Posts Tagged ‘Metallica’

Bootleg City: Jethro Tull, 11/25/87

As election day approaches, it’s important for a political candidate like myself to line up celebrity endorsements. One of my opponents, David Byrne, has the support of famous people-slash-political activists like Jane Fonda and Danny Glover, while another opponent, Bob Marley, has lined up a bunch of dead celebrity endorsements, including Robert Palmer, Nina Simone, Mickey Rooney, and John Lennon, who would’ve turned 69 today. How am I supposed to compete with—

… My sources have just informed me that Mr. Rooney is still alive. I’m sure they’re wrong, but I don’t want to embarrass them, so I’ll check Wikipedia after I get home.

So far the only endorsement I’ve gotten is from Jethro Tull frontman Ian Anderson, who made the trip to Bootleg City only after I convinced him that I’d gotten my hands on the world’s oldest instrument, a 35,000-year-old flute discovered by archaeologists in Germany last year. Once he arrived, I explained that my e-mail contained a few extra zeros, not to mention a gratuitous three and five.

Mr. Anderson wasn’t thrilled about traveling thousands of miles to receive a brand-new flute made in the Little Germany neighborhood of Bootleg City, but he did seem to enjoy the flute whipping he gave me, which was apparently a first. I was inspired to create a new tourism campaign with the following tag line: “Bootleg City: Experience the Unexpected (Just Be Prepared for Some Violence).”

I convinced Mr. Anderson to stay and give a talk to all the children of our city about the consequences a rock musician faces when he continues to play flute solos into his 60s. I left the City Auditorium during his speech so I could send my condolences to all the former Mrs. Mickey Rooneys of the world, but when I returned, the children were gone.

Some of these kids’ parents are still waking up from that disastrous Wizard of Oz screening. What am I going to tell them? “Sorry, folks, but a modern-day Pied Piper whose band won a Grammy in 1989 for Best Hard Rock/Metal Performance, Vocal or Instrumental, has run off and taken every child in the city with him. It’s a mystery as to why. I mean, everybody knows that award should’ve gone to Metallica.”

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Song-Off Jr.: Fade to Black

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What did it matter where you lay once you were dead? In a dirty sump or in a marble tower on top of a high hill? You were dead, you were sleeping the big sleep, you were not bothered by things like that. Oil and water were the same as wind and air to you. You just slept the big sleep, not caring about the nastiness of how you died or where you fell. Me, I was part of the nastiness now. Far more a part of it than Rusty Regan was. But the old man didn’t have to be. He could lie quiet in his canopied bed, with his bloodless hands folded on the sheet, waiting. His heart was a brief, uncertain murmur. His thoughts were as gray as ashes. And in a little while he too, like Rusty Regan, would be sleeping the big sleep.

On the way downtown I stopped at a bar and had a couple of double Scotches. They didn’t do me any good. All they did was make me think of Silver Wig, and I never saw her again.

- from The Big Sleep by Raymond Chandler

Dire Straits – “Fade to Black”

Metallica – “Fade to Black”

Buffalo Tom – “Taillights Fade”

Flotsam and Jetsam – “Fade to Black”


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Whose voice is the last you’d like to hear before it all goes dark?

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Last week, despite being born to lose, Social Distortion experienced a rare moment of triumph as “Bad Luck” took home 45% of the votes, almost doubling The Who’s second-place total of 24%.  Next week, we’re looking at a very crowded field as we match up songs about Wrecking Balls.  Join us!

The Friday Mixtape: 7/31/09

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We, at the site, really do strive to bring the coolest stuff possible to the readers and I think you’d agree our commitment pays off. But sometimes things float through our transom that don’t make it to the site for one reason or another. Such was the case when your own, your very own Dirk McQuickly Jason Hare e-mailed some links to the staff. A friend of his transferred old cassettes recorded from radio broadcasts in the ’80s, complete with commercials, DJ banter and other ephemera, to MP3. Nerdlet that I am, I downloaded as many as I could and reveled in a little regressive therapy at maximum volume.

Then I recalled, “Wait a minute. I’m a notorious packrat! I might have a few tapes of my own!” I did, in fact. Recordings of the fabled WPLJ from 1980s New York actually existed in a tape box that had an inch of dust congealed atop it. I thought this would be a very cool addition to our little Internet menagerie, and it would have been – were it not for the fact I only bought the cheapest, crappy blanks back then.

Yes, friends, the tapes had stretched, warped, some even seized up into circular spools of utter uselessness, but all were rendered ruined by time. But that doesn’t stop a man on a mission, now does it? I decided to build the playlist back from the ground up, based on the information on the J-card. Also, this one particular tape was playable but it sounded horrible, warbly, drifting in azimuth alignment so that sound meandered from fuzzy and muddy to irritatingly sharp. (more…)

Mix Six Six Six: “Trick or Treat, Bitches”

Because I’m in a giving mood (and because no one, and I mean no one, ever comes to our house for candy on Halloween), I thought I would load up the musical candy bowl and liberally hand out the goodies to those who come knocking at the Popdose door.

