Posts Tagged ‘Lee Greenwood’

Bottom Feeders: The Ass End of the ’80s, Part 37

This week we have a ginormous, gigantic, gargantuan post, as we finish up with the letter G on our trek through the bottom of Billboard’s Hot 100 charts during the ’80s.

Michael Gore
“Theme From ‘Terms of Endearment’” — 1984, #84 (download)

You know, it feels like every week here at Bottom Feeders starts with something completely bland or just plain douche-a-rific now. I guess if you’re listening to everything from top to bottom you can consider this your intro song. Or if you’re putting together a nice light-rock CD for grandma, you can make this your centerpiece. That’s it — grandma music.

Go West
“We Close Our Eyes” — 1985, #41 (download)
“Call Me” — 1985, #54 (download)
“Eye to Eye” — 1985, #73 (download)

If I didn’t collect ‘80s music I most certainly would have missed out on these gems and thought that “King of Wishful Thinking” (1990) was Go West’s first single and Indian Summer (1992) their first album. If you ever wanted to get into Go West for some reason, that album could easily be the place to start and stop. However, you’d be doing yourself a disservice by not going back and listening to their 1985 self-titled debut. The follow-up, 1987’s Dancing on the Couch, wasn’t quite as good as Go West, but it still contains some catchy-as-hell pop tunes. All three of the great songs featured here are from Go West, and though they sound dated today, if you think back to 1985 they actually sound a little too sophisticated for that era. Maybe that’s why none of them made an impact on the charts. Go West had one single in ‘87 barely crack the Top 40 — “Don’t Look Down (The Sequel)” hit #39, but it isn’t even included on the British version of Dancing on the Couch.

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The Thirteenth Day of Mellowmas: Hayo! Haya!

We know, we know: sure, Mellowmas is filled with Christmas dreck — but what about the Jews?  Well, today, the Jews be representin’.  Although after hearing this one, you may want to renounce religion altogether.

Peter, Paul & Mary — Hayo, Haya (download)

From A Holiday Celebration With the New York Choral Society Amazon iTunes

Jason: “Hayo, Haya.”

Jeff: What does that even mean?

Jason:Is this an Outkast cover?

Jeff: Ha ha ha! I hope so!

Jason: God, how awesome would that be?

Jeff: I’d love it. Let’s e-mail them and tell them to do it. Mellow Gold musicians take our advice seriously now.

Jason: Ha ha ha ha ha ha!

Jeff: Shit, who let the Mormon Tabernacle Choir in here?

Jason: It’s actually the New York Choral Society.

Jeff: SPEAK ENGLISH!

Jason: Ha ha ha ha ha! Way to rip on Hebrew, Jeff!

Jeff: You can’t fool me. They’re all the Mormon Tabernacle Choir.

Reign of terror?
Oh, no.

Jason: Reign of terror! Reign of terror!

Jeff: Are we back in Sarajevo, Jason?

Jason: Pain forever! Pain forever! It’s like…they’re talking about Mellowmas!

Jeff: I feel cold. This is what you guys sing about on Hanukkah? No wonder everyone likes Christmas better. Blood, terror, and Hebrew. Minor keys.

Jason: This is why nobody remembers songs by the Jews. We’re always like, “yeah, happy holiday, but don’t forget how bad it was, and how bad it could have been.”

Jeff: Burn the Torah? No! Ash and smoke!

Jason: Crushed menorah! Crushed menorah!

Jeff: Oh my G-d, this is horrible!

Jason: Ha ha ha ha ha ha! This is why suicide rates are higher during the holidays.

Jeff: I can’t believe they performed this during a holiday concert. Why not something nice, like “Rock of Ages”? What a fucking downer! Way to go, Peter, Paul & Mary!

Jason: Hang on, I’m looking at the track list. Yeah, it’s all filled with marginally happy songs.

Jeff: This album is supposed to be some kind of classic.

Jason: But no “Here Comes Santa Claus.”

Jeff: What the fuck are you people clapping about? The burning of the Torah?
Assholes!

Jason: Reign of terror! Reign of terror!

Jeff: Oh, man. I feel like crying now.

Jason: Today you are a Jew.

