Michael: I like this song a lot. I like “White Punks on Dope” even better. I still remain confused that the same band is responsible for both songs.

Zack: I can’t help but find the opening hook to be pretty interesting, but it doesn’t quite sustain itself beyond that. It’s certainly not bad, and Fee Waybill’s channeling of Roger Daltrey makes it interesting, but by the end I find myself just slightly on the positive side of indifference.

Jon: I always used to parse the lyrics of this song the way you parse a Clinton speech. I could never figure out the exact situation Fee was describing here, and the video didn’t help. If the pretty girl is “behind the glass,” how do you get to “talk to” her? If we’re objectifying the poor girl who’s being kept behind the glass, what’s the point in talking to her anyway? And why would you bother to “fall in love”? Of course, at age 17 I had no first-hand understanding of strip clubs, but Fee sure seemed to be setting up a complicated scenario for a place where I was pretty sure you just went to watch women take their clothes off. Call me naive. Really, go ahead.

David: Being of an impressionable age when MTV first hit, I was unsurprisingly a big fan of the Tubes, thanks to MTV’s near-nonstop playing of “Talk to Ya Later,” “Prime Time,” and “Don’t Want to Wait Anymore.” By the time “She’s a Beauty” dropped, it could have been any old piece of nonsense — and as it turns out, it was — and I would have rubber-stamped it. But shhhhhh … I was a much bigger fan of “Out of the Business.”

Will: Given that I didn’t know the first thing about music in 1983, let alone the Tubes, this was another case where MTV was directly responsible for my introduction to both a song and the band who sang it in one fell swoop. I still think this video’s pretty creepy, but damn, what a chorus.

Mike: Fantastic hook. Sad to say, before I saw the video, that was all I remembered of “She’s a Beauty.” Very strange (but entertaining) video. And who the hell thought Fee Waybill would be a good stage name?

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