Posts Tagged ‘M*A*S*H’

How Bad Can It Be?: Fightstarters

The point of a column like this is not to be a consumer guide, or to give “thumbs up”/”thumbs down” to the latest media product (which is just as well since Ebert owns the whole thumbs-up thing and could sue the pants off me for copping his gimmick). I’m trying to engage some of the ideas underpinning popular culture — notions of authenticity, influence, presentation, expectation — and kick them around to see how they fall. I’m trying, in short, to start a conversation.

And sometimes I’m trying to start an argument. It falls to the critic sometimes to assume a contrarian stance, either by default or by design. The aim is not simply to be disagreeable, not to reflexively oppose received wisdom, but to take nothing for granted. By taking an opinion that “everybody knows” is wrong, you put your interlocutor in the position of defending the view that “everybody knows” is right, and examining why it’s right. And that’s how you get at deeper truths.

And so, in the spirit of the pursuit of knowledge (and also in the pursuit of pissing people off, why isn’t particularly helpful but which can be a whole lotta fun), here are my fightstarters — a selection of my contrarian, heretical, or just plan Wrong ideas about pop culture. You may disagree: in fact, that’s kind of the point.

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Death by Power Ballad: Elefante, “Young and Innocent”

Before there was an Arnel Pineda (Steve Perry soundalike, currently fronting Journey), or a Benoit David (Jon Anderson soundalike, currently fronting Yes), or even a Chris Chan (Barry Manilow impersonator, currently playing casinos and corporate gigs), there was John Elefante, whose uncanny vocal resemblance to Steve Walsh landed him the lead singer gig in Kansas after Walsh flew the coop for a “solo career” (like when McLean Stevenson left M*A*S*H for “other roles”). Elefante’s run with the group was modest enough—one mediocre album each in ‘82 and ‘83—but yielded two awesome singles in “Play the Game Tonight” and “Fight Fire with Fire,” both of which remain in Kansas’ setlist to this day.

Somewhere between leaving Kansas in ‘84 and beginning an extensive producing and performing career as a Contemporary Christian artist, John and his brother Dino contributed a track, “Young and Innocent,” to the David Foster-helmed soundtrack of the Brat Pack movie St. Elmo’s Fire. It’s a shame, really, that a song that so majestically exemplifies the best of the power ballad arts was wasted on such a whiny, execrable piece of celluloid mush. That’s how it goes sometimes, though. Booga-booga-booga-ah-ah-ah!

For a moment, let’s accept “Young and Innocent” as a separate entity from the movie. A simple yet stately piano figure opens the song as Elefante glances around the ether:

There’s an echo in the wind.
Makes me wonder where I’ve been
All the years I’ve left behind
Faded pictures in my mind
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