Posts Tagged ‘Moody Blues’

Bottom Feeders: The Ass End of the ’80s, Part 61

feeders52

Okay, so I know this is going to sound weird, but there’s a song on my iPod and I have no idea how it got there. Maybe someone sent it to me (if so, thanks!), or I downloaded it, but the simple fact of the matter is that I don’t remember it at all. Better yet, I know nothing about the group or the song except that it’s clearly ’80s and quite good. The group is called Music for Pleasure and the song is “The Human Factor.” So who can tell me something about this mysterious group and song that’s shown up in my world?

Even if you can’t, that’s okay. You can still listen to the songs below. Two more weeks to go until we end the letter M, so here’s the next-to-last one. Enjoy more songs from the ass end of the Billboard Hot 100 chart during the 1980s.

Modern English
“I Melt With You” — 1983, #78 (download)
“Hands Across the Sea” — 1984, #91 (download)

Can you possibly believe that “I Melt With You” didn’t go Top 40? Hell, I can’t believe it didn’t go Top 10. This would definitely go down as a nominee for most recognized Bottom Feeders track. If you’ve never listened to it, tracking down After the Snow, the album whence it came, would be worth your while. “Hands Across the Sea” is from the good but not great follow-up, Ricochet Days.

Molly Hatchet
“Flirtin’ With Disaster” — 1980, #42 (download)
“The Rambler” — 1981, #91 (download)
“Power Play” — 1982, #96 (download)
“Satisfied Man” — 1984, #81 (download)

MollyThe first three songs here were produced by none other than Tom Werman, so I’ll let you go back and read about his experiences with Molly Hatchet. “Satisfied Man” was produced by Terry Manning for the album The Deed Is Done, the first less-than-stellar release from the group. I’m not just saying that because Werman didn’t produce the album — their next studio record, 1989’s Lightning Strikes Twice, was produced by him and kind of sucks too.

You know, I have to vent a bit here. I own the whole ’80s catalog of Molly Hatchet, so it’s not a big deal right now. But I was at a record show over the weekend flipping through $2 records and every one of these albums was in there. It made me remember what a pain in the ass it was to find them. No, they aren’t rare or anything. It’s simply that, other than 1983’s No Guts … No Glory, every album cover of theirs looks exactly the same at first glance. Even at second glance they all look the same. So I remembered back to when I was trying to find them without a list in front of me — I’m pretty good at remembering album covers, but damn if it isn’t confusing with this group.

Mondo Rock
“Primitive Love Rites” — 1987, #71 (download)

Mondo Rock were an Australian band that had a decent string of hits from 1981 to 1990 in their homeland. “Primitive Love Rites” is a pretty cool song, and the only one that caught on in the U.S.

(more…)

CHART ATTACK!: 7/19/86

null
Hello again, folks! Last time we met, we reviewed a pretty awesome chart from June of 1975. Well, since I choose these charts pretty much at random, you had to know it was inevitable that our luck might not hold out. Or did it? I’ll be interested in hearing what you think — let’s take a look at the pop-filled chart for the week ending July 19, 1986!

10. Love Touch — Rod Stewart Amazon iTunes
9. Your Wildest Dreams — The Moody Blues Amazon iTunes
8. There’ll Be Sad Songs (To Make You Cry) — Billy Ocean Amazon iTunes
7. Glory of Love — Peter Cetera Amazon iTunes
6. Who’s Johnny — El DeBarge Amazon iTunes
5. Holding Back the Years — Simply Red Amazon iTunes
4. Danger Zone — Kenny Loggins Amazon iTunes
3. Nasty — Janet Jackson Amazon iTunes
2. Sledgehammer — Peter Gabriel Amazon iTunes
1. Invisible Touch — Genesis Amazon iTunes

10. Love Touch — Rod Stewart

Even in 1986, how did Rod Stewart keep a straight face when singing the line “I’m gonna give you my love touch”? No, even worse, let’s look at the middle of the song, where Rod actually sings “Oooh, you’re gonna get a/oooh, you’re gonna get a big love touch.” That’s the worst of the bunch. “A big love touch”? Shame on you, Rod. I’d even take you making love to the camera a la “Do Ya Think I’m Sexy?” over this dreck. And who had the idea for steel drums? What a terrible idea! Although I think it’d be fun to go to the Bahamas and ask a traditional steel drum band if they know “Love Touch.” (C’mon, do we really need to hear them play Bob Marley’s “Three Little Birds” yet again?)

