Posts Tagged ‘Missing Persons’

Lost in the ’80s: The Top 15 New-Wave Songs — Ever!

lit80s

If you’ve been reading this column for the past four years or so, you may remember me calling out certain songs as one of “the top blahblah new-wave songs ever.” I’ve done it a few times, as I recall — most recently last Tuesday, in fact — and good commenter Pete stated:

“John, I’d be curious to know what your other top 5 new wave songs are …”

Well, Pete my friend, because you asked for it, here are not only my top 5, but my top 15! Who says it’s a waste of time to comment on Popdose?

First off, some ground rules:

  • While acts such as Roxy Music, Sparks and David Bowie certainly laid the groundwork, if not the entire friggin’ blueprints for what we call new wave, this list is limited to artists who came of age and were active during the classic new-wave period from 1979 through 1984, give or take as I feel like.
  • And what the heck is new wave, anyway? While we can argue it was just an umbrella term coined by Seymour Stein to cover any of his acts that weren’t overtly commercial, let’s agree for our purposes that we know it when we hear it.
  • It would be easy to rattle off ten or twenty songs that really should be on this list, like for example, New Order’s “Blue Monday.” But this is Popdose: we assume you’ve seen obvious lists like that a million times and the average Popdose reader is more knowledgeable and likes to be challenged. So, while we’re not gonna go all Pitchfork-y on you and rattle off names like Pylon or the Plastics, you may seem some less obvious choices.
  • This list will be from a very American point of view, since I sort of grew up in America and stuff. Don’t worry though – it’s probably the most Anglo-centric Americanized list you’ll ever read.
  • And last, but not least, this is my list, my opinions, my decisions. It is by no ways meant to be comprehensive, complete or the final word on anything. That’s why you’re going to leave comments after you read it, so I can either praise you for bringing up an act I forgot, or ridicule you for suggesting I left out the Bongos and how dare I.

And with that, let’s begin! (more…)

Bottom Feeders: The Ass End of the ’80s, Part 60

feeders52

There’s something terribly wrong with me right now. Just like everyone, there are points when I get a song stuck in my head that I just can’t get rid of. But right now I have a medley stuck in my brain which apparently only comes out when I’m singing in the shower (thankfully). It goes like this: “I’m gonna take you by surprise and make you realize / Amanda / I’m gonna tell you right away / I can’t wait another day / Amanda / I’m gonna say it like a man and make you understand / Amanda / I love you / You know it’s you babe / Giving me the courage and the strength I need / Please believe that it’s true / Babe, I love you.” Every morning for at least the last two weeks I’ve found myself singing some ungodly blend of Boston’s “Amanda” and Styx’s “Babe.” And I don’t even know why. I don’t remember hearing the tunes lately and it’s not like they are my favorite songs. Why couldn’t I just be singing a medley of “Danger Zone” and “Who’s Johnny” instead?

Here’s another week of Bottom Feeders where we chat about songs that reached no higher than #41 on the Billboard Hot 100 chart in the ’80s. We have a mess more of M to continue with this week, so stream away and enjoy.

Millions Like Us
“Guaranteed for Life” — 1987, #69 (download)

I mentioned a few weeks ago how this song got me buying ‘80s CDs again. I can state for a fact that before I started writing this up I had heard this song only once — back when I was listening to my whole collection from start to finish. The number of plays column on iTunes is at 0 which means it’s never shuffled to it and I’m 100% sure I’ve never pulled this out on my own. I knew nothing about the group and with a generic (and pretty bad) name like Millions Like Us a google search doesn’t turn up anything and the 45 only said the song was written by the group.

So, I went out and got the CD. If I had just listened to it a little bit I probably could have figured it out, but when I first heard this song, I thought it was a soulful young black man. But no, Millions Like Us is more like Go West — two soulful middle-aged white dudes. The singer is John O’Kane and the other guy goes by the name of “Jeep”. And that still tells me virtually nothing about the band. The track is pretty damn good though.

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Phagz on 45: Episode Seven

Phagz on 45

After a vacation summering in beautiful Silver Lake, California (aka, barhopping),  John C. Hughes and the world’s foremost Belinda Carlisle impersonator, a.k.a. his buddy Matty (or “Bearlinda,” if you prefer), return to review some singles, No on Prop 8 style. This week your rainbeaux duo take a listen to songs by Duran Duran, Office, Missing Persons, and Vanity 6, plus thrill to Matty’s note-perfect rendition of the Closet World jingle!  Enjoy, and as always, MP3s of the songs are below so you can follow along at home.

Duran Duran — “The Chauffeur (Blue Silver)” (download)

Office — “Wound Up” (download)

Missing Persons — “Words” (download)

Vanity 6 — “If A Girl Answers (Don’t Hang Up)” (download)

Why You Should Like… Missing Persons

Missing Persons

With her candyfloss hair, plastic bra and squealing, Betty Boop vocal histrionics, Dale Bozzio was New Wave personified, but such a figure overshadowed the songwriting and musical chops of the rest of Missing Persons, formed by Frank Zappa sidemen Terry Bozzio and Warren Cuccurullo. You love “Destination Unknown,” but why should you like the rest of Missing Persons? The evidence, please:

New Wave’s Best Musicians: Drummer Terry and guitarist Warren honed their craft under Zappa for years, and there probably wasn’t a more demanding taskmaster. That’s why Missing Persons were the tightest band in New Wave, able to stop and turn on a dime. When keyboardist Chuck Wild added evocative sequences and space-age synth flourishes, the result was ferocious, especially live. In fact, the band chose not to lipsynch in their video for “Words,” and instead performed live, not only matching the studio version in precision, but surpassing it:

The group’s live shows were nearly legendary, and the near punk-rock velocity of “Mental Hopscotch (Live 1981)” (download) shows a band at its peak, giving critics notice that this wasn’t just another bunch of New Romantic posers (although there was plenty of that, too!). (more…)