Posts Tagged ‘MTV Unplugged’

The Popdose Guide to KISS

KISS Poster

Most people born before 1990 have some familiarity with the rock band KISS. Fans my age (44) remember the glory years in the mid- to late ‘70s, while younger fans remember the reunion tours of the mid-’90s, or bass player Gene Simmons’s A&E reality show, Family Jewels. Hand in hand with familiarity come opinions regarding the efficacy of the group: Were they just a glam band with a great marketing plan? Is their music any good? Or as my friend Debbie said, “They’re okay, but they’re no Scorpions!”

I’d like to help the non-KISS fan here to:

  • recognize the musical appeal of the group;
  • know which albums to embrace and avoid;
  • gain a greater appreciation for what KISS did for live rock ‘n’ roll performance.

By the same token, KISS did (and continues to do) ridiculously stupid things, and pointing out some of those foibles makes for good sport. So let’s begin at the beginning with the first three albums, released in 1974 and ‘75.

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Bootleg City: “Vin Scelsa’s Live at Lunch,” 6/28/00 (Pt. 2)

In part two of this flashback edition of Vin Scelsa’s Live at Lunch, singer-songwriter Jules Shear talks about the R&B inspiration for “If She Knew What She Wants,” how he feels about artists licensing their songs for commercials, his romantic relationships with singer-songwriters Pal Shazar and Aimee Mann, and his role in the creation of MTV Unplugged in the late ’80s. In between the bursts of candid conversation, Scelsa spins songs by Cyndi Lauper and Johnny Cash, a foot-stomping cover of Sam & Dave’s “Hold On, I’m Comin’” courtesy of B.B. King and Eric Clapton, and a cut from Shear’s first band, the Funky Kings.

However, the biggest surprise of the entire June 28, 2000, Live at Lunch broadcast is Shear’s speaking voice. Suffice to say it’s not what you’d expect if you’ve ever heard “Steady,” his sole entry on the Billboard Hot 100 chart (though Lauper’s cover of Shear’s “All Through the Night” reached #5 in ‘84). My own personal reaction is best summed up by the following verse from “Stereo,” the opening track on Pavement’s 1997 album Brighten the Corners:

What about the voice of Geddy Lee?
How did it get so high?
I wonder if he speaks like an ordinary guy.
(I know him, and he does.)
Then you’re my fact-checkin’ cuz.

[interview: Jules and the Isleys]
[interview: "Twist and Shout"]
If She Knew What She Wants (Jules Shear)
[interview: songs in commercials]
The More That I’m Around You (Jules Shear)
[interview: love and songwriting]
All Through the Night (Cyndi Lauper)
[interview: Cyndi Lauper's She's So Unusual]
All Through the Night (Jules Shear)
I Walk the Line (Johnny Cash)
[interview: questions from Vin's listeners]
Nothing Was Exchanged (The Funky Kings)
[interview: MTV Unplugged]
Hold On, I’m Comin’ (B.B. King and Eric Clapton)