Posts Tagged ‘Michael Stipe’

CD Review: Vic Chesnutt, “Skitter on Take-Off”

41yjsf3R7zL._SCLZZZZZZZ_[1]How much do you know about Vic Chesnutt? You might know that he currently resides in Athens, GA, and that his first two albums were produced by that city’s most famous citizen, Michael Stipe of R.E.M. You might also know that Chesnutt was left partially paralyzed following a car accident in 1983, and that 1996 saw the release of Sweet Relief II: Gravity of the Situation, a tribute to Chesnutt. The album featured covers of Chesnutt’s songs by the likes of Madonna, Garbage, REM, the Smashing Pumpkins, and Live. Chesnutt has collaborated with Widespread Panic, Lambchop, Bill Frisell, among others, and he’s released over a dozen albums on various labels over the years.

Skitter On Take-Off is Chesnutt’s first album for Vapor Records. It was produced by indie legend Jonathan Richman and his drummer Tommy Larkin, and they had a very definite idea of how they wanted the album to sound. According to Richman, “We were both thinking that the way to get the feeling for Vic as a listener was to hear just Vic — no arrangements, no guest guitar solos, no “ironic” touches or anything else to cloud his voice or his poetry.” The end result is an album that features Chesnutt on guitar and vocals, Richman on guitar and harmonium, and Larkin on drums. It was recorded completely live, and there were no overdubs. (more…)

CD Review: Various Artists, “Ciao My Shining Star: The Songs of Mark Mulcahy”

Ciao My Shining Star: The Songs of Mark MulcahyLast week, in my review of Crayon Angel: A Tribute to the Music of Judee Sill, I said that in most cases, tribute albums are a hit-or-miss affair. That’s not exactly a controversial opinion, but it is equally true that there are exceptions to every rule. The new charity compilation Ciao My Shining Star: The Songs of Mark Mulcahy (Shout Factory) is one of those exceptions — and how.

Mulcahy is the former frontman for Miracle Legion. When his wife Melissa died suddenly last year, Mulcahy was left with a broken heart, a pile of bills, and a whole bunch of high-profile friends who wanted to help out. Their help comes in the form of an album that is not only one of the best compilations of 2009, but one of the year’s best albums, period. More importantly, proceeds from the sale of the album will go to Mulcahy to enable him to raise his twin three-year-old daughters, and continue his music career. Concerts are planned in London and New York to raise more money.

You know how sometimes you’re listening to a compilation album, you hear a track that you like, and you check your iPod for the name of the artist? That happened to me a number of times when listening to Ciao My Shining Star. The only reason I didn’t have to check every time a new track came on is because a number of the artists here are instantly recognizable, including Thom Yorke, The National, Michael Stipe, Frank Black, and Dinosaur, Jr. (more…)

Popdose Flashback: Indigo Girls, “Indigo Girls”

Hey, guys, remember that girl in college? The one whose intellect was sometimes intimidating, but sometimes eye-roll-inducing, depending on how far she ventured into cliché? The one you thought about dating, but probably never did, and if you didn’t you figured, well, she’s probably gay anyway?

If you’re buying into my obnoxious stereotype so far – and if you’re part of the distaff sector of the species, I sincerely apologize for it — then you know where this is going. Because if you’re old like me, you sat around with your buddies and called that girl “Janis Ian.” But by the time I got to graduate school in 1990, her name was “Indigo Girl.”

This album is why. And at this point I’ll pull out of the Neanderthal mentality of my opening and state, simply, that Indigo Girls was one of the finest major-label debuts of the ’80s. Its long-term impact is undeniable, not only upon the duo’s career but upon an entire generation of female singer-songwriters who gained a path to popularity on the radio and the concert stage in part because of its success. (more…)

Unsolicited Career Advice for… Michael Stipe

Who knows how Uncle Donnie gets to know someone like Michael Stipe well enough to receive the gift of dishware from him?  Granted, these are strange times in which we live, so finding something like this in the memo stack was not entirely a surprise, though Mike Mills and Peter Buck might not be too happy with U.D.’s nicknames for them. —RS

TO: Michael Stipe
FROM: Don Skwatzenschitz
RE: Career Advice

Mike, thanks so much for the Basquiat dinner plates. Nothing like getting to the bottom of one of Mitzi’s casseroles and seeing a neo-Expressionist skull staring back at me.  We’d have you over for dinner, but I know you’re a vegetarian, and she puts beef broth in everything (makes for an interesting apple pie, let me tell you).

Mike, I know you and the boys got a bit of a bump in popularity last year, with the Accelerate album and the return to rocking out and such and so forth. You’re at your best when you and the nerdy one let the schlubby one turn up his amps and blow a hole through whatever wall happens to be nearby. Don’t get me wrong—I actually liked Around the Sun (leaving New York is never easy, but there’s so much more of the country to see) and Up. To my ears, Reveal is the only truly crap record you guys have made. Man, did that stink. I mean, no redeeming qualities whatsoever, aside from maybe—maybe—“Imitation of Life,” but that got old pretty quickly. You guys dropped a turd on that one. Most bands don’t recover from something that rank.

