks to their then-groundbreaking reality series, “The Osbournes,” it came as no real surprise when it was announced that Ozzy’s youngest daughter, Kelly, would be releasing an album of her own. It was entitled Shut Up, and it was dismissed by…well, just about everyone, really.

It’s really not as bad an album as you want it to be, though, particularly given that you know full well that she only scored her recording contract because of her dad and her family’s TV show. But, man, having her cover Madonna’s “Papa Don’t Preach” defines the concept of “a little too on-the-nose,” you know what I mean? Once Sony made her do that, there was never any chance in Hell that she was going to be taken seriously by critics as a recording artist.

Indeed, Sony quickly proved that it had little interest in promoting the record beyond its novelty value. After “Papa Don’t Preach,” the label lazily released the title track as the next single, which was only a so-so song; as a result, any attempt to push “Come Dig Me Out,” the third and arguably best of the album’s three singles, was rebuffed by radio, which is a shame.

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If you dare to go back and check it out, you’ll find that there are a couple of punk-pop songs which sparkle with a little Joan Jett flair, and if we’re making comparisons to other female artists of Miss Osbourne’s era, it would not be untoward to suggest that they hold up as well as anything by, say, Avril Lavigne. Two of my favorite examples from the album: “Right Here” and “On the Run.” No, her voice as strong as Miz Lavigne’s, but, frankly, the songs rock enough that I don’t really care.

If you’re not buying into my praise of Shut Up, I won’t hold it against you. After all, even the woman who recorded the album is dismissive of it. I managed to talk to Kelly Osbourne for a few fleeting moments when I was at the Fox party during the January TCA tour, and when I asked her if there were any songs on her debut that she remembered fondly, her response was immediate.

“No,” she said. “The lesson learned there was that you shouldn’t just take the money and run. I have no regrets, but I just don’t like that record.”

When it comes to the album that followed Shut Up, however, her opinions are decidedly more favorable.

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