Posts Tagged ‘Mike Douglas’

TV Review: “Sam Cooke: Crossing Over” American Masters (PBS)

Sam CookeMaybe it’s because I’ve read Peter Guralnick’s comprehensive 2005 Sam Cooke biography Dream Boogie: The Triumph of Sam Cooke that the newest entry in the generally wonderful PBS series American Masters, Sam Cooke – Crossing Over, which debuts on PBS tonight, seems a little bit skimpy to me. An hour simply is not enough to tell the story of one of America’s greatest musical lives.

The basic facts of Sam Cooke’s life are by now pretty well known. His father was a preacher at the First Baptist Church in Chicago Heights, and by the age of 17 Cooke became the lead singer for one of gospel’s greatest groups, the Soul Stirrers. Seeking a larger audience, he left the world of gospel music to become one of the world’s biggest pop stars. The road was anything but smooth. He escaped a terrible car accident while on tour in 1958 with minor injuries, while bandmate Lou Rawls was badly hurt, and his chauffeur was killed. His ex-wife was killed in another accident while driving a car that Cooke had given her. His 18 month-old son Vincent died when he fell into the family’s swimming pool.

Sam Cooke overcame all of these tragedies, along with the brutal racism that he faced when touring the south, to become a driving force in the civil rights movement with his classic song “A Change Is Gonna Come.” He was the first black artist to cross over on a large scale, the first to reach #1 on the pop chart, and the first to start his own record company. His hits, mostly written by Cooke, included “You Send Me,” “Cupid,” “Twisting the Night Away,” “Bring It On Home To Me,” and “Chain Gang,” a song inspired by seeing prisoners at work while touring the south.

Cooke was one of the founding fathers of soul music, and continues to inspire artists to this day. Contemporaries like Smokey Robinson, James Brown, Bobby Womack, Earl Palmer, Billy Preston, Herb Alpert, Mel Carter, and Lou Rawls are on hand to sing his praises, as are Cooke’s brother, sister, and niece. There is some terrific footage from Cooke’s television appearances on American Bandstand with Dick Clark, and the Mike Douglas Show. It would have been nice to hear from Aretha Franklin who also came from the gospel world, and was mentored by Cooke. In 1963 they both refused to perform for a segregated audience in Memphis.

In December, 1964, Sam Cooke was shot to death by a motel manager named Bertha Lee Franklin. Despite all his success, he was a failure when it came to being faithful in his marriage. He had gone to the motel with a prostitute named Lisa Boyer. What happened then is disputed. Boyer claimed Cooke tried to rape her. The evidence points to the more likely scenario in which the woman was trying to rob him, taking his clothes while he was in the bathroom. He ran out after her, dressed only in his jacket. He began to bang on the motel manager’s door, thinking that she was in cahoots with the prostitute. He was shot point blank and died on the scene. The ruling was justifiable homicide. Some 60,000 people filed past his casket.

Sam Cooke – Crossing Over is narrated by actor Danny Glover, and is a decent entry point if you know nothing about the life of this musical giant. But if you are at all familiar with his story, it will all seem a little too cut and dried. Sam Cooke deserves a deeper examination of his life and music, a video record as extensive as Guralnick’s book was.

DVD Review: “Motown: The DVD”

Motown: The DVDLet’s begin with the facts. Motown: The DVD contains 18 vintage clips of Motown artists performing some of their best known songs. Only five of the 18 are actually live performances. Of these, Gladys Knight and the Pips’ performance of “Grapevine” at the 1972 Save the Children Concert and Smokey Robinson & the Miracles doing “Tears of a Clown” on the Andy Williams Show in 1971 stand out. The rest of the clips have been gathered from a variety of U.S. and overseas sources including the Ed Sullivan Show, the Mike Douglas Show, Hullabaloo, and Live from the Bitter End.

Interspersed between the songs are excerpts from interviews with Motown artists. These include Mike Douglas speaking with Smokey Robinson, Motown-founder Berry Gordy on a local Detroit show called Teen Town, and some thoroughly cringe-worthy shtick featuring Lloyd Thaxton with the Temptations. Bonus features include previously unseen footage from the Motown Picnic, circa 1970. Basically it’s the company’s home movies. There are a couple of poignant shots of a young Michael Jackson in this footage. The complete Gordy Teen Town interview is here, as is a 1959 featurette about what was going on in the world in the year that Motown was founded. A Maypo commercial and a trailer for a Brigitte Bardot film are fun, but that is no reason to buy this DVD. Sadly, the 1959 newsreel is the most interesting thing in this package. The accompanying booklet features a nice essay by Stu Hackel. (more…)

Sugar Water: There’s Always a Riot Goin’ On

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The following piece originally appeared as an entry in Popdose’s Most Disturbing Halloween EVER! series.

“Everyday People” entered the Billboard Top 40 on January 4, 1969. Six weeks later it was the number-one song in the country, holding onto the top spot for an entire month. The lead single from Sly & the Family Stone’s upcoming album Stand!, it espoused “different strokes for different folks,” with the group’s leader, Sly Stone, assuring listeners that “I am no better and neither are you / We are the same whatever we do.”

Later that year the “psychedelic soul” band from San Francisco — featuring black, white, male, and female members — played the Woodstock festival, taking the stage at three in the morning on August 17 with inspirational anthems like “You Can Make It If You Try” and “I Want to Take You Higher,” which quickly moved the predawn crowd out of their sleeping bags and onto their feet.

In hindsight, it was as high as Sly & the Family Stone would go.

On January 10, 1970, their first single of the new decade, the double-A-sided “Thank You (Falettinme Be Mice Elf Agin)” and “Everybody Is a Star,” landed in the Top 40, and within a few weeks had become the band’s second chart topper.

Ushering in the era of bottom-heavy ’70s funk dominated by bands like Kool & the Gang, Ohio Players, and Earth, Wind & Fire, “Thank You” featured a harder sound than the Family Stone’s previous hits, with Larry Graham’s percussive thump-and-pluck bass dominating the track alongside Cynthia Robinson and Jerry Martini’s trumpet-and-sax combo. Sly’s lyrics weren’t exactly relegated to the background, but expectations of good-time vibes from the group that recorded “Dance to the Music” tended to obscure lines like “Flamin’ eyes of people fear burnin’ into you” and “Dyin’ young is hard to take / Sellin’ out is harder.”

The lyrics that typically stand out on first listen are the titles of previous Family Stone hits incorporated into the third verse: “Dance to the music all night long / Everyday people sing a simple song.” It comes across as playful — a clever summation of the Family Stone’s triumphs in the decade just ended.

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