Posts Tagged ‘Main Street’

Basement Songs: Peter Gabriel, “Excuse Me”

basementsongs

carOn Sunday mornings, I’d drag my ass out of bed and wander over to the cafeteria to replenish my fluids and put some food in my stomach. After that, maybe I’d take in the Browns game or listen to music on the headphones. This was the routine in spring semester, 1989 — even though the spring was a far-off, distant thought as winter dragged its feet on its way out. My favorite Sundays during my freshman year of college were the ones in which my friend Dan and I would venture into downtown Bowling Green to idle away the remains of the weekend. It wasn’t a long walk, but the inclement weather of northwest Ohio made these trips seem like they lasted for hours. Dressed sloppily in sweatpants or jeans so grungy they practically did the walking for us, hair askew and crammed under a baseball cap, and bundled in our down coats, we’d trek off campus.

Dan and I shared similar tastes in music and movies. At the time, he was one of the few Peter Gabriel fans I knew (real fans, anyway — beyond So and his few other hit songs). Dan introduced me to Gabriel’s first self-titled solo album (referred to as “Car”). From the rain-covered windshield on the cover to the cryptic lyrics to the brooding music, everything about the Car album captured the essence of those overcast days walking into town with the wind blowing, a wind so biting it cut through the many layers of clothes you wore. At times, it hurt to move. I will never miss the Bowling Green wind. Thanks to Dan I became enthralled with songs like “Modern Love” and “Humdrum.” Dan was particularly fond of the deep cut “Excuse Me,” which when I hear it now only reminds me of him and our Sunday walks.

North Main Street is the main drag of downtown Bowling Green, a long street of storefronts that were, at the time, made up of independent mom-and-pop shops. In the late ‘80s, you could still find a used bookstore or a locally run drugstore. On our way into town Dan and I would talk about anything under the sun: the cute girls in band, the movies we liked or hated, our classes, and the prospect of rooming together next fall. Going into the city wasn’t so much a shopping trip — it was more the building of a friendship. (more…)

Mojo’s Cold Shot: Los Lobos, “That Train Don’t Stop Here”

Los Lobos‘ 1992 album Kiko is nothing short of fabulous. A tour de force of primitive rhythms, Latino percussion, gorgeous acoustic and muddy electric guitars, and melodic variance of epic Sgt. Pepper scale. Oh, and the album’s punctuated with baritone saxophone, not a common rock flourish, at least since about 1962.

In other words, it’s pure genius. I might argue its a top-five, all-time album, next to the likes of Exile on Main Street and the aforementioned Pepper, if one caught me  in a mood to argue such things (or held a gun to my head). It’s that good.

Part of what makes the album tick is the Lobos’ willingness to dip into whatever musical style that suits each particular song and bust out of whatever typecast that came before in their recorded repertoire. That’s not easy, especially when it comes at the expense of defying audience expectations.

Drunken mariachi (”Rio De Tenampa”),  dusty acoustic folk (”Two Janes”), countrified rock (”Reva’s House”), and a half-dozen other styles find their way on to Kiko—including rockin’ blues of the pre-Cream style.

That brings us to today’s Cold Shot, “That Train Don’t Stop Here,” proving that blues can pop up in the same old places—or where it’s completely unexpected. Songs like this say to me that the blues is a living, organic form, and not just marooned on old 78s in the Smithsonian’s humidor.

In the title of its greatest-hits compilation, Los Lobos called itself “just another band from East. L.A.” I beg to differ—regardless of the humble beginnings, this band—and record—is one for the ages.

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Pop Politico: “The Great Transition”

transitionAs the news about the global economic downturn goes from bad to worse, we’re at a point where government inaction is not a palatable option.  Something needs to be done, and countermeasures against further slippage into recession need to be implemented with all deliberate speed.  Most other countries in the grip of this recession are doing the same, and now, it seems, the United States is poised to spend an amazing amount of money to prime the pump to revive the economy. And since private enterprise is doing everything in its power to weather this storm the only way it knows how (i.e., by cutting overhead, reducing spending, and laying off employees), the importance of government action is magnified, because it’s seemingly the only option left.

President Obama’s proposed $825 billion stimulus package is currently running through the sausage mill of Congress, but this time, it’s supposed to be an “earmark free” bill.  But that’s not stopping Republicans from bloviating about pork in the bill that allots money for family planning (Contraceptives!) and the NEA (Robert Mapplethorpe! “Piss Christ!” One of the Guys!).  Those amounts are small compared with the money directed at improving the infrastructure of many agencies in the federal government — which, like the Social Security Administration for example, have not upgraded their central computer system Since the last days of the Carter Administration.

If pork = any kind of government spending, then the Republicans ought to stop acting holier than thou on this stimulus package and remember the heady days when they were in full support of blowing billions on war and war related organizations like Kellogg, Brown and Root.  You remember Kellogg, Brown, and Root, right?  You know, the company Dick Cheney was president and CEO of before appointing himself the vice presidential candidate during George W. Bush’s campaign for the White House?  The same company that’s been overcharging the American taxpayer for services provided to American soldiers serving in Iraq — just to name one example? I know, there’s a thing called “the loyal opposition,” but it seems the Republican leadership has very little they can really oppose, so they are going after those golden oldies of the cultural wars:  birth control and controversial artists.  What was that line Obama used about setting aside childish things?  Clearly it has fallen on deaf ears. (more…)