Posts Tagged ‘Larry Carlton’

Cratedigger: Steely Dan, “The Royal Scam”

Cratedigger is a regular (well, maybe semi-regular) column in which I’ll discuss some of my favorite vinyl.

Steely Dan - The Royal ScamThe Royal Scam was released almost exactly 33 years ago. It is, in my opinion, the best Steely Dan album. Maybe I feel that way because it’s the band’s most guitar-oriented effort, thanks in no small measure to the contributions from jazz-guitar great Larry Carlton. The music started to get pretty smooth for Steely Dan after The Royal Scam. Although I really enjoy their next album, Aja, it’s clear that some of the edge is gone, musically speaking. And when the edge went away, mainstream success arrived.

As is always the case with Steely Dan records, The Royal Scam is beautifully recorded, with longtime partner Gary Katz on board as producer. In addition to mainstays Donald Fagen on keyboards and vocals, Walter Becker on bass, and Carlton, there is a very impressive lineup of musicians, including drummers Bernard Purdie and Rick Marotta, bassist Chuck Rainey, guitarists Dean Parks, Elliot Randall, and Denny Dias, and background vocalists Michael McDonald and Tim Schmit. Add a handful of great songs to the stew that these musicians created, and you pretty much have the perfect storm.

The album gets off to a great start with my favorite Dan song, “Kid Charlemagne.” Despite the dark nature of the lyrics, loosely inspired by the life of acid chemist Owsley Stanley, the music is joyous, and Carlton’s guitar solos are simply astonishing. When I’m asked to name the best guitar solos ever, Carlton’s work on this song is at the top of my list.

The wonderfully melodic “Caves of Altimira” follows, before giving way to a sinister tale of murder and obsession, “Don’t Take Me Alive,” which is once again distinguished by Carlton’s fine guitar work. Side A closes with “Sign In Stranger,” which is something of a precursor to what we’d be hearing more of on future Steely Dan records in the sense that its jazz influence is more pronounced, followed by side-closer “The Fez” (”I’m never gonna do it without the fez on”), which is just downright funny. (more…)

Bottom Feeders: The Ass End of the ’80s, Part 14

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The other day Metal Sucks introduced me to Firewind’s cover of Michael Sembello’s “Maniac.” That in turn took me to iTunes to search for other covers and yielded the interesting remake of “Super Freak” by Ricky Skaggs and Bruce Hornsby. As much as I loathe most of the covers that were made in the ’80s, I love when someone does a good cover of an ‘80s tune. And I’m not talking about someone adding a club beat behind a track and calling it a remake; it seems like almost every really popular song was remade into a dance track by some DJ within the past decade. I’m talking about cool covers with some different sounds or ideas incorporated into the original sound; since I like the Firewind track, a good example would be power-metal covers of pop tunes. (One of these days Manowar is going to cover “Who’s Johnny?” and I’m going to be all over it.) So, help me out and let me know some of your favorite covers of ‘80s tunes so I can make a mix of my own.

NEW MUSIC FOR THE COLLECTION:
Big Big Sun, Stop the World
David Drew, Safety Love
Nitzer Ebb, That Total Age
Nik Kershaw, Human Racing
Dave Edmunds, Riff Raff

We continue on with our look at the bottom 60 percent of the Billboard Hot 100 chart in the ‘80s with more “C” artists.

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