Jeff: Even more than when I listen to Peter, Paul & Mary songs that aren’t this one.

Jason: I feel kind of bad ripping on Peter, Paul & Mary.

Jeff: What for?

Jason: I don’t know. It seems wrong somehow.

Jeff: I understand why you felt bad when we ripped on your friends in the Starland Vocal Band.

Jason: Yeah, I still feel bad about that one. It’s like ripping on Pete Seeger.

Jeff: No, no, no. Pete Seeger is a hero.

Jason: Peter, Paul & Mary aren’t in that boat? I thought they were.

Jeff: Peter, Paul & Mary are just three old farts who don’t know how to have a good time during the holidays. Although I do sort of wish they’d do a Christmas concert with Judy Collins. Imagine the harmonies we’d hear during “Song for Sarajevo”!

Jason: Ha ha ha ha ha! They actually had a Christmas concert at Carnegie Hall last week. My mother-in-law wanted to go. I couldn’t get tickets, believe it or not.

Jeff: It was sold out? They sold out Carnegie Hall?

Jason: Well, close. Only bad seats in the upper balcony were left.

Jeff: Good Lord.

Jason: Either they sold out or the good seats were all reserved for season ticketholders.

Jeff: Economic crisis, my ass.

Jason: I mean, it is Carnegie Hall. Hey, I wonder if they had a special appearance by the Singing Saw? Seems apropos, no?

Jeff: I can hear that, actually.

Jason: Seriously. What says “reign of terror” more than a singing saw?

Jeff: Judy, Peter, Paul & Mary, and the goddamn Singing Saw. Say, how flammable is Carnegie Hall, anyway?

Jason: And then Lee Greenwood comes out! In his stars & stripes jacket! He doesn’t actually say anything.

Jeff: No, I don’t think he would.

Jason: He just comes out, waves a flag, and leaves.

Jeff: I think he’d punch Julian Koster right in his singing saw.

Jason: Ha ha ha ha ha ha!

Jeff: Man, is Lee Greenwood the best we’ve heard this year? Because it hurts me to type that.

Jason: Define “the best.”

Jeff: Ha ha ha! “Unshittiest.”

Jason: Hm.

Jeff: I think he might be.

Jason: It’s hard to say. I’ve lost all objectivity.

Jeff: We need to find this year’s Paul Carrack, and pronto.

Jason: Yeah, we may be out of luck.

Well, this was a downer, wasn’t it. Happy holidays, but DON’T YOU EVER FORGET THE REIGN OF TERROR.

Jeff: When you’re opening your gifts this year, REMEMBER THE BLOOD AND CRUSHED MENORAHS.

Jason: CRUSHED MENORAH! CRUSHED MENORAH! TRAMPLED CHILDREN! TRAMPLED CHILDREN!

Actually, I don’t think that last one is in there. But it could be, right?

Jeff: Sure! A few trampled children never hurt a song, right?

Jason: Not one like this!

Jeff: I think I heard that line in an Outkast number once, actually. Heyyyyyyyyyyy Yaaaaaaaaaaaaaa!

Jason: There are so many lines you could put in there.

BANGED YOUR MOTHER! BANGED YOUR MOTHER!
Hayo!
Haya!

Jeff:

FIND A CLINIC! FIND A CLINIC!
Hayo!
Haya!

Jason: I mean, almost anything fits. ATE A TACO! ATE A TACO!

Jeff: Except for, like, a little fucking holiday cheer. Even Al Jarreau managed that, and he was high.

Jason: Thanks a lot, Peter, Paul & Mary. I’m taking this song and sticking it in my Spyro Gyra.

Jeff: Hayo!

Jason: Haya!

The Eighth Day of Mellowmas: Tuxedomas

Take off that red-and-green shirt, everybody! Today, for the Eighth Day of Mellowmas, we’re going red, white and blue!

Lee Greenwood — It’s the Most Wonderful Time of the Year (download)

From Have Yourself a Merry Little Christmas Amazon iTunes

Jeff: Horns!

Jason: Big production!

Jeff: Whoa. Who is this guy?

Jason: Is that a GUY? Sounds like he’s sucked on some helium! C’mon, You know Lee Greenwood! “God Bless The USA!”

