Posts Tagged ‘Matthew Sweet’

The Friday Mixtape: Beatles Covers Edition!

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Well, it’s (almost) the end of Beatles Week, and by now, it’s clear that many of you were just as excited about the remasters and video game as we were — Popdose has broken its own single-day traffic records twice this week — and as sad as we are to see the celebration end, we knew we had to finish our Fab Four tribute in style. And what better way, we ask you, than with a Friday Mixtape of Beatles songs — not the originals, mind you, and not the remasters, but covers done by other artists?

What we didn’t realize when we started assembling our little treat was just how many Beatles covers there are. In the course of a single afternoon, the Popdose staff put its hard drives together and came up with an even 100, and that’s just scratching the surface — but it does make for a pretty damn cool Friday afternoon playlist, doesn’t it?

Because none of us was willing to sit in front of a screen for several hours and build 100 links, we’ve done a couple of things to ease the burden: One, we’ve bundled up the whole compilation into a giant zip file; two, we’ve laid out the whole list here, and randomly selected 18 “singles” that you can grab a la carte.

Take a look, folks. More Beatles covers than you can shake a stick at, and some rather unexpected ones to boot. Enjoy — but be forewarned: in the interest of preserving our servers’ sanity, that big ol’ zip file won’t stay up for long. Get it while you can! (more…)

The Friday Mixtape: 9/04/09

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Last week marked the final edition of Tom Werman’s run on our Producers column and, in the course of his finale, he mentioned a special mixtape disc he made for his family and friends. Many readers replied wanting to know which songs he chose as his most indicative productions, the work he was most proud of. We’re hoping maybe to get Tom’s input for a future Friday Mixtape based on those requests.

But overall, it’s not a bad idea, is it? A mix themed not so much on a topic, artist or concept, but on the producer involved in the project gives insight to that producer’s choices, inclinations and “sound” and there hasn’t been a producer of recent time as prodigious as Brendan O’Brien.

His first high-profile job came with Stone Temple Pilots’ debut disc Core. After that he became Pearl Jam’s de-facto producer for life, starting with Vs., their second offering. He also mixed The Jayhawks’ Hollywood Town Hall and Soundgarden’s Superunknown. Recently he has found himself behind the boards for Mastodon and Bruce Springsteen. Music fans are mixed on O’Brien, some believing he’s the quintessential producer of the ’90s into today, while others are put off by his signature ‘dry’ sound, lacking reverb and sparkle. This miniature capsule of a very small part of his output serves as an opportunity to decide for yourself. (more…)

Bootleg City: Top 17 Songs of the ’90s

For this special edition of Bootleg City, I’m spotlighting the top 17 songs of the ’90s, a decade we can all officially start nostalgicizing on January 1, 2010. Until then we’re in limbo, if you’ll pardon the expression — the untimely deaths of Michael Jackson and John Hughes in the past six weeks have put a damper on the last blast of ’80s nostalgia in this decade. But life goes on, of course, as does pop culture’s never-ending look backward.

From top to bottom, here are the top 17 songs:

1. But Anyway (Blues Traveler)
2. Put a Lid on It (Squirrel Nut Zippers)
3. 6th Avenue Heartache (The Wallflowers)
4. It’s a Shame About Ray (Lemonheads)
5. Strong Enough (Sheryl Crow)
6. Hey Dude (Kula Shaker)
7. The Freshmen (The Verve Pipe)
8. The Good Life (Weezer)
9. Where You Get Love (Matthew Sweet)
10. Mom’s a Surfer (a.k.a. My Mom Can Surf) (G. Love & Special Sauce)
11. St. Teresa (Joan Osborne)
12. Low (Cracker)
13. Landslide (Tori Amos)
14. Desperately Wanting (Better Than Ezra)
15. Who Will Save Your Soul (Jewel)
16. Super Bon Bon (Soul Coughing)
17. Galileo (Indigo Girls)

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The Popdose Interview: Susanna Hoffs

Last Tuesday, to celebrate the release of Under the Covers, Vol. 2, the latest collaboration between Matthew Sweet and Susanna Hoffs, we offered up the Popdose Interview with Mr. Sweet, wherein he responded to the questions of you, the Popdose readership. We also promised you that, come the following Tuesday, you’d get the chance to find out what his partner in crime had to say to your queries.

