Posts Tagged ‘Music industry’

The Popdose Interview: Janis Ian

Janis Ian is in career-retrospective mode lately, but she’s handling it – as usual – in thoroughly modern fashion. The confessional singer/songwriter, creator of the boomer-icon hits “Society’s Child” and “At Seventeen,” has long since abandoned the major-label merry-go-ground – she’s been releasing new music on her own Rude Girl imprint for more than a decade. Nevertheless, she is getting the “Essential” treatment from Sony/Legacy with a two-disc anthology that arrived in stores and online last week. But there’s a twist: The Essential Janis Ian is essentially a reprint of a compilation titled Best of Janis Ian: The Autobiography Collection, which she self-released last year in conjunction with her critically acclaimed memoir, Society’s Child: My Autobiography.

The book begins with a clear-eyed portrait of her troubled upbringing as the child of leftists under constant FBI surveillance, and her early blossoming as a songwriter – her first song, a haunting Childe-ballad update titled “Hair of Spun Gold,” was published in the folk-music periodical Broadside when she was 12. She recorded the controversial, interracial-romance drama “Society’s Child” when she was 15; the single had to be re-released twice before it became a Top 20 hit in 1967, despite being banned by radio stations across the South, and Ian recounts a live performance that engendered so much racial hatred that she briefly feared for her life. Here she is performing the song on The Smothers Brothers Comedy Hour. (more…)

Popdose Lost Classics: Jeff Giles, “Hot Nights/Cool Sounds” (2002)

Our first installment of the new Popdose Lost Classics series is an album from earlier this decade by none other than our own Popmeister, Jeff Giles! What was supposed to be a breakthrough major-label deal for Jeff from Columbia Records turned into a modern music afterthought, after the entire promotion budget was spent erecting giant billboards throughout the Far East of Jeff fighting Mothra. While the album did become a cult hit in Japan (Gilesfest ‘09 takes place June 26-28 at the Tokyo Narita Airport Hilton), it’s virtually unheard of in the Western world, which is a damn shame, as it’s one of the more unique works to arrive this decade: a cross of smooth jazz, gut-wrenching soul, and acid house, Hