Posts Tagged ‘Live Music’

Live Music: Booker T., Tupelo Music Hall, Londonderry NH, 4/29/09

Full disclosure: I’m a Hammond B-3 soul and soul-jazz freak, so I’m a homer here. My universe aligns around the likes of great players like Billy Preston, Jimmy Smith, Jimmy McGriff, Al Kooper, and Groove Holmes. Topping my list is Booker T. Jones, one of the prime architects of the Memphis Soul sound. I recently gushed over Booker’s new CD, Potato Hole, at Bullz-Eye. Also, the pictures were taken by my father-in-law, Richard Binder, who accompanied me to the show and used his celly to great effect.

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This club gig was a stunner, for a number of reasons. First, that this guy would actually make it out to the sticks of New Hampshire. Maybe, like, an auditorium at Dartmouth or Manchester or Plymouth State…but Tupelo Music Hall in Londonderry? A brutally small crowd of 80 people showed up, but like me, most of them were diehards who collectively “ooooohed” when Booker nonchalantly recited his part in music history between numbers, saying things like “My songwriting partner William Bell and I wanted to write a blues song, and we wrote this next one, ‘Born Under A Bad Sign.’ Albert King first recorded it,” and kicked into it–singing!

Another stunning part was the Hammond sound. I’ve heard many players bash it out, some of them like Tony Monaco and Bruce Katz, whose ornamental, two-handed, two-footed, flashy styles push the technical limits of the B-3’s features as they squeeze every drop of distortion and click out of the instrument. Fun stuff to watch, kind of like the musical equivalent of a Fourth of July fireworks show. (more…)

Live Music: Throbbing Gristle @ Brooklyn Masonic Temple, Tuesday, April 28th

Gensis P-OrridgeIf anyone other than Throbbing Gristle had been playing the Brooklyn Masonic Temple on Tuesday night, the fact that the crowd was older and stranger and on more drugs than the average New York City crowd might have been off-putting. And if anyone other than Throbbing Gristle had been on stage, the fact that they more or less just stood there while they played might also have been off-putting. But as it was, it was Throbbing Gristle who delivered a memorable performance in a characteristically unusual setting.

The group’s history alone was worth the price of admission. They formed in the UK in 1976 and began Industrial Records, which bred the term “Industrial” as a music genre. They only stayed together until 1981, after which the members embarked on different projects. During that time, they released four albums, became known for their outrageous and confrontational performances, and rarely played in the United States. The group re-formed in 2004 and recorded TG Now and Part Two, their first studio albums in 25 years. When the band came to New York City (twice in the past two weeks), it was the first time they’d ever played here. And as if that wasn’t convincing or fascinating enough, frontman Genesis P-Orridge doesn’t look so much like a frontman anymore as a frontwoman, having undergone massive surgeries as part of a “pandrogynous” project with his second wife, Lady Jaye, driven by a desire to look alike.

Throbbing Gristle couldn’t be a more apt name, because the band’s music is just that – throbbing and aggressive. But as far as performance, the performing aspect was rather low. Most of the musical components have translated to computers, run by Peter Christopherson, Chris Carter and occasionally Cosey Fanni Tutti, who otherwise plays guitar with a slide, while P-Orridge sings and occasionally plays violin. The pulsating qualities make the music inherently engaging, though, almost hypnotic, especially when coupled with P-Orridge, who sassily flirted with the audience. P-Orridge quipped, “You must all be really sick to enjoy a song like that,” after “Very Friendly,” about a serial killer, and at another point, sniffed the boxers an audience member threw on stage and declared them “acrid.”

The atmosphere was rather odd – when Throbbing Gristle took the stage, all of the house lights were turned on (perhaps a reference to the days when they would aim lights at the audience?). Some of the audience members danced, but most nodded rhythmically and applauded rapturously at each song, though a bearded gentleman towards the front was having some sort of freak-out, and got in several fights before being dragged out by security during “Hamburger Lady.”

Towards the end of the evening, the band debuted the newly rebuilt “Gristle-izer” in a song of the same name, during which it became obvious that, for once, the Brooklyn Masonic Temple had finally gotten the sound right. As P-Orridge asked, “Can we survive?” during “Endless Not,” from the 2007 album Part Two, one had to respect Throbbing Gristle for doing just that, for finding an embrace in a fickle, snobby music scene very different from the one they left.

For more pictures, see here.

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Live Music: Glasvegas @ Webster Hall, 3/30/09

glasvegasThey may only have an album and a Christmas EP behind them, but Glasgow’s Glasvegas are already performing like a big-time rock band.