Well, my friends, the time has come.

Say hello to the doe-eyed mistress of the Rickenbacker, Ms. Susanna Hoffs:

Popdose: Well, I talked to Matthew the other day, and I don’t know if he told you or if you heard from the folks at Shout! Factory, but these will be exclusively reader questions.

Susanna Hoffs: Oh, that’s always fun!

Well, let’s get rolling, then! I’ll go ahead and start with the Sid ‘n’ Susie questions, and after that, we’ll head into the questions about your solo stuff and the Bangles.

Great!

* Was there a nugget that you both loved and wanted to record for the new album but didn’t because the song was just too obscure?

Let me think about that. (Hesitates) No, because I would have to say that we recorded things that we were just sort of intrigued with or loved in a certain way. Like, we recorded “Marquee Moon”! (Laughs) There are some bonus tracks that you’ll start to see materializing, but I’m not sure how they’re planning to release them. But we just sort of went with our hearts. We didn’t really question whether something was known or unknown.

I’ve heard “Marquee Moon,” thanks to Shout! Factory. Matthew had talked about it and really played it up, but it lives up to his claims.

Okay, great! So did Matthew answer the same questions, or are they all different questions?

Well, the ones that were addressed to both of you, I asked him and I’ll ask you as well, but you each have your own individual questions about your respective careers, too.

Oh, okay!

* Has there been a song that you really wanted to cover but that you couldn’t make work and therefore had to abandon?

Well, we recorded, like, close to 40 songs, and we recorded more than ended up on the first record as well. Sometimes we would take on something that was difficult, and we would surprise ourselves and go, “Wow, that worked!” Like, say, “I’ve Seen Good All People / Your Move,” by Yes. (Laughs) It’s a pretty difficult song to take on! And there were others that were good but, at the end of the day, it was just so difficult picking which songs should go on the record. It was kind of, in some ways, more about trying to find some kind of continuity, even though there isn’t any specific thread or theme to the songs. Somehow they just kind of went together. We recorded “More Than A Feeling,” which is a pretty daunting song to take on, and we recorded “Venus and Mars.” We recorded some pretty epic songs! (Laughs) But it was just a question of…I don’t know, it was just tough picking the songs. We were both dreading that moment. And at first, we thought we could put 20 songs on, but then we were told that that wasn’t going to work. We wanted to make a double record, but we ended up with 16 tracks. But it was fun. Everything we recorded, we enjoyed the process. It’s really been fun doing these cover records.

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The Popdose Interview: Matthew Sweet

Hey, kids: remember last month, when we put out a “Calling All Questions” for Matthew Sweet and Susanna Hoffs?

Well, here’s the thing: we thought we were going to get an interview with both of them on the line at the same time, but due to conflicts in their respective schedules, we ended up talking to them separately. Since we still got to talk to both of them, though, we’re still putting a mark in the “win” column…and you should, too, since it meant that we were also still able to ask them your questions. Now, at first, we were going to take the two interviews and combine them into one big piece, but in the end, it became evident that it would be a pretty disjointed conglomeration. As such, we’ll be presenting them independently…one this Tuesday, one next Tuesday…and since we talked to Mr. Sweet first, it seemed only fair to allow him to maintain his status and dive headlong into the fray.

Popdose: Okay, Matthew, are you ready for this?

Matthew Sweet: I’m ready to go! Now, did I hear…is it actually fan questions?

It is all reader questions.

That’s awesome! (more…)

The Friday Mixtape: 6/19/09

You guys give up, or you thirsty for more?