All this being said…for some inexplicable reason, I like the chorus of this song. (Well, up until he says the words “love” and “touch,” anyway.) I specifically love the line “Just gimme a chance!” because of the way he pronounces “chance.” It sounds like Harry Caray.

This is the first of four songs on this week’s chart taken from a movie soundtrack. This one in particular is from Legal Eagles, and some brilliant director decided to set the (awful) video in a courtroom, inserting scenes from the movie featuring Robert Redford, Debra Winger and Daryl Hannah. Fortunately, all three actors had the good sense to not make themselves available for the video, unlike another certain movie star…well, you’ll see.


Cratedigger: The Moody Blues, “Days of Future Passed”

The Moody Blues - Days of Future Passed (label)Cold hearted orb that rules the night,
Removes the colours from our sight.
Red is grey and yellow white,
But we decide which is right.
And which is an illusion?

Thus begins the second official Moody Blues album, Days of Future Passed, which was released in 1967 on the Deram subsidiary of London Records. The first Moody Blues album, The Magnificent Moodies, was produced by Denny Cordell, and released in 1965. It presented them as an r&b band, led by Denny Laine. It was this band that created what is perhaps my favorite single of all time, the unforgettable “Go Now,” and from which Laine soon departed.

The Moody Blues, now led by Justin Hayward and John Lodge, returned with Days of Future Passed, and it couldn’t have been more different from the first album. Here we have what was the first of a series of concept albums from the band, who had now abandoned their r&b stylings for a lush, symphonic pop sound that foreshadowed the arrival of progressive rock.

The music on the album is credited to Redwave-Knight. The Knight in question was Peter Knight, the conductor of the London Festival Orchestra, the band’s collaborators on this project. Knight wrote orchestrations based on ideas from various band members, who went under the collective name of Redwave. The poems that open and close the album, though uncredited on the album itself, were written by Moodies drummer Graeme Edge.

Days of Future Passed, which is a song cycle about a single day in the life of a man, spawned two huge hit singles, which remain mainstays on radio, and in hearts of people everywhere. “Tuesday Afternoon” is an edited version of “The Afternoon: Forever Afternoon (Tuesday?),” which opens side two. The day ends, as does the album, with “The Night: Nights in White Satin,” perhaps the Moodies most indelible point of reference. My colleague here at Popdose, Scott Malchus, recent wrote a lovely essay which was inspired by “Nights in White Satin.” (more…)

Mix Six: “Songs in the Key of Autumn”

DOWNLOAD THE FULL MIX HERE

Booyakisha!  This week’s mix is about a season that seems to get very little love in the world of song.  And before you run to the comment section and say: “Hey Ted, don’t you know that autumn started last month?” I should remind you that yours truly lives in the Golden State of California, and we get days that top out in the 90-100 degree range right up until the end of October.  But sometimes the weather turns to autumn early (like it did last week) where the leaves fall, the air feels a bit different (in California it’s a very subtle difference), and the smell of fires burning in the fireplace is prevalent. Okay, are you in an autumn mood? Then let’s get going with this week’s mix!


“September in Seattle,” Shawn Mullins
(Download)

Full disclosure: I have a tough time warming up to artists whose songs I used to play over and over when I was working in radio.  Mullins’ “Lullaby” was one of those songs that never went away where I worked, and when I started hunting for autumn-themed songs, I was a bit leery about including this song — ’cause, you know, I’m kind of allergic to Shawn Mullins’ music.  However, I got over my prejudices (and allergy) pretty quickly, and found that this tune to be quite the charmer. (more…)