Grabbing the attention of the US late last year with the release of their debut, self-titled album, Glasvegas have packed New York City venues of increasing sizes, including their most recent stop at Webster Hall last Monday.

Entering the stage amid blue strobe lights and fog machines, they opened with their hit, “Geraldine,” about a social worker, “I’ll be the angel on your shoulder / my name is Geraldine, I’m your social worker.”

Glasvegas, “Geraldine” (download)

The drenched guitars of their dream pop meets ’60s pop fell on the ears of a crowd that skewed older and more predominantly male than the average New York City indie rock audience. Both anthemic and cathartic, songs like “Fuck You It’s Over” and “Go Square Go” saw many fists (and beers) in the air. The band was equally enthusiastic, throwing themselves around the entire stage, and keeping in-between song banter to short appreciative statements, like “Thank you so fucking much” and “What can I say, man, I fucking love you.”

In a live setting, front man James Allan’s lyrics were particularly difficult to decipher through his thick accent, but this may have worked to the band’s advantage, since the lyrics tend to be the stuff of teenage LiveJournal entries. “I’m feeling so guilty about the things I said to my mum when I was ten years old,” he laments in mope jam, “It’s My Own Cheating Heart That Makes Me Cry.”

The set was short – they don’t have much material to choose from yet — but they managed an encore, and walked off stage with handshakes and gifts from fans. It’d be a safe bet that the next time Glasvegas come to New York City, the venue will be even bigger. (more…)

Live Music: Morrissey @ Webster Hall; the Grates and Micachu & the Shapes @ Pianos, 3/25/09

MorrisseyNew York City living, with its ever-expanding list of options, presents a reoccurring problem: What to do when you need or want to be in two places at once? Given the opportunity to see both legendary crooner Morrissey at Webster Hall for free and up-and-coming hype bands the Grates and Micachu & the Shapes for free, what does one do? Well, if you have experience covering festivals like CMJ, and enough money for cab fare, you do both.

Starting out at Webster Hall, the end of the set by openers the Courteeners was unsurprisingly Smiths-ish. At any other time and place, that might be perfectly fine, but as an opener for Morrissey? Who wants processed cheese when you can have cheddar?

Morrissey warmed the crowd up, once again, with a series of old video clips before his set. When the curtain dropped and the pompadoured singer took the stage, he asked, “I just have one soul searching question to ask you: Where the hell am I?” before jumping into Brooklyn bar dance hit, “This Charming Man.”

But, sadly enough, the same people that will likely bust a move to the song when it comes on at their local bar were noticeably less rapturous than the average Morrissey fanboy crowd. Were people there to say they saw Morrissey at a smaller venue than he usually plays, or where they simply there to see him?

Morrissey, however, was up to his normal tricks, casting shirts into the audience, whipping the mic around, brushing back his hair, and interjecting an air of mystery between songs with statements like, “I am a myth.” The set list was full of standard fare – “How Soon Is Now?” “Irish Blood, English Heart” “Billy Budd” – all of which were as aggressive as Morrissey has ever been, with the help of his current backing band. But lest we forget his reputation as the International Man of Misery, there was “Let Me Kiss You,” and “Seasick, Yet Still Docked” to tug at the heartstrings. (See below for a video of “Seasick, Yet Still Docked” from this show.)

Unfortunately, as he began mid-set standard “The Loop,” a cab and Piano’s were beckoning… (more…)

Test of the Boomerang: Sick of Winter Wonderland

Phish – The Clifford Ball (Rhino)

Sherman, set the Way Back machine for that balmy summer of 1996! Jerry Garcia had been gone a year, and a lot of lonesome folks had hitched their wagons to the sound-carnival that was Phish.

The Vermont foursome rented out an abandoned air strip in upstate New York for a weekend of music, music and more music. They called it ‘The Clifford Ball‘ and it became the blueprint for every summer festival that would follow in its wake.

Rhino has released a seven-disc set of the whole shebang just in time for Phish’s 2009 reunion. If you didn’t score tickets to Hampton, this just might help ease the sting. Trey, Gordo, Paige, and Fishman have never really been much to look at, so the important thing here is the music. In 1996, arguably, Phish were at the height of their powers. There’s a fantastic mix of new (at the time) and old songs here. The band is tight, in the pocket, and totally playful. Every note played that legendary weekend has been captured in a brilliant 5.1 stereo mix. From the soundcheck to the mini acoustic set to the 3 a.m. improv jam the band performed on the back of a light-encrusted flatbed truck.