Bobby Jimmy & the Critters – Roaches from Look at All These Roaches [12"] (1986)
Bread – The Guitar Man from Guitar Man (1972)
George Harrison – It Don’t Come Easy (unreleased) (1971)
Matthew Sweet featuring Lindsey Buckingham – Magnet and Steel from Sabrina the Teenage Witch: The Album (1998)
Rocket Scientists – Gypsy from Revolution Road (2006)
Split Enz – I Got You from True Colors (1980)
The Real Tuesday Weld – Bathtime in Clerkenwell from I, Lucifer (2004)
War – The Cisco Kid from The World Is a Ghetto (1972)
Warren Zevon – Hit Somebody (The Hockey Song) from My Ride’s Here (2002)
Jellyfish – Watchin’ the Rain from Fan Club (2002)
Marshall Crenshaw – Laughter from Miracle of Science (1996)
Sieges Even – Eyes Wide Open from Paramount (2007)
The Smithereens – If the Sun Doesn’t Shine from Green Thoughts (1988)
Vector – How Many Times from Please Stand By (1988)

Calling All Questions: Matthew Sweet and Susanna Hoffs

After the success of our request for reader questions to Andy Partridge a few weeks ago, we decided we’d give it another go and let our dedicated Popdose readers have the opportunity to offer up queries to another pair of pop music legends: Matthew Sweet and Susanna Hoffs.

The duo are on the cusp of releasing their second collection of cover songs – Under the Covers, Vol. 2, scheduled for a 7/21 release on Shout Factory – and have agreed to answer your questions as part of the promotional blitz for the album. The deadline for submission is June 18th, so if you want to know about their collaborations, their respective solo careers, or their band work (the Bangles, Rainy Day, Oh OK, Buzz of Delight, the Thorns, or even Ming Tea), leave your questions below. And, yes, asking about this film is considered to be fair game:

Only one word of warning: don’t expect me to ask either of them, “Why are you such a wanker?” Trust me when I tell you that, based on my recent experience, artists do not like it when you ask them that.

Soundtrack Saturday: “Buffy the Vampire Slayer”

I should begin this post by telling you that I’ve only seen two episodes of the Buffy the Vampire Slayer TV series. I’ve never read a single volume of the Twilight or Sookie Stackhouse books, I’ve never seen an episode of True Blood, and I generally don’t give a shit about the current vampire obsession all the girls seem to have thrown themselves into. That said, I love the original 1992 Buffy the Vampire Slayer movie, and this is as close as I’m going to get to joining the vampire love-in.

So, let’s take a step back to 1992, when Beverly Hills 90210 was one of the most popular shows on the teevee and Luke Perry was one of the biggest teen-dream heartthrobs. At the time Perry only had two films under his belt, neither of which his 90210 fans, mostly teenage girls, probably would have seen. When posters for Buffy the Vampire Slayer started showing up in movie theaters, all the teenyboppers — myself included — were aflutter. Not long after it opened, I read a review in some magazine that basically said the movie sucked, but do you think that stopped me from seeing it? As Whitney would say, “Hell to the no!”

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Hooks ‘N’ You: Wonderboy, “Napoleon Blown Apart”

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I can still remember the first time I became acquainted with the band known as Wonderboy. I was writing for Flash Magazine – the Hampton Roads entertainment publication formerly known as RockFlash – and I’d stopped by their offices to shoot the shit with the editor in chief, Bonn Garrett. When I walked into his office, he handed me a copy of the band’s third album, Napoleon Blown Apart, and said, “Here, this just looks like something you’d like.” The best description of his tone that I can offer is that it was both boisterous and mocking – in other words, he was having fun at my expense (our tastes in music didn’t exactly run parallel) and loving every minute of it – but I have to give the guy credit: though I would come to grow very tired of being teased by him, Bonn generally did know what I’d like, even he himself couldn’t stand it.

I’m still not entirely sure what it was about the cover of Napoleon Blown Apart that set him off and convinced him that this was outside of his musical comfort zone. Maybe he saw the piece of cake and perceived it as an advance warning that the contents would be sugary sweet…? Whatever the case, I was intrigued from the moment I checked out the credits and saw one particular name: Robbie Rist.

