Posts Tagged ‘Mark Knopfler’

Mix Six: “Then and Now”

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I was watching Anvil: The Story of Anvil on VH1 Classic the other night, and I believe it was Slash who said something like: “You know, there aren’t many bands who have been together for 30 years.”  And he’s right (well, if Slash really did say what I attributed to him).  Bands or singers who have been recording music for long periods of time are rare birds indeed.  Some certainly hang on to their core sound and often fit prevailing musical trends into one or two songs (Think “Emotional Rescue” or “Miss You” by the Rolling Stones), while others will revamp their sound and sail off on a new musical direction– leaving puzzled fans wondering: “What the hell is this?” (Think KISS in Music From “The Elder” or when Rush went headfirst into a synthaholic binge).

What I wanted to do for this mix was to feature bands and singers who, by hook or crook, have been able to maintain a musical career that went beyond their salad days.  In putting together this mix, I generally took the first album and the most recent release, paired them together to see what, if any, changes or similarities were there.  Sorry if this sounds a little too academic in its description, but really what I’m trying to do is best summed up in the title of this mix:  “Then and Now.” (more…)

Vinyl Review: Mark Knopfler, “Get Lucky”

Bad news for all the fans who thought that this, finally, was Knopfler’s return to Dire Straits-style rock and roll: Those days are gone, and have been for awhile now. Get Lucky, Knopfler’s debut for the Warners heritage label Reprise (ugh — “heritage” — it has all the cache of a Revolutionary War reenactment troupe) is tonally more of a cousin to his Shangri-La album, gambling iconography and allusions intact. That Warner Bros. kept him within their ranks at all is baffling. His songwriting is as elegant and elegiac as ever,  and there are few that will ever approach his skill at the guitar, but they’ll never get Brothers in Arms levels of sales from him again.

That’s fine by me. His folksier side suits him well, especially on the album opener, “Border Reiver,” complete with a quick rambling pace and tasteful flute & violin combination, and highlight “Monteleone,” which is a song about the famous guitar builder John Monteleone. It’s the most telling tune on the record, as it’s less about the man or his profession, and more about the romance of the guitar. One loves to make them, one loves to play them. “Cleaning My Gun” displays a little grit for those who prefer a punchier guitar sound, but the restraint might be maddening to those who regularly pull out Making Movies. For myself, Knopfler’s melodies and his penchant for picking chords that simply feel ‘right’ make up for any lost stage sweat (or as he once mused, “liquid gumption”) and his modern version of the ancient art of musical storytelling is seldom challenged. In another age, his characters would have been as familiar as John Henry. (more…)

Dw. Dunphy On… The Easy Way Out

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I was over a friend’s house recently when his son burst into the living room proclaiming he was going to start a rock band with his friends. It was a scene I participated in many times during my youth, the thrill of the larger-than-life expectations undiminished yet by that dreaded “real world.” Being a supportive “uncle” I offered to show him some guitar chords and a few tricks he could probably get by with. Lord knows how some of these golden fakes served me.

The young boy looked at me with the most quizzical eyes, as if I had just recited The Iliad in Esperanto while standing on my head. “What are chords?” he asked.

“He’s talking about forming a ‘Rock Band’ band, not a real band,” his father confided to me. The boy gnashed his teeth and spun out of the room, infuriated by his father’s distinction. Yes, this kid was talking about forming a digital equivalent of a band with his friends through his X-Box, not the actual process of writing and performing songs but, in his mind, the two were one and the same. “Don’t be offended. He gets like that lately.”

I found the whole concept depressing. A few generations ago, the story went that The Velvet Underground weren’t huge but everyone who saw them play formed their own band. Although Nirvana was a lot more successful, they too spawned a legion of guitar slingers with this notion that it could be done. The thought that those days were past us and now the act of creativity was relegated to just as much vector spaceships spinning to blast ‘asteroids’ weighed heavily on me for a good long while. I’m not alone in this either. By doing a little reaseach – well, okay, more like a little web-surfing – I’ve found an undercurrent voicing this same opinion, that creative, artistic expression is slowly being co-opted by facsimile. Some go as far as dubbing it “art porn” though that may be too harsh. (more…)

The Friday Mixtape: 5/22/09

Hat trick, mama!!

Benny Hester – It’s Over Love from Through the Window (1987)
Erik Norlander featuring Buck Dharma – Lost Highway from Music Machine (2003)
Isaac Hayes – By the Time I Get to Phoenix (Edit) from Hot Buttered Soul (1969)
John Williams – Yoda’s Theme from Star Wars: Episode V—The Empire Strikes Back (1980)
Katatonia – My Twin from The Great Cold Distance (2007)
Mark Knopfler – What It Is from Sailing to Philadelphia (2000)
Paradise Lost – Nothing Sacred from Host (1999)
Paul Steel – Hole in Your Heart from Moon Rock (2007)
The Catherine Wheel – Mad Dog from Wishville (2000)
The Damned – Smash It Up (Parts 1 and 2) from Machine Gun Etiquette (1979)
The Major Labels – Aquavia from Aquavia (2008)
Traffic – Every Night, Every Day from Far From Home (1994)
Under Midnight – Oh Boy from Void (1994)
Urge Overkill – Positive Bleeding from Saturation (1993)

Mix Six: “Old Rockers, New(ish) Songs”

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If there’s a not-so-subtle subtext to this mix, it would be singers who have raspy voices.  And if there was a disclaimer, it would be this: “Some of these songs aren’t new at all.” But I can’t fit all of that into the subject heading, so, well, there.

I don’t know what it is about the world-weariness of singers like Mark Knopfler, Marianne Faithfull, and Lucinda Williams, but their voices convey such longing and sadness that I’m surprised David Medsker didn’t include their songs in his now-defunct “Mope Like Me” series.

In a way, it must be tough to be an old codger in rock music since the genre is generally marketed to the young.  At what point do you call it a career? It’s hard to say. Maybe you take the attitude of Keith Richards who, when asked if he was too old for rock ‘n’ roll, said something like: “Hey, if B.B. King can get out there night after night and play, I’m gonna do the same thing.” God bless you, Keith.  And so it goes with this week’s lineup. Yeah, these cats are old, but they still make music — or, in the case of Leonard Cohen and Marianne Faithfull, perform music — that has depth, maturity, and substance.

“Down from Dover,” Marianne Faithfull (download)

This is clearly not the Marianne Faithfull that sang “As Tears Go By,” but what she does with this Dolly Parton song is quite amazing.   I said at the outset that there’s a world-weariness to singers like Faithfull, and she sings this tune with the right amount of regret and loss that makes a sad song even sadder. (more…)