Posts Tagged ‘Leo Sayer’

CHART ATTACK!: 1/29/77


Welcome back to another edition of CHART ATTACK!, everybody!  We’re going back a full 32 years this week, and it’s an interesting chart: if you like your rock or your sappy ballads, songs 10 through 5 are for you. But if you came here to shake your groove thang, you’re going to like the second half of this chart much better. Onward we go, to January 29, 1977!

10.  Walk This Way — Aerosmith Amazon
9. Love Theme From “A Star is Born” (Evergreen) — Barbra Streisand Amazon iTunes
8. Blinded by the Light — Manfred Mann’s Earth Band Amazon iTunes
7. Torn Between Two Lovers — Mary MacGregor Amazon
6. New Kid in Town — Eagles Amazon iTunes
5. Hot Line — The Sylvers Amazon
4. You Make Me Feel Like Dancing — Leo Sayer Amazon iTunes
3. Dazz — Brick Amazon iTunes
2. I Wish — Stevie Wonder Amazon iTunes
1. Car Wash — Rose Royce Amazon iTunes

10. Walk This Way — Aerosmith

“Walk This Way” peaked here at #10 and became the last Aerosmith song to reach the Top 10 until, well, “Walk This Way,” ten years later. Technically, though, that’s a Run-DMC song featuring Tyler and Perry, so really, it was their last Top 10 until 1988’s power ballad “Angel.” “Walk This Way” was released in ‘75, but didn’t make a dent in the charts until it was reissued late the next year. What else to say about this song? It’s a great classic rock staple, and without it and its subsequent resurgence, who knows if any of us would have given a shit about Aerosmith from, say, 1988 to 1993. (”I Don’t Want to Miss a Thing” in ‘98 doesn’t count and you know it.)

9. Love Theme From “A Star is Born” (Evergreen) — Barbra Streisand

Barbra Streisand is best known for singing others’ songs, but “Evergreen” was her own musical composition, and only the second song she had ever written. Stresiand was taking guitar lessons in preparation for her role in A Star is Born, and was jealous of her guitar teacher’s songwriting abilities. She was determined to write her own song, and though she didn’t come up with the lyrics — those came from Paul Williams — the song wound up winning the Academy Award, the Grammy, and the Golden Globe. Which just goes to prove: Do not fuck with Barbra Streisand. She is an unstoppable force. Williams, who might be best known for “The Rainbow Connection,” wrote all the songs for the movie, and also co-wrote the score.

I like this song. I don’t expect anybody to really watch this clip. I’m putting it up anyway, just for me. And James Brolin, who gets a silly face directed at him at near the end of this one.

8. Blinded by the Light — Manfred Mann’s Earth Band

Hey, you guys! You’re not going to believe this, but I just listened to “Blinded by the Light” by Manfred Mann again, and…man, this is crazy…it totally sounds like he’s saying “douche” instead of deuce!!!

What? That’s what every single discussion of this song talks about? Whoops. My bad. Let’s talk about something else for a second.

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Adventures Through the Mines of Mellow Gold 49

Great news, everybody! Adventures Through the Mines of Mellow Gold is back!

McD-tastic!

Or, alternately:

Awful news, everybody! Adventures Through the Mines of Mellow Gold is back!

McD-tastic!

The point is: like it or not, we’re back and planning on bringing you more of the lamest, pansy-assiest music from that magical period in the ’70s and ’80s when everybody seemed to misplace their nutsacks.  My hope is to do this once a month (after doing weekly MG postings in ‘07, I found I could no longer sustain an erection), and now that I’ve written it on the Internet, it must be true, right?

Anyway, so away we go!  Let’s see.  I have a nice big Mellow Gold playlist here on iTunes.  I’ll just close my eye and point my mouse at a track, and…

Aw, shit.  Nigel Olsson? What the hell is he doing on here?  Isn’t he just the guy who plays drums in Elton John’s band with the headphones and white gloves and looks like the spawn of David Cassidy and the Cryptkeeper?

Okay, I looked back, and it seems like we can blame a reader named John Anselmo for today’s post, as he suggested Olsson’s one song that cracked the Top 20.  Let me see if I can find his address and we can torch his house.  Kidding, kidding.  Actually, I will defend John’s suggestion, because the song in question fits quite well into the Mellow Gold genre (did we decide if Mellow Gold was a genre?).  It fits so well, actually, that I often hear it, think “this is perfect for Mellow Gold,” promptly forget about it, and then repeat the process.  Wussy, yet utterly forgettable?  I don’t think it could be any more appropriate for this series.

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Dw. Dunphy On… Freudiana

Multiple choice time on Popdose, kids. Make sure that pencil is a #2 and don’t forget to fill your circles completely. Your future depends on how you do on this test (snicker, snicker.) Okay, let’s begin!

1. The Alan Parsons Project was:

a) a pop / prog band from the late 1970s to the early 1990s

b) an adult contemporary band from the same time period that your parents thought were “neat”

c) a punchline in an Austin Powers movie

d) all of the above.

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Chartburn: 2/29/08

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Mainstream Rock: INXS, “Suicide Blonde” (1990)

John: I was always appreciative of INXS for holding X back until 1990 so I could accurately say their best stuff was back in the ’80s. There are currently 272 used copies of X available on Amazon for one cent each.

Vrabel: Was this the period when INXS was dropping, like, four albums a year? I seem to remember them having a fairly ludicrous output around this time. Not a bad song, I guess. Was X the album that had “Not Enough Time”? That’s not a bad song either, I guess.

David: “Not Enough Time” was on Welcome to Wherever You Are, which was a pretty damned underrated album.

Few people loved INXS as much as I did in the ’80s, but “Suicide Blonde” just felt off to me. Every record up to that point was an expansion on the previous one, but X marked the first time that the band just tried to repeat the previous album. Loved the second single, “Disappear,” but this one feels like it’s trying too hard. I’m betting Taylor loves it, though, because her boy Dan Bejar references it in a New Pornographers song.

Zack: A while back there was a short-lived sitcom featuring Breckin Meyer called Inside Schwartz, where he played an aspiring sportscaster and the scenes were intercut with cameos from sports figures (such as Alex Karras) offering commentary on the story. I watched it with my friend Brian, who really wanted to like it, and found myself wincing each time the show’s lame jokes forced him to laugh.

In retrospect, I realize that my reaction to “Suicide Blonde” and X was very similar. I was a big INXS fan based on earlier albums like The Swing and Shabooh Shoobah, and I really wanted to like the first single from their new album, but I just couldn’t. It was terrible then, and it’s even worse now. (more…)