Posts Tagged ‘Kings of Leon’

Parlour to Parlour, Episode 1: Meredith Axelrod

parlour_to_parlour

We now begin the Parlour to Parlour journey in earnest, starting very close to home. Meredith Axelrod was living just a short block away from my Lower Haight apartment in San Francisco when I was introduced to her. This 24-year-old Chicago native was drawn to San Francisco by “the legend that the freaks and quirky people gather here,” she told me. “I wanted to meet them.”

In my old apartment building in San Francisco’s Lower Haight neighborhood, there was a couple living in the unit above me whose company I always enjoyed. Gal and Michelle were quiet, for one. On top of that, they were always a pleasure to bump into when switching off loads of laundry at the washing machine, or just passing in and out of the front door. Best of all, they were usually up for some live music, and I was more than happy to keep them in the loop whenever I was planning on venturing out to local rock venues like the Independent or the Hotel Utah. (more…)

CD Review: Ha Ha Tonka, “Novel Sounds of the Nouveau South”

Ha Ha Tonka - Novel Sounds of the Nouveau SouthSome really good music has come to us from the mountains so far this year. First, from New York’s Adirondacks, we had the Felice Brothers with their brilliant Yonder Is the Clock. Now, from the Ozark Mountains of Missouri, Ha Ha Tonka have returned with their sophomore album for Chicago’s Bloodshot Records, Novel Sounds of the Nouveau South. While they have chosen to emphasize electric guitars more on this album as compared to their first (2007’s Buckle in the Bible Belt), there are musical similarities between the two bands, the most notable of which is that both bands have the intriguing habit of setting very dark tales to music that doesn’t always seem to match the lyrical mood. Somehow it all works.

Novel Sounds of the Nouveau South is based on a 1907 novel by Harold Bell Wright called “The Shepherd of the Hills,” which is an Ozark classic. The novel tells the story of a man who leaves the city to live in the hills, where he finds peace and manages to overcome the losses he has suffered. This is southern music, and while it may be easy to draw musical comparisons with southern brothers Kings of Leon, this album asks you to dig deeper for its meaning. The lyrics can be sort of inscrutable, which means that the digging isn’t always easy, but there are rewards for the intrepid. In the end, it’s sort of a virtual tour of the south, replete with religion (”Walking on the Devil’s Backbone”), lynching (’What Shepherd of These Hills”), mob violence (”Thoreau In the Woods”), and lost childhood (”Word Climbing”). (more…)