Posts Tagged ‘Latoya Jackson’

Bottom Feeders: The Ass End of the ’80s, Part 44

You may have noticed the lack of intros to my posts lately. While this series is all about the music, I do like to do one now and again, but am going through a nice little writer’s block right now. However, there is one thing that always breaks me out of it and that’s more inappropriate ghetto music!

Yeah, I haven’t had one of those moments in a while, in fact it’s been months since Debbie Gibson blared out my car, but it happened again this past week. For those who are new to the series, let me explain. I normally drive to and from work in a route that bypasses my neighborhood ghetto. But on days where I’m picking up dinner on the way home, the row of restaurants takes me right through the slums. And lately, I’ve been taking the long way to my son’s daycare in the morning and that puts me the other way through the dingy streets, but the ghetto in daylight usually just isn’t exciting. When the lights go down it’s crack whores and homeless people (though, unlike last time I haven’t seen the homeless guy with the broken leg in a while).

The other day I was driving through the ghetto just as the sun was starting to go down. I got stuck behind a school bus that at one point must have let 20 kids off at one time. So here I am in my three-week-old Scion xB with the windows down and the iPod on shuffle. Playing as the kids got off the bus was Manowar’s “Loki God of Fire.” Strangely enough that wasn’t the inappropriate song choice. I must have been at the very end of the song because as these kids were crossing the street in front of my car, my iPod shuffles to “Soldier of Love” by Donny Osmond. At least three kids stared into my car and laughed as if to say, “You are the whitest person I have ever seen, retard.” You know, I don’t care what people think about my musical choices, but there’s something really embarrassing about a group of 13-year-olds laughing at a grown man. Of course that could have been my conscience talking as well, as those kids could have been laughing at a joke or someone could have farted. Maybe it wasn’t the Donny Osmond after all. And I mean, fuck, I’m sure they had no clue that was Donny fucking Osmond unless they are the coolest kids ever. Who am I kidding? I was a grown man being laughed at by kids for inappropriate ghetto music. Maybe I need to plan better and just always have Lil Wayne handy for these moments.

Anyway, on to a whole mess of songs that probably wouldn’t be too inappropriate. This week we begin the letter J as we take a look at the lower three-fifths of the Billboard Hot 100 chart during the 1980s.

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Hooks ‘N’ You: Blue Mercedes, “Blue Mercedes”

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Have you ever found yourself sucked into an episode of ‘Behind the Music’ or ‘Bands Reunited’ and, even though you didn’t necessarily like the artist in question (or maybe didn’t even know who they were), you still found yourself enthralled just because the story itself was interesting? If so, then believe me when I tell you that, whether you’re familiar with the dance-pop duo known as Blue Mercedes or not, you owe it to yourself to read this week’s column.

I have to be honest: by the time I became familiar with Blue Mercedes, their brief flirtation with the American charts had come, gone, and made precious little impact on me. Despite my ignorance, however, the duo of David Titlow and Duncan Millar proudly sat atop Billboard Dance Charts from February 20 through March 12 of 1988 with their hit single, “I Want To Be Your Property.” The song also found its way to #66 on the Billboard Hot 100 as well, which wasn’t half bad for a first crossover attempt. Too bad it was the pair’s first and last placing…which might explain why, some two years later, I came upon the band’s lone studio album, Rich and Famous, in a cut-out bin in a Camelot Music in Danville, VA.

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Listening to the album now, I’ll be the first to admit that it hasn’t all aged well…but, really, the same could be said of rather a few albums from the ’80s. It’s all about approaching the material from the mindset of the time in which it was recorded and released, and when one does that, several instant classics emerge.

It’s obvious why the aforementioned “I Want To Be Your Property” was both the opening track and the album’s first single, with its infectious chorus and the instantly memorable line, “I want to live like Cyd Charisse.” (More on that later.) Titlow’s voice sounds like an amalgam of Martin Fry of ABC, Tony Hadley of Spandau Ballet, and…I dunno, maybe 10% Rick Astley? Nah, I’m probably mistaken about that one. In fact, it’s probably only the influence of Pete Waterman on the music – it was produced by Phil Harding and Ian Curnow for PWL – that even makes such a ludicrous comparison come to mind.

“Your Secret Is Safe With Me” is another strong number, sounding vaguely like Sade’s “The Sweetest Taboo” as it progresses along with its jazz-pop groove, asking the rather odd (at least in this musical context) but definitely unforgettable question, “Would you like a knuckle sandwich?” The single best song on the album, however, is “Crunchy Love Affaire“…and, yes, the spelling of “affaire” is correct. As I told both Titlow and Millar themselves, it sounds like the best single Spandau Ballet never released, with a sweeping string arrangement that’s downright gorgeous, and even if you don’t buy into the metaphor within the title, which suggests that the love affair in question comes “with a soft inside,” there’s one simple line in the song which is delivered with melancholy that no less a mope than Morrissey himself would be proud to have written it:

Forever to be
Inevitably
Alone

Whoa.

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