
I love movies about dysfunctional families, though I’m not entirely sure why — while my family has its moments, we’re really not all that dysfunctional. At least I don’t think we are. But what better time of year than the holidays to indulge in films about families who need magazine racks for their issues? (I totally stole that line from Janeane Garofalo.)
I think every family gets a little crazy during the holiday season. The (mostly) forced family interaction and all the pressure to have fun can make even the most fun-loving, well-adjusted person a sniveling mess of frustration and unmet expectations.
I first saw The Myth of Fingerprints (1997) not long after it was released on video. I sought it out because a) I was a big ER fan and loved Noah Wyle, b) I was a big Julianne Moore fan (still am), and c) a good friend of mine who knew about my penchant for dysfunctional-family films told me I needed to watch it after he saw it in the theater.
I anxiously awaited its video release and rented it the weekend after it came out. I was blown away.
Named after “All Around the World or the Myth of Fingerprints,” a track on Paul Simon’s 1986 album Graceland, writer-directer Bart Freundlich’s feature-film debut tells the tale of an estranged, dysfunctional family reuniting for an uncomfortable and somewhat heartbreaking Thanksgiving.


HawthoRNe in My Pride: TNT’s new “sensitive” medical drama kicked off June 16 and appeared, at least at first glance, to be heavily courting — and perhaps even banking on — the erstwhile ER audience. HawthoRNe is centered on the director of nursing at a Richmond, Virginia, hospital and features Jada Pinkett Smith as single mother/chief registered nurse Christina Hawthorne, whose calling card is putting others’ needs before her own.