It’s all wrapped up in a very cool package that includes some Clifford Ball postcards and stamps. Fire up your own kind veggie burritos, put some Magic Hat #9 in the fridge, and camp out in your living room with this great package from Rhino. (more…)

Test of the Boomerang – New Re-Releases and Live Updates

Chris Darrow – Chris Darrow / Under My Own Disguise Limited Edition 2 LP/CD Box Set

Chris Darrow’s first paid gig was playing bluegrass with David Lindley on the streets of Disneyland in the early 1960s. The duo went on to form Kaleidoscope — a Middle Eastern-inflected psychedelic combo — and released a pair of cult classics before Darrow headed out on his own to become a hired gun for everyone from Leonard Cohen to the Nitty Gritty Dirt Band. In the early 1970s, he released a pair of solo albums: Chris Darrow in 1973, and Under My Own Disguise the following year. The good folks at Everloving Records are releasing both as a double-LP box set that also includes the CD version.Darrow is a crack player and picker, and these two discs are brimming with equal parts country blues and starry bluegrass. Delightfully obscure and chock full of that California cowboy melancholy that  so many great records are steeped in. It’s great stuff from a brilliant producer who has been hard at it for a long time. Fans of the New Riders of the Purple Sage, CSNY, David Grisman, Dave Alvin, or just good ol’ California roots music will really find something to enjoy here.

Chris Darrow – Whipping Boy

Chris Darrow – Another Sundown

Akron/Family together with Ben Harper, Howlin’ Rain and others are performing a special Tribute to Chris Darrow at the (legendary) McCabe’s Guitar Shop in Santa Monica. For tickets and more information, go to Everloving Dot Com. (more…)

Test of the Boomerang: Happy Valentine’s Day!

Hola Amigos! I know it’s been a while since I last rapped at you, but with being a new dad and all, I’ve been busier than a one-armed bass player. No disrespect to any one-armed bass players out there, but you know what I’m saying. We’re still a long way off from the beginning of Festival Season, but lots of information is coming out every day.

As I’m sure you’ve heard by know, Bonnaroo announced its 2009 lineup this past week — Springsteen, Phish, Nine Inch Nails, Beastie Boys, and a cast of thousands. It’s a hell of a strong lineup so far, and more are to be announced. Last year’s ‘Roo was probably remembered for Metallica’s old-school set, My Morning Jacket fresh and tumescent off the release of Evil Urges, and of course Kanye West making folks wait for two hours while his crew set up his enormous light show. Oh yeah, and who could forget Lez Zeppelin?

While no artists have been announced yet, Rothbury 2009 is going to go down July 2nd-5th, again at the Double JJ Ranch. This comes a week after Langerado 2009 was cancelled due to sluggish ticket sales. Folks weren’t too happy when Langerado was going to be held at a different location this year. I’m told that the organizers are going to try and host Langerado 2010 once again at Big Cypress Indian Reservation.

Mountain Jam has announced its preliminary line-up for this year: The Allman Brothers, Government Mule, Michael Franti and Spearhead, Coheed and Cambria, Girl Talk, U-Melt, Ray LaMontagne, and others are scheduled to jam out in Hunter Mountain, New York, May 29th-31st.

Yonder Mountain String Band, STS9, Sly & Robbie, my man Matisyahu, Buckethead and others are set to rage Wakarusa in Ozark, Arkansas, June 4th through 7th.

The Disco Biscuits have announced dates for their 2009 Camp Bisco. Once again at the Indian Lookout Country Club in Mariaville, New York. The eclectic festival has hosted the likes of Snoop Dogg, Shpongle, Infected Mushroom, Soundtribe Sector Nine, and others in the past, and this year’s lineup is still in the works. I’ll send out information as it comes in for this, and other festivals.

If you can’t wait until the warm days of festival season, there’s plenty of good music coming at your face — Soundtribe Sector Nine are getting on the road with their winter tour including a historic four-night stand at The Fillmore in San Francisco at the end of this month. Lotus are kicking off their tour with a pair of shows at the Recher Theater in Towson, Maryland. Their new album Hammerstrike was one of my favorite releases last year. They’re a great band, tight and precise, and totally uplifting. Check ‘em out.

The Improv-Electro-Trance-Your-Ass-Off unit EOTO is bringing the heat to your town with some newly-announced dates. Every EOTO show is completely improvised, and if you have the time, check out some live recordings. The musical ground this duo cover is amazing. I saw Michael Travis a couple years back (remember that night Arnold?) with the improv trio Zilla (with Aaron Holstein and Jamie Janover) and they were amazing. Travis is an incredible drummer and I hope to see EOTO, or Zilla for that matter, soon.