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If you’re a trivia buff, a TV geek, or a pop culture aficionado, then you may well recognize Mr. Rist’s name. His biggest claim to fame is arguably his role as the infamous Cousin Oliver during the final days of “The Brady Bunch,” but as someone who’d recently begun devouring the Not Lame Records catalog, I had also come to know him as a power pop musician of some note. I knew of Wonderboy because I’d read about their intriguingly-titled second album, Abbey Road to Ruin, but I still hadn’t actually heard anything by them yet. What luck! Here was my chance!

As you’ve no doubt guessed, since I’m taking the time to write a column about the album, I very much dug Napoleon Blown Apart. I would later come to discover that it didn’t really sound much like the previous two Wonderboy albums, as Robbie had decided to embrace the studio and knock out some awesome arrangements with more musical flourishes than ever before, pulling in some of his pals in the Los Angeles power pop community to assist. It’s a bouncy, catchy collection of tunes, but some of the lyrics tug at your heartstrings, like “Taken,” the track that really sold me on the record. And if there’s any Jellyfish fan who can make it through “Insecurity Girl” and not want to own Napoleon Blown Apart, I’d be very surprised, indeed.

I dropped Robbie a line through Facebook to see if he’d be up for chatting about the record, and since he and I have met before and are also on the Audities list together, he gladly acquiesced. Indeed, we talked for so long that I’m going to split this into two parts, so stay tuned for the non-Wonderboy parts of the discussion in next week’s column. For now, however, let’s focus solely on the wonders of Napoleon Blown Apart!

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Bootleg City: Material Issue in Cleveland, May ‘91

Back in 1992, my girlfriend received a 16th-birthday mix tape from a friend of ours named Tai. There were no artists or song titles listed on the cassette label, making the tape something of a mystery gift. My girlfriend and I listened to it while driving (because when you’re 16 you just drive, regardless of whether or not there’s a Point B), and later I borrowed the tape so I could dub the songs I liked onto a cassette of my own.

Since I didn’t know the titles of the songs I was adding to my collection, I made up my own: the Stone Roses’ “Elephant Stone” was listed as “In My Dreams”; the Hummingbirds’ “Everything You Said” became “Your Picture”; the Blue Hearts’ “Train-Train” turned into a single “Train”; Blake Babies’ “Out There” was rechristened “I Know It’s Stupid”; and Morrissey’s “Mute Witness” morphed into “That She Saw” (yes, I know I was reaching with that one). One track I did manage to name correctly was “Valerie Loves Me,” by Chicago power-pop trio Material Issue. I could’ve sworn they were British all those years ago, probably because of lead singer Jim Ellison’s English-accent affectations, as all power pop seems to lead back to the words and music of Lennon and McCartney, even though you couldn’t hear their accents when they sang.

This week’s bootleg is a radio broadcast of Material Issue playing at the Empire Concert Club in Cleveland, Ohio, on May 9, 1991. Back then they were promoting their debut album, International Pop Overthrow, whose title has since been borrowed for an annual traveling power-pop festival: the 2009 edition arrived in Chicago on April 16 and leaves town on Sunday, then starts back up in Milwaukee next Thursday. The bootleg is brought to you by Addicted to Vinyl’s Matt Wardlaw, a friend of Popdose and a heck of a nice guy. Here’s what he has to say about the venue and the concerts it hosted that aired on local radio:

“The Empire Concert Club was a great though short-lived club here in Cleveland that was only open for a couple of years at the beginning of the ’90s. In that time they did close to 100 live concert broadcasts with legendary rock station WMMS. Some of the more memorable broadcasts included shows from Cracker, King’s X, Sarah McLachlan (her first show in Cleveland), Rik Emmett, Matthew Sweet, and this show from Material Issue. Personally, I enjoyed the broadcasts because they featured a lot of artists like Material Issue who had new and fresh sounds for music fans to latch onto at a time when you could still hear that kind of thing on the radio; these live broadcasts captured many of the artists as they were about to explode on a national level. Great club, great bands — so how did it end? The Empire got nailed for filling the venue beyond capacity during a Buddy Guy concert — not their first offense — and they were penalized by having their capacity reduced by half, which led to an eventual shuttering of the club. Empire co-owner Tony Ciulla resurfaced a short time later as part of the management team for Trent Reznor’s Nothing Records.”

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