Which is why you should look out for yourself more, for your own career, your own life apart from the nerdy one and the schlubby one. I’ve got some ideas you might want to consider:

  • Go nuts. You’re a dignified, middle aged man with intellectual, political, and artistic pursuits beyond the music you are best known for. You appreciate privacy and go to some lengths to protect it. You support worthy people and worthier causes. Mike, it’s a wonder anyone knows who the hell you are. You need to pull a Britney. Or an Amy Winehouse. Go out for a night on the town without any underwear … or pants. Or put on the underwear, smoke five or six pounds of crack, and go wandering down the street on a crying jag. Better yet, get fat, take steroids, get plastic surgery to the point where you’re barely recognizable, take in a bunch of stray dogs, and do a lot of interviews about how you’ve hit rock bottom and are now bouncing back. It worked for Mickey Rourke—he even got an Oscar nomination. Speaking of which …
  • Become an actor. They’re actually making a remake of The Three Stooges, with Jim-friggin’-Carey as Curly. Michael, you were born for that role. It’s totally playing against type (unless Curly was really a shy, mumbling alternative type and we just didn’t know it), which is why you’ll blow everyone away with your “Nyuk-nyuk-nyuk-nyuks” and your “Whoop-whoop-whoops” and you “Oh, wiseguys.” Forget that whole movie producer thing, Mike. You were born to be in front of the camera. Acting like Curly Stooge.
  • Two words: Food Network. You and Mario Batali were so awesome together on that Sundance show. The two of you need to do a cooking show together—Mike and Mario’s Vegetarian Kitchen or some such thing. It’ll knock that conniving bitch Paula Deen right off the network.
  • Fake your death. There’d be a state funeral in Georgia. Flags at half-staff at the next Lollapalooza show. Courtney Love might write a song for you (or get Billy Corgan to do it and say she wrote it). Rolling Stone would put you on the cover and give every album five stars in the next Record Guide (including Reveal, which really was a turd, Mike). Warners might actually earn back some of your advance from the last REM contract. And you—you get to disappear, find a little place on the beach somewhere and live out your days listening to Patti Smith bootlegs and reading Rene Ricard collections to your heart’s content. Sound good? I knew it would.

All the best,
Don

Beyond Ubiquitous: The Popdose Guide to Syd Straw

For someone who can talk your ear off, Syd Straw certainly has built an enigmatic career. After establishing her bona fides as an arty modern-rock diva during the mid-’80s, as part of the Golden Palominos collective, Straw released her solo debut Surprise in 1989 – then didn’t make another album for seven years. Her next break, following 1996’s War and Peace, was even longer: a dozen years, ending with the appearance last year of Pink Velour.

Not that Straw wasn’t working through the intervening years. Her husky, distinctive voice has made her a favorite among discerning artists and producers looking for a duet partner or backing vocalist; her list of guest credits is as long as her own discography is short. She also found work as an actress during the 1990s, and a generation of Nickelodeon-bred dorks (you know who you are) remember her as the number-fetishizing Miss Fingerwood on The Adventures of Pete and Pete.

Most of all, she has remained a beloved, influential (and eccentric) presence among fellow musicians, indie-rock scenesters, artists and literary types – always quick with a bon mot (or 10), always with her beloved dog Henry in tow, and always generous with her time and talents. (The title of this Popdose Guide was Straw’s idea, something to do with a well-connected artist who’s released just three albums in 20 years circling all the way back around from obscurity to a position just the other side of ubiquity.)

The Golden Palominos, Visions of Excess (1985) and Blast of Silence (1986)
Straw got her first exposure to the musical big time singing background vocals for Pat Benatar, but she rose to prominence with her contributions to these albums, which (like all the Palominos’ discs) featured collectives of high-profile alt- and art-rock musicians gathered together by former Feelies and Pere Ubu drummer Anton Fier. Visions of Excess was the group’s second album and its most popular, thanks to Michael Stipe’s vocals on “Boy (Go)” and “Omaha” as well as John Lydon’s on “The Animal Speaks.” It was Straw, however, who proved the real discovery on Visions; her riveting vocals came as a revelation toward the end of the set, on the tracks “(Kind of) True” and “Buenos Aires.”

Blast of Silence followed a year later and featured an utterly different sound from its predecessor; two decades on, it’s remembered as one of the albums that gave birth to the alt-country genre. Fier’s assemblage this time featured Matthew Sweet, Jack Bruce, T-Bone Burnett, Don Dixon, Chris Stamey and many others. Again, however, it was Straw who provided the most resonant contributions, including “Angels” (which she co-wrote with Fier and Peter Blegvad) and a terrific cover of Lowell George’s “I’ve Been the One.” Straw toured extensively with the Palominos during this period, enhancing her reputation as both a lead vocalist and band member, and endearing her to a vast array of alt-rock insiders who would provide her with work and comradeship for decades to come. (more…)