Posts Tagged ‘Lucinda Williams’

Cratedigger: Various Artists, “The Village” (Win a Copy!)

The VillagePlease read to the end for information about how you can win a copy of this album.

The Village in question is Greenwich, and 429 Records has gathered together an accomplished cast to celebrate the music that shook the world from that corner of New York City in the Sixties. Lest you think my use of phrase “shook the world” is an overstatement, I offer the first three songs on the album as evidence. Bob Dylan’s “Subterranean Homesick Blues” finds Rickie Lee Jones putting a pin in the balloon of pretension that surrounds Dylan these days. Though not of his making, it marks his every movement. Jones jabs at it with, of all things, a slide whistle, returning the humor inherent in the song.

Songs two and three are Dylan covers too, albeit more serious in tone. There’s nothing funny about “It’s Alright Ma I’m Only Bleeding,” and Winnipeg band the Duhks perform it with requisite intensity and respect. Lucinda Williams makes Dylan’s bitter rant “Positively 4th Street” her own by bringing it from a less angry, more heartbroken place, and very few people do heartbreak like Lucinda Williams.

Sixpence None the Richer contribute a wonderfully inventive take on the traditional “Wayfaring Stranger,” and John Oates’ retelling of another traditional song, “He Was A Friend of Mine,” is something of a revelation. The extremely underrated Philadelphia singer/songwriter Amos Lee closes out side one with a typically understated, soulful version of Fred Neil’s “Little Bit of Rain.” (more…)

Mix Six: “Old Rockers, New(ish) Songs”

DOWNLOAD THE FULL MIX HERE

If there’s a not-so-subtle subtext to this mix, it would be singers who have raspy voices.  And if there was a disclaimer, it would be this: “Some of these songs aren’t new at all.” But I can’t fit all of that into the subject heading, so, well, there.

I don’t know what it is about the world-weariness of singers like Mark Knopfler, Marianne Faithfull, and Lucinda Williams, but their voices convey such longing and sadness that I’m surprised David Medsker didn’t include their songs in his now-defunct “Mope Like Me” series.

In a way, it must be tough to be an old codger in rock music since the genre is generally marketed to the young.  At what point do you call it a career? It’s hard to say. Maybe you take the attitude of Keith Richards who, when asked if he was too old for rock ‘n’ roll, said something like: “Hey, if B.B. King can get out there night after night and play, I’m gonna do the same thing.” God bless you, Keith.  And so it goes with this week’s lineup. Yeah, these cats are old, but they still make music — or, in the case of Leonard Cohen and Marianne Faithfull, perform music — that has depth, maturity, and substance.

“Down from Dover,” Marianne Faithfull (download)

This is clearly not the Marianne Faithfull that sang “As Tears Go By,” but what she does with this Dolly Parton song is quite amazing.   I said at the outset that there’s a world-weariness to singers like Faithfull, and she sings this tune with the right amount of regret and loss that makes a sad song even sadder. (more…)

CD Review: Ian McLagan & the Bump Band, “Never Say Never”

Ian McLagan - Never Say NeverI’m not much of a believer in band reunions — they seldom result in any output that actually improves the band’s legacy, and often have just the opposite effect. Still, I was thrilled recently when rumors of a Faces reunion were all over the Internet. First of all, the Faces were always one of my favorite bands; second, despite the presence of future superstars Rod Stewart and Ron Wood, they never really got the shot that they deserved. Of course, a lot of that was of their own mischievous making. In many ways the world has come to see the Faces as the perennial scrappy underdogs.

Most of the Faces have gone on to solo careers, to one degree of success or another. Beloved bassist and songwriter Ronnie Lane died in 1997. None of them have been able to recreate the special vibe that a Faces album had, though; it was some sort of magic blend of carefree rock and roll, and cry in your beer pathos.

Faces (and Small Faces) keyboard player Ian McLagan became something of a journeyman, making brilliant contributions to records and tours by the Rolling Stones, Bob Dylan, Bonnie Raitt, Bruce Springsteen, Lucinda Williams, and many, many others. He is one of the most respected and revered musicians in the world by his colleagues and his fans. He moved to Austin in 1994, where he formed the Bump Band, which includes bassist Mark Andes (Spirit, Jo Jo Gunne, Canned Heat, Heart), drummer Don Harvey (Martha Davis, Joe Ely, Charlie Sexton), and Joe Newcomb (Ray Wylie Hubbard, the Resentments, Beaver Nelson). The band released “Extra Live” in 2006.

On August 2, 2006, McLagan suffered a loss that would change his life substantially. His wife Kim was killed in a car accident near Austin. She was 57 years-old, and they had been married for 28 years. Kim had previously been married to Who drummer Keith Moon. McLagan hasn’t stopped playing though, far from it, and now he’s back with Never Say Never (00:02:59), a solo album by a former Faces member that finally captures the magic of the legendary band. (more…)

CD Review: Heartless Bastards, “The Mountain”

Heartless Bastards - The MountainErika Wennerstrom is a genuine force of nature. If you’re hearing her voice for the first time, you quickly realize that it qualifies as a revelation. If you’ve heard her before, you’ve been waiting for an encore. That encore has arrived in the form of the third Heartless Bastards album, The Mountain (Fat Possum Records).

These aren’t your momma’s Heartless Bastards. Things have changed. First, Wennerstrom split up with her boyfriend of 11 years, Mike Lamping, who played bass in the band, and was very much present on its first two albums. “It was one of the hardest things I’ve ever dealt with,” she told the New York Times. Next she headed to Austin for a fresh start, where she holed up in an apartment for six months until she had written the 11 songs that make up The Mountain. Every song, every syllable on the album is haunted by the ghost of love lost:

Lately I’m feeling so alone
I packed up my bags and I left my home
And now everything’s changed and I’m feeling alone
I got no one to blame cause I had to go

As if all of that wasn’t enough, Wennerstrom and producer Mike McCarthy (Spoon, Trail of Dead, Patty Griffin) have expanded the band’s sonic palette beyond bass, drums, and Wennerstrom’s electric guitar bashing. Crucial new elements include violin, banjo, and pedal steel. If you’re thinking this is a turn toward country music, forget it, unless you consider a certain Appalachian longing to be a part of the genre. Heartless Bastards remain a powerful indie-rock band at their core. If you’re curious as to what that means these days, listen to “Witchypoo.” (more…)

Listening Booth: Lucinda Williams, “Little Honey”

Like many other people, I welcomed Lucinda Williams into my life with the release of the Grammy-winning Car Wheels on a Gravel Road, in 1998. Over the course of the last 10 years, I’ve been a fascinated observer of her career, both on record, and on the road. I’ve had the opportunity to see her perform live on numerous occasions, and although her backing band tended to change with every new tour, she has always had a knack for employing some of the finest musicians available. This is particularly true of her guitar players, a group that has included such greats as Gurf Morlix, J.J. Jackson, Kenny Vaughan, Bo Ramsey, and her current sidekick, the redoubtable Doug Pettibone, who shines brightly on this album.

To follow Williams’ career is to listen as she bares her broken heart time and again in her songs. But there’s good news this time out: “I’m stepping out and writing about things other than unrequited love. But because that’s not part of my experience anymore doesn’t mean I’m going to stop being a songwriter,” she explains. “There are plenty of other important things to write about — the state of the world for one thing — I don’t buy into the myth that because you get to a certain level of contentment, you have to throw in the towel.” Hopefully some of her more satisfied contemporaries are listening. (more…)