In a 2004 interview with music writer Casey Fundaro (a.k.a. “David Fufkin”), former Marah singer-guitarist Serge Bielanko said, “My brother [Dave, the leader of Marah] and I grew up listening to the radio first, then we began to buy cassettes … Then we would read interviews in Musician or Rolling Stone with certain artists and we’d discover what they’d listened to early on. This led to us being able to discover things slightly off our collective radar. Hearing Keith Richards say he liked Howlin’ Wolf, hearing the Replacements speak of NRBQ, finding out that Steve Earle was a big Townes Van Zandt fan — that sort of trickle-down discovery method was important to us.”
I’m a longtime Replacements fan, and I like some of what Marah has done, especially 2000’s Kids in Philly, but I’m not too familiar with NRBQ (which stands for “New Rhythm and Blues Quartet”). It’s worth noting, however, that all three bands built their reputations playing high-energy, unpredictable live shows. Maybe it’s time for me to start catching up with NRBQ’s music, and not just by rewatching the episode of The Simpsons they appeared in ten years ago.
This week’s bootleg comes from a performance in Bremen, West Germany, on November 3, 1984, featuring the “classic” NRBQ lineup of keyboardist Terry Adams, guitarist Al Anderson, drummer Tom Ardolino, and bassist Joey Spampinato. Tear down that wall, NRBQ. Tear it down!
Today is 