Okay, now on to the Valentine’s treats. (more…)

Live Music: Frightened Rabbit @ Le Poisson Rouge, 2/2/09

scott hutchinson of frightened rabbitFrightened Rabbit could not have been more different from the setting for their acoustic, all-request set at Le Poisson Rouge on Monday night. Le Poisson Rouge’s pricey beverages and bottle service attracted an audience more interested in being seen there than being there, as the sound of chatter rose above both openers, Joe Pug and Gregory & the Hawk. The scene was a stark contrast to the hairy, earnest Scots who took to the stage with plaid shirts and holes in their jeans. But try as they might have, a band as raw and emotional as Frightened Rabbit can’t be talked over.

Front man/songwriter Scott Hutchinson and crew were cheery from the start, which was a request for fan-favorite, “Backwards Walk,” from their second and most recent album, The Midnight Organ Fight. “That’s a poor choice,” Hutchinson jokingly chided before launching into the tune about the inability to stop returning to an ex. The song closes with one of their more memorable lyrics, “You’re the shit / and I’m knee deep in it.” That was all it took for the audience to stop talking.

Jokingly holding up blank set lists, Hutchinson explained that the idea for the all-request show came along because after 10 months of touring, “We just wanted to do something that was going to be enjoyable.” And enjoy it he did, telling stories about the songs between swigs from a bottle of whiskey. “Everyone thinks it’s about my penis, but it’s not,” he remarked after playing “Snake,” which he elaborated is actually about his plans to surprise a woman in New York City by showing up with nothing but the clothes on his back and a draft snake he’d been keeping for her. As it happened, the girl was “less than thrilled,” so he wrote “I Feel Better” as a sequel, reusing the music from the chorus. (more…)

The Top Ten Top Ten Music Lists of 2008

Nothing has expanded the proliferation of year-end Top Ten Lists like the internet.  Every year critics of every stripe put together their top ten lists for the year, and impossible to look through more than a few lists without getting bored of nodding your head in agreement or muttering about what a jackass the writer turned out to be.  Here at Popdose, we’ve never been fans of the amalgamated lists like the Onion’s A/V Club and Pitchfork Media produce – there are too many cooks with fingers in the broth and there’s a usually a complete lack of coherence.  Lists by single authors tend to be more focused – and more interesting to read, because they introduce you to the writer’s personal tastes.

Here at Popdose, we decided to let everyone else do the heavy lifting.  The writers nominated their favorite music-related lists in ten categories (Top Ten Music Videos, Top Ten Albums, etc.).  We winnowed them down to a shortlist of nominations, and then voted on which individual list we thought was the finest for each category.  Were there any kind of objective criteria?  Nope.  Some of us voted solely on the basic content of the lists.  Others cared more about the quality of the writing that accompanied the actual list rather than the author’s selections.  Others (I’m not naming names here but this would be Jeff Giles) pushed really hard for lists with purple hypertext, simply because it reminded them of their My Little Pony collection.

So here, in no particular order, are your winners.  Hats off to the champions!  And none of this could have been accomplished without the massive collection of year-end lists compiled by largeheartedboy, so hats off to him as well.

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Winner: Alexis Larsen, Dayton Daily News

Channeling the voice of T. Herman Zweibel, Alexis Larsen counts down the top ten movie soundtracks of the year in style, savoring her syllables by hyphenating words like “con-cert,” “nu-ance,” and “ob-scure.” (Actually, it was originally a print column, and the typesetting carried over into the online version). Concise story capsules, essential details, and interesting extras are make this list worth reading. Not to mention that Alexis makes all the right picks.

Runner-Up: Drake Lelane, Film.com

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Winner: Antonio, The Cookie Crumbling Creation Company

Antonio has a firm grasp of the simple algebraic concept that good music + good video = good music video.  There aren’t any glorified live performances here, or pelvises thrusting into a fisheye lens, just a simple collection of solid songs (only a few of which are familiar) and interesting visuals.  The presentation could use some polish, and it would have been fun to see them ranked from 1 to 10, but there’s no faulting Antonio’s selections.  Scrolling through the embedded videos is like watching an episode of 120 Minutes – you know, during MTV’s salad years when they actually played music videos.

Runner-Up: Chris DeLine, Culturebully

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Winner:  Dave, Let’s Sexy Fighting

Dave doesn’t waste any words, he just gets straight to the point with a well-presented list of ten great covers of ten great songs by ten great artists.