Jeff: I’m…I’m a little stunned. That might be because I’m looking at a picture of Greenwood performing in “his trademark Stars and Stripes jacket.”

Jason: It’s a little hyperactive, yes. And don’t you love that cover? That tux?

Jeff: Oh yes, the tux. I almost forgot about the album cover.

Jason: And here’s the best part…I think either a key change or song switch is coming. I believe every fast-paced song on this song either has a key change or is actually a medley.

Jeff: He looks like a sad old valet who happened to make a Christmas album.

Jason: Ha!

Jeff: Dude, what happened with his voice right there? He turned into Cher for a second, I think. Oh, come ON, Lee Greenwood.

Jason: So I’ll tell you something. I never thought I’d make it through this whole album, but I did. And to my surprise, there were a few tracks I really liked. Like, seriously liked.

Jeff: Yeah, I did too. It isn’t the worst thing we’ve got this year. It has a certain scruffy charm.

Jason: There’s an instrumental “What Child is This” that is kind of nice. The sax is a little Kenny G-esque, though. Also, he does this song called “‘Til the Season Comes ‘Round Again.” Have you ever heard this song before? Because so far, I’ve heard it twice this year. And never before that. Little River Band did it too. And both did a nice job.

Jeff: I think this might be what a Benny Mardones Christmas album would sound like. A little sweaty. Extremely eager to be liked. Although I don’t think Benny would be caught in that stars & stripes jacket.

Jason: Ha! Great picture! Lee knows where his bread is buttered!

Jeff: Actually, I just found out that Lee has a real job. You’ll never guess what it is.

Jason: Librarian? Maitre’D?

Jeff: “In November 2008, President Bush appointed Greenwood to a 6 year term to the National Arts Council.”

Jason: Oh, that’s just fucking PERFECT.

Jeff: Isn’t it, though?

Jason: David Cross has a great bit about Greenwood. He talks about his line “And I’d gladly stand up next to you and defend her still today,” and how Greenwood never actually did that.

Jeff: Folks, if our national anthem is changed to “God Bless the USA” at any time during the next six years, be very suspicious.

Jason: “Have Yourself a Merry Little Christmas” wasn’t that bad either, by the way. He has a nice voice. And the album is recorded well.

Jeff: I’m still really disappointed that this album doesn’t contain any patriotic songs.

Jason: I agree. I was surprised.

Jeff: Or anything about the “War on Christmas.”

Jason: I figured he’d definitely go that route. But Lee Greenwood, once again, proved me wrong.

Jeff: I would have loved it if Lee had done a duet with Toby Keith about hating “happy holidays.”

Jason: I feel like I owe Lee Greenwood an apology.

Jeff: Looking at the album cover, I feel like Lee Greenwood needs to set the table and fetch me my paper.

Jason: “Winter Wonderland!” It’s a medley! Told you! And those horns are real! How did he afford them? This guy must sit home and pray for war so he gets those “God Bless the USA” royalty checks.

Jeff: Ha ha ha ha ha!

Jason: I mean, how else does he afford…anything? KEY CHANGE! Medley AND key change! This guy really crams it in!

Jeff: Actually, according to his Wikipedia entry, Lee “has charted more than thirty-five singles on the Billboard country music charts.” I suspect they mean Billboard Ukraine, but whatever.

Jason: !!! I stand corrected! Apologies, Lee!

Jeff: Walkin’ in a winter wonderlaaaaaaaaand

Jason: Oooh, soft sensitive finish! The problem with the album is that the uptempo songs are really hyperactive. But like I said, check out those two or three and you might actually find a good holiday moment in there. Here, of course, we only focus on the crap. I don’t know why he had to medley those two songs. Although I guess he figured, why ruin one when you can ruin two?

Jeff: Maybe he only had the horn section booked for one day?

Jason: Oooh, good point! I mean, they don’t sound like fake horns, do they? I expected an album created in Garage Band.

Jeff: Although, again, with that cushy National Arts Council gig, he can surely afford it.

Jason: Like with a Daryl Dragon backing track.

