Posts Tagged ‘Live Aid’

CD Review: U2, “The Unforgettable Fire” (Remastered)

U2 - The Unforgettable FireSo, friends, here we are again to determine whether you need to purchase the latest entry in Island’s U2 remastering series. First a question; what kind of U2 fan are you? Casual or committed? If it’s the latter, you probably need to read further only to enjoy the beautiful prose. You’re going to buy this. Hell, you were probably at the store on Tuesday morning to grab the first copy. It’s the casual fan who needs to make a decision. I’ll try to help you out.

In March, 1984, U2 gathered at Slane Castle in Ireland to begin recording their fourth studio album. The sessions marked their first collaboration with producers Brian Eno and Daniel Lanois. Together, they would create one of the most unique and recognizable sounds in the history of rock and roll. The Unforgettable Fire (Island Records) is the album that marked the beginning of U2’s rocket ride to the top of the world. Propelled by the massive hit “Pride (In the Name of Love),” the band approached the peak of their anthemic glory, a destination at which they would arrive with their next album, The Joshua Tree.

The music will be familiar to most people. In addition to “Pride,” “Bad,” “A Sort of Homecoming,” and the title track have entered the public consciousness over the years. Yes, the remastering, guided by the Edge, does make a difference. There’s a newfound clarity to the recordings, and more separation between the instruments. Larry Mullen’s drumming has been brought to the forefront, and seems more crisp and powerful. The Edge’s guitar chimes more brightly, and Bono may be at his most passionate here. (more…)

The Popdose Interview: Howard Jones

If Howard Jones wasn’t the definitive poster boy for synthpop during the 1980s, he was certainly one of the leaders of the pack, spending many a week in the charts during the course of the decade. We won’t waste our time by listing off every single hit single the man had, but…oh, sorry, perhaps some readers do need a brief refresher course. For those of us who may not have lived through the decade in which Mr. Jones saw his greatest success, we speak of the man responsible for such memorable ditties as “New Song,” “Things Can Only Get Better,” “No One Is To Blame,” and “Everlasting Love.” Indeed, he even managed to maintain his success into the ’90s, scoring a substantial hit in 1992 with “Lift Me Up.”

Although he departed the ranks of Elektra Records not long after the label released his best-of collection in 1993, Jones has continued to release records throughout the years, including Angels and Lovers (1997), People (1998), and Revolution of the Heart (2005); his latest album, Ordinary Heroes, will see release on Nov. 9th, 2009, preceded on Oct. 26th by the single, “Soon You’ll Go.” As part of the pre-release press blitz, Popdose was provided with the opportunity to do an E-mail interview, and it was an offer we could not refuse.

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Mix Six: “Woodstock’s Children”

DOWNLOAD THE FULL MIX HERE

For the past few weeks — and because of my job managing a promotions department at a radio station — I’ve been inundated with Woodstock. The film Taking Woodstock, the director’s cut of Woodstock, TV specials, and special radio programming dedicated to Woodstock have all, in one way or another, crossed my desk this month. From the way Woodstock is marketed, it’s as if 1969 was the beginning and end of live music festivals. But we all know better. Where I live (the San Francisco Bay Area), the Outside Lands Music and Arts festival just wrapped up. It was a lower key event this year — owing in no small part to The Great Recession– but still, a crush of people descended on Golden Gate Park to enjoy band after band, substance after substance, and being with friends who love live music. Now we all know (or at least I hope most of those who read the music section of Popdose know) that some bands are just sublime live. Other bands, alas, suffer from ProTools-itis. That is to say, their limited musical abilities are masked by the plug-ins and other bells and whistles that come with digital multi-track recording. I’m happy to report that the bands and performers featured here have probably all used Pro Tools, but not for the reasons stated above. One disclaimer: before you get started sampling this mix, the song by Westbound Train is not a live recording, but I have seen crappy You Tube videos of them, and they are a tight, talented group.

Viva la live! (more…)