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Winner:  Artvinyl

Okay, so there’s actually 50 album covers on display here.  And it’s hard to describe Artvinyl’s flagship product without sounding like we’re shilling for them, but it’s actually pretty cool.  They design frames that allow you to display the artwork from your favorite vinyl albums, while still having access to the records themselves.  In true democratic fashion, Artvinyl allowed visitors to vote on their favorite album artwork and compiled the results in a simple, tastefully designed page that’s almost as much of a joy to look at as the album covers themselves.

Runner-Up: Danielle Langley, Musicisart

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Winner:  Carlos Delgado, iF Magazine

Wait, we’re actually endorsing a list that features Katy Perry?  Exactly.  The top singles of 2008 aren’t necessarily the songs we like the best (even though we will admit to liking a few that are on the list), it’s about which ones managed to get their job as singles done.  These songs surfed down the radio airwaves and into your head, and getting them back out was harder digging a bamboo stand out of your back yard.  Carlos Delgado sums them up nicely, giving credit where credit is fairly due.

Runner-Up: Ryan Brockington, New York Post

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Winner:  Eric Danton, The Hartford Courant

Writing at the behest of a paper I used to deliver to doorsteps personally, Eric Danton counts off his favorite ten shows of the year.  Obviously selecting the top ten live performances is going to be a very subjective list – every live show is different and no writer can possibly see every band that comes to town – but Eric managed to accumulate quite a bit of mileage traveling to shows throughout New England and New York and his picks encompass a nice variety of acts.  Links take you deeper down the rabbit hole to full-length reviews of each show that made the cut.

Runner-Up:  Joe Long, Each Note Secure

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Winner:  Taylor Long, T-Sides

Although this pick carries the scent of homerism, make a visit to Taylor Long’s T-Sides and try to argue that she didn’t earn her title.  Go ahead.  We’ll wait.  Visually appealing, with short blurbs that blossom into full diatribes, Taylor doesn’t just tell you, she shows you and lets you listen along as well.

Runner-Up: 1,000,000 Words

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Winner:  Dustin Sussman, Spike TV

Dustin Sussman channels his inner crusty old man (or a surly gossip blogger) as he dissects and dismisses the year’s least worthy video offerings.  Dustin doesn’t try to sound sophisticated and critical, he just goes ahead and unleashes his fury in no uncertain terms on “artists” like Heidi Montag, Tokio Hotel, and Brokencycle.

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overrated1

Winner: J.R. Taylor, New York Press

Speaking like a true outsider, J.R. Taylor tees up and swings away at ten of the year’s critical darlings.  And while none of us can agree with every single one of the choices that ends up on his skewer, we can gladly admit that he does a nice job poking away at the soft underbellies of some of the year’s most highly hyped acts – and the critics who loved them.

Runner-Up:  Allan Cheng, AWMusic

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Winner: The Top 12 Kids Show Rap Mashups, Sub Zero, Unreality Magazine

While I’d definitely recommend putting the headphones on before you check out any of these videos at work, this collection of rap music set to videos of children’s shows is absolutely hilarious.  Personally, I believe that Bert and Ernie belonged in the top spot, but that’s just a matter of taste.  Every year an amusing new mashup trend appears, and 2008 was no exception.

Runner-Up:  The Top 10 Ad Songs of the Year, Charlie Moran, Advertising Age

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Test of the Boomerang: DVD Review: “Rhythm Devils Concert Experience”

A 2-DVD set and 24-page hardcover book featuring Mickey Hart, Bill Kreutzmann (Grateful Dead), Mike Gordon (Phish), Steve Kimock, Sikiru, and Jen Durkin (Bomb Squad, Deep Banana Blackout). The ultimate jam band! With original material from Robert Hunter along with their own compositions, this experience is unlike any other concert. Sit back, relax and take a magic ride through time and space. Recorded at The Chicago Theatre, Chicago, IL, and The Starland Ballroom, Sayreville, NJ. Book includes photos, lyrics, and artwork.

Back in 1979, Grateful Dead beat-meisters Mickey Hart and Bill Kreutzmann created a soundtrack of exotic percussion and jungle ambiance for Francis Ford Coppola’s Apocalypse Now. The subsequent album, The Apocalypse Now Sessions, was released under the moniker Rhythm Devils.

(In the 80s, the Dead’s second set drum workout was frequently referred to as “Rhythm Devils” before taper lists shortened the mid-set improv to simply “Drums,” followed by “Space” – an improvisational freak-out by the rest of the band.)

Billy and Mickey decided to join forces in the spring of 2006 with a solid band consisting of Mike Gordon of Phish on bass, Steve Kimock on guitar, Sikiru Adepoju on talking drum, and Goapele on vocals – soon to be replaced by Jen Durkin of the band Deep Banana Blackout. (more…)