“Frankenstein,” The Edgar Winter Group (download)

Well, as an albino who’s also a rocker, Edgar was pretty much made to create a song called “Frankenstein.”  I’ve never really been a fan of this group, and know very little about them, but our friends at Wiki had some nice tidbits:  1. Winter loves his Scientology; he’s made no public comments on what he thought of John Travolta’s performance in Battlefield Earth. 2. Dan “I Can Dream About You” Hartman was in the band at one point. 3. This song was featured in Guitar Hero — which I’ve never played.  (more…)

Chartburn: 9/26/08


Mainstream Rock: Metallica, “The Day That Never Comes” (2008) (download)

Robert Cass: It’s time for me to come clean with all of you — I’m from the future. Though I’ve been living among you for some time now, I was born in a more technologically advanced age in which time travel is possible. Unfortunately, they don’t make ‘em like they used to, so my time machine broke once I arrived here. While I wait for repairs to be made and tricked-out accessories to be added by a man named Robert Zemeckis, who I was told could help, I’m basking in the awesomeness that is 2008.

You people really don’t know how good you’ve got it. For instance, did you know that the music of this decade is the best music of all time? It’s true! Those of you who think the 1950s, ’60s, ’70s, ’80s, or ’90s produced the best pop music are hopelessly stuck in the past, whereas I’m literally stuck in the past, but at least I know for a fact that music peaked in the “aughts,” so I actually have something to get misty-eyed about.

Ah, 2008. It was the last time Metallica would put out an album. In 2010 they broke up after Kirk Hammett’s hair plugs gained artificial intelligence and strangled him in his sleep. He was the buffer between James Hetfield and Lars Ulrich, who couldn’t get along without him there to block their punches. Hetfield retreated to a cabin in the Ozarks, where his homemade brand of “light” moonshine made him a billionaire, and Ulrich retreated to Middle-Earth, where he became a wizard.

In the future there is no war. But there are still anti-war videos. It gives liberals something to do on their down time at the re-education camps.

Beau Dure: Re-education? Does that mean in the future Americans are educated in the first place? That’s an improvement.

As for me, my nightmares about the “One” video will be replaced by nightmares that we get to the future by listening to this dull remake of it over and over, eight grueling minutes at a time. (more…)

Dw. Dunphy On… “Death Magnetic”

There are several degrees of expectation, but the key ones are low expectation, high expectation, and original Metallica fans. You’re aware of the first two, I’m sure, but number three may be a mystery to you, and for good reason, as satisfaction requires nothing less than a wormhole in time, a crate of Jagermeister, and just maybe the reanimated dead. Intrigued?

Friday marks the release of Metallica’s latest, Death Magnetic, and already the fists are flying. Some are claiming it’s a return to the sound somewhere between … And Justice for All (1988) and the eponymous “Black Album” (1991), and they’re not too far off. Balancing between the hard rock Metallica’s been working for the past decade and the guitar-solo heavy thrash of their earlier benchmarks, Death Magnetic is a study in compromises. Yes, it was produced by Rick Rubin, who made his early mark producing Slayer. (He’s also produced Jay-Z, Johnny Cash, and Red Hot Chili Peppers.) Yes, it has that dry, reverb-adverse sound that dogged Metallica’s previous album, St. Anger (2003). Yes, guitarist Kirk Hammett gets to wail again. No, this is not Master of Puppets II.

That last bit is key — after having been promised and teased that those young and angry lunatics had returned, we have the album you would expect to have followed the previous ones. Robert Trujillo is a fine bass player, but, to paraphrase Chevy Chase, Cliff Burton is still dead. Thank you and have a pleasant tomorrow.

This is where the divide becomes clear: those who appreciated “The Black Album” will find much to like about the new one, and not unintentionally. There’s a reason why the dominant graphic tone on the cover is a stark, blinding white and why we’re now up to “The Unforgiven III.” But to those who thought of “The Black Album” as some kind of heresy, this is another injustice (pardon the pun).

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Dw. Dunphy On… Spring Cleaning

Mind if I freak you out here? Yes? Too bad; I have nothing else to write about. Well, that’s not entirely true. I have a lot to write about, judging by all the files I’ve put up on the handy-dandy Popdose FTP.

1) No, you cannot have access to the Popdose FTP.

2) I mean it, NO, you cannot have access to the Popdose FTP.

See, when you write for a forum such as this, you can overload yourself fairly early, clogging the works with all those notions you’d like to tackle, restraint be damned. Then life gets in the way and you find yourself getting all topical and current and, very quickly, your digital cabinets runneth over. So I think it is time to do a little spring cleaning, with an added bonus of providing outlet for democracy.

(Get to the point, damn it!)

There are a few candidates on my list that I’m just not going to get to. As much as I love the music from these artists, it just seems more and more unlikely that they’re going to get their day. That’s where you come in. Your petty little vote may not mean much when compared to a mighty Superdelegate, but it means something to me. I swear, and not just because I’m trying to get to second base with you. I’ve decided to give you a choice for whom I next tackle. Simply drop a comment with your choice from the following artists and the act with the largest popular vote gets an expanded column. It’s that simple, and you’ll respect yourself the morning after. And yes, you have lovely eyes.

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