One of the many things I love about Popdose is our collective freedom to write different kinds of posts: Sometimes you gets yourself a Cold Shot related to some bit of blues news, or sometimes we reach back into the archives to espouse the greatness of an evergreen-but-bona-fide classic.
And still other times, such as this week, we share discoveries that might not be new—but they’re new to us.
Not long ago, cruising Bomp’s spam of the week, this tasty little CD came up for grabs: Bo Diddley’s Drive By: Tales From the Funk Dimension 1970-73, compiling tracks from four lost classic Chess albums issued in the early 1970s and available on—get this—Australian import.
Are you kidding me? After buying roughly 8,000 albums and being graced by probably as many promo copies, record titles alone rarely—if ever—sway an album purchase. But with a name like that, even in these cash-strapped days, it sounded just too good to pass up. Blues-funk of the early 1970s can be fantastic, as the old guard like Bo Diddley, Albert King, and Buddy Guy latched on to the urban sounds coming out of Chicago blues clubs and the second wave of the Memphis Stax soul sound led by Black Moses himself. So Mojo laid his money down. (more…)

Ian McLagan is one of rock’s most revered performers. He was a member of the Small Faces, as well as the Faces, and has played with a who’s who of rock and roll, including Rod Stewart, the Rolling Stones, Bruce Springsteen, Bob Dylan, and many, many others. His unique keyboard stylings can be heard on hundreds of recordings, including such classics as Stewart’s “Maggie May” and the Stones’ “Miss You.” He currently resides in Austin, TX, where he performs weekly with his band, the Bump Band. His latest album, 
Being an obsessive music hoarder has its drawbacks. The questions of, “How often do I really listen to ______ ?” and all those albums that you really mean to get around to listening to, you’re just never really “in the right mood.” Or those albums that you think you hate then decide you like on a re-listen before you put them in the “sell to record store” or “delete” pile. Then there’s the organizing of one’s library. Any modern music aficionado is often dealing with three to four formats: digital, ![Reblog this post [with Zemanta]](http://img.zemanta.com/reblog_e.png?x-id=72f5f887-13b8-4165-b323-ab21e41a3833)


