Posts Tagged ‘Meat Loaf’

Bottom Feeders: The Ass End of the ’80s, Part 58

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This is it — the Holy Grail of ‘80s music finally makes its appearance at Bottom Feeders. Enjoy another week of artists whose names begin with the letter M, as we continue looking at the bottom three-fifths of the Billboard Hot 100 chart during the Reagan years.

Peter McIan
“Solitaire” — 1980, #52 (download)

This is Peter McIan’s only hit song, off his album Playing Near the Edge. He’s better known as a producer for bands like Mr. Mister and Men at Work and has written a couple books about home recording.

Don McLean
“It’s Just the Sun” — 1981, #83 (download)

This was the last of three singles from McLean’s 1978 album Chain Lightning. The album actually wasn’t released in the U.S. until 1981 after it had experienced some success oversees. Oh, and I hate “American Pie.” Just had to mention that.

Gerard McMahon
“Count on Me” — 1983, #85 (download)

mcmahonThis was the only charting single from McMahon, off his excellent album No Looking Back. A few weeks ago we had the king of soundtracks, Kenny Loggins. This guy has to be the lost, long-distance fifth cousin of Loggins. He didn’t have any hits from soundtracks, but actually enjoyed making music for movies more than making full albums. He wrote and/or performed songs for Fast Times at Ridgemont High, Spring Break, All the Right Moves, and many more movies and TV shows throughout the years. His most well-known song, though, is probably “Cry Little Sister,” from The Lost Boys (where he’s credited as “Gerard McMann”).

Larry John McNally
“Just Like Paradise” — 1981, #86 (download)

This was Larry John McNally’s only charting single, the first song off his debut album. I think he’s more of a songwriter than a performer anyway, having written songs for artists like Rod Stewart and Bonnie Raitt. His crowning moment, though, has to be when Bruce Willis covered his song “Lose Myself” on the Return of Bruno album (1987). What a proud day that had to be.

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The Producers: Ted Nugent Babysits, a Meaty “Free-for-All,” and Tom Werman’s “Greatest Misses”

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The last installment prompted a number of responses having to do with a couple of bands that I and some of the readers feel should have been more successful. I thought that before we continued with a little history, I’d give Popdose readers some titles from what I consider my “Greatest Misses.” For those who would like to explore a little, these are songs I produced that I consider outstanding in one way or another, but which never really saw the light of day. By checking these out, you may even discover an obscure band whose music you really like.

Mother’s Finest (covered in installment # 7) – “Truth’ll Set You Free” and “Mickey’s Monkey

The Producers – (covered in installment # 7) — “What’s He Got,” “She Sheila,” “Life of Crime,” “Dear John,” “Back to Basics.”

brownsvillestation-airspecialmyfrontcover1Brownsville Station – “Who Do You Love” – A 1979 remake of the classic Bo Diddley tune recorded with the Record Plant Remote truck in the basement of the band’s manager’s office building in Ann Arbor, Michigan. The lead guitar, played by the late Cub Coda, is an original Sears Silvertone, and the speaker was built into the actual guitar case itself. I think this version is every bit as good as George Thorogood’s, which is now a classic rock radio staple.

Krokus – “School’s Out” – I did one Krokus LP in 1986, and I invited my daughter’s 5th grade class into the studio to sing on this classic Alice Cooper song.

Love / Hate — “Why Do You Think They Call It Dope?” This is a wonderful song from a band I discovered in a San Fernando Valley rehearsal studio and brought to Columbia Records in 1989 — more about them in a future installment.

LA Guns — “Rip & Tear.” I did one album with this band in 1989, and there will be more about them in a future installment. (more…)