Posts Tagged ‘Moonlighting’

Bootleg City: Nilsson

One of my favorite pebbles of pop-culture minutiae is that Curtis Armstrong, the actor who played Herbert Viola for three seasons on Moonlighting and “Booger” in four Revenge of the Nerds movies, knows everything there is to know about Harry Nilsson. (He discussed his love of the late singer-songwriter’s music in an interview with the Onion AV Club in 2006.)

Moonlighting enjoyed breaking the fourth wall, but so did The Monkees 20 years earlier. Nilsson’s song “Cuddly Toy” was performed by the made-for-TV band, which had a talented songwriter of its own — singer-guitarist Mike Nesmith penned the pop classic “Different Drum,” which was recorded by the Stone Poneys (featuring Linda Ronstadt) in 1967 and memorably covered by the Lemonheads in 1990.

According to former bassist Nic Dalton in Everett True’s The Lemonheads: The Illustrated Story, Nilsson visited the band at Cherokee Studios in Los Angeles in the summer of ‘93 during the recording of their sixth album, Come On Feel the Lemonheads. He “came in, smoked some pot and played us some new demos he’d just done … Mostly, they were songs looking back on his Seventies days, kind of like The Beatles meet Ween. They sounded lo-fi and cool, especially coming from this middle-aged guy with a paunch.”

In 1998, after four albums and one best-of compilation, the Lemonheads parted ways with Atlantic Records, the label cofounded by Ahmet Ertegun, who nurtured the careers of legends like Ray Charles. Jamie Foxx won an Oscar for his portrayal of Charles in Taylor Hackford’s Ray (2004), while Ertegun was played by none other than Curtis “Center of the Universe” Armstrong.

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Sugar Water: Jarreau!

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Jarreau is the name of Al Jarreau’s 1983 album. It’s a simple, straightforward title, but if you ask me, it’s missing an exclamation point at the end — the multiple Grammy winner puts such joy and excitement into his performances that it’s hard not to feel as giddy as he does.

The big hit from Jarreau was “Mornin’.” It still gives me goosebumps every time I hear it. One reason is the lyrics (the song was written by Jarreau, David Foster, and Jay Graydon), which are uplifting in more ways than one:

My heart will soar with love
That’s rare and real
My smiling face
Will feel every cloud

Then higher still
Beyond the blue
Until I know I can
Like any man
Reach out my hand
And touch the face of God

What really sells the bridge is Jarreau’s delivery of the second verse. By the time he gets to “touch the face of God,” he’s pretty much done just that, leaving a mere mortal like myself marveling at the minor pop miracle I’ve witnessed. All in all, “Mornin’” is a solidly constructed, catchy song, but that moment in the bridge is absolutely transcendent — eternal rebirth captured in a four-minute “easy listening” number.

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Variation on a Theme: Al Jarreau, “Moonlighting [Theme]” (1987)

The theme to Moonlighting (1985-1989) was one of those great TV theme songs that was able to set the mood for the program that followed it. In just under a minute, the combination of the smooth arrangement, Al Jarreau’s even smoother vocals, and the very simple lyrics painted a quick but encompassing picture of the show’s basic premise: a combination of style meets intrigue, where a former fashion model, Maddie Hayes (Cybill Shepherd), “moonlighted” as a private investigator in order to get back on her feet and ended up in a complex relationship with her business partner, David Addison (Bruce Willis), all with the supergloss of 1980s Los Angeles as the backdrop. The theme song fit the vocalist, the show, and the era perfectly.

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