Posts Tagged ‘Marilyn’

Lost in the ’80s: Culture Club, “Mistake No. 3″

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It must have sucked to be a non-Boy George member of Culture Club.  Well, except for Jon Moss, who was actually sucking a member of Culture Club.  Okay, cheap shot.  But seriously, here you are, finally realizing your dreams of being in a hugely popular rock band and, to paraphrase Roy Hay in the group’s Behind the Music special, you’re stuck in the middle of a gay soap opera.

Besides the lead singer and drummer having screaming fits in hotel hallways, you’d also have to deal with the pressure of your label demanding a third album of original material in as many years.  And to top it all off, your singer and visual focal point of the band has become a raging coke head.  Is it any wonder your third album was a comparative failure to the first two?

Culture Club’s Waking up with the House on Fire was aptly named, since the band was in a shambling mess of an emergency.  After their first two multi-platinum smashes and several hit singles, expectations were extremely high for the third and the only place to go was down.  The album’s first single really set the tone, as “The War Song” was a simplistic, jingoistic, embarrassing attempt by Boy to be political.  “War, war is stupid” – shock!  Thanks to the chart momentum from the last two years, it still made the Top 20.

While the U.K. and other territories got “The Medal Song” as the album’s second single, Epic made the wise choice of picking “Mistake No. 3″ (download) to be the follow-up single in the States.  I’ve read that the song was about Boy George warning young couples against marriage, that being the titular mistake number three.  I’m not quite sure what the first two mistakes are supposed to be.  Shagging your drummer and snorting coke, perhaps? (more…)

Lost in the ’80s: Marilyn, “Baby U Left Me (In The Cold)”

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Lest you think Paris Hilton or any of the various Kardashians invented “Famous for Being Famous,” let me point you to Peter Robinson, better known to UK tabloid readers as Marilyn.

Born in Jamaica but raised in England, Marilyn made a name for himself as one of the Blitz Kids, an outrageous group of kids who worshiped Bowie, dressed to the nines in all sorts of drag, and hung out at the Blitz nightclub – other Blitz Kids included Boy George and Steven Strange from Visage.  Marilyn’s trademark was his gender-twisting take on Marilyn Monroe – once made up from the neck up, he bore an uncanny resemblance to the dead movie star, hence his nickname.  Marilyn wasn’t content to just make the scene, however.  He hobnobbed with pop stars (his one-time boyfriend was none other than future Bush frontman, now Mr. Stefani Gavin Rossdale), making a notable appearance in the video for Eurythmics’ “Who’s That Girl?” and famously crashing the Band Aid recording of “Do They Know It’s Christmas.”  Proximity to pop royalty probably fanned the desire to become a pop star himself – enter songwriter/producer/Haysi Fantayzee member Paul Chaplin.

Marilyn and Chaplin teamed to create a single, “Calling Your Name,” that sounded just enough like Culture Club to get Marilyn on the charts in the UK, Japan and other territories.  Marilyn also got some import airplay on stations like KROQ Stateside, but couldn’t quite score an American record deal.  The fact that his next two singles flopped didn’t help.

By the time 1985 rolled around, Marilyn’s label gave him an ultimatum.  Go to America and write a hit, or else.  Working with famed producer Don Was of all people, Marilyn recorded a great single, “Baby U Left Me (In The Cold)” (download).  With a touch of Motown and a dash of Scritti Politti, the record should have been a smash.  In fact, it beats anything Culture Club were releasing at the time, since they’d hit the downslide of “The War Song,” et al.  “Baby U Left Me” even had a snazzy video featuring a newer, butcher Marilyn (Look!  He’s kissing a GIRL!): (more…)