Jeff: I expected the same thing. Lee let me down, man. Also, now I feel bad for Daryl Dragon. How come the guy who wrote “Love Will Keep Us Together” can’t afford a band as nice as Lee Greenwood’s?

Jason: No National Arts Council appointment.

Jeff: Maybe Obama can name Daryl NAC co-chair.

Jason: Greenwood had it coming, though. Here’s Greenwood performing at the Walt Disney World Christmas special, immediately after a speech by the President at the time, George H.W. Bush! Fast forward to about 50 seconds in.

Jason: He’s duetting with Sally Struthers, I think.

Jeff: NO WAY.

Jason: Oh wait, that’s Sandi Patti. Whoever that is.

Jeff: Christian singer, of course! Where the hell is that assbag Michael W. Smith?

Oh, wow.

Jason: THIS is a patriotic song. For Christmas.

Jeff: He sounds like that guy who does the “real American hero” songs. This is AWESOME. Why isn’t THIS on the album? Screw you, Lee Greenwood!

Jason: Ha! Aren’t you glad I found this?

Jeff: Photo montage! Woman dressed creepily like Raggedy Ann!

Jason: Oh, you’re way behind. I’m already on the gospel choir! And Greenwood doing an awkward dance.

Jeff: Oh, man.

Jason: You go, Sally!

Jeff: This is Mellowmas personified.

Jason: Yeah, pretty much. So if the track wasn’t bad enough, throw in this video and you’ve got a true stinker.

Jeff: I wonder if this is the same tux Lee is wearing on the album cover.

Jason: Ha ha ha ha ha!

Jeff: I love how they’re singing in front of a podium. I also love Greenwood’s “Michael Bolton Lite” mullet.

Jason: Ha ha ha! Well, I think Bush had just been up there, talking about…I don’t know. I guess a thousand points of light.

Jeff: Yeah, I know. But why couldn’t they give Lee and Sally their own stage? And wat the hell are those people clapping for? Did something else just happen?

Jason: They have to! They’re in the presence of the President of the United States of America!

Jeff: According to one of the comments under the video, Lee and Sally did this for Fourth of July one year, too.

Jason: Wow, that’s a shocker.

Jeff: Ha!

Jason: We have to give Greenwood credit. He could have very easily stuck a patriotic number on this disc. But he didn’t. I think I…kind of RESPECT him.

Jeff: You’re right. It pains me to say it, but you’re right.

Jason: Nice job, Lee Greenwood.

Jeff: You…decent guy.

Jason: You maintained some dignity. And that’s not easy to do when George W. Bush appoints you to something. God bless YOU, Lee Greenwood. God bless the USA. And God bless Mellowmas, and all who keep it holy.

Jeff: God bless your kinda-not-shitty Christmas record.

Political Culture: Parsing — and Damning — “God Bless the USA”

“Sir, my concern is not whether God is on our side;
my greatest concern is to be on God’s side,
for God is always right.”
— Abraham Lincoln

Tuesday evening I was homeward bound, returning to L.A. from a long weekend spent gorging on spring-training baseball in Phoenix. I had decided to close the trip by finally catching a screening of Alex Gibney’s Oscar-winning documentary about the Bush administration’s torture policies, Taxi to the Dark Side, and as US Airways carried me home I pondered a column plotting how individual members of the Bush administration might someday be held accountable for their many crimes against humanity.

Kristy Lee CookBut then the plane landed and I turned on my cell phone, only to be confronted with a voice mail from the wife carrying some appalling news: “Kristy Lee Cook just sang ‘God Bless the USA.’”

I recognize that the subset of Popdose readers (and writers) who are also American Idol viewers is likely limited to, well, me, so I’ll get you up to speed as briefly as possible. Cook is easily the worst remaining contestant on Season 7, a mediocre vocalist who has ridden good looks and a love for horses (something has to explain my daughter’s attachment to her) through several bottom-two finishes, somehow staving off elimination while more-talented opponents get the boot. Tuesday the survivors sang songs from the year they were born, which resulted in renditions of “We Are the Champions,” “Total Eclipse of the Heart,” “Billie Jean” (channeling the Chris Cornell remake), “Every Breath You Take,” etc., etc. … and “God Bless the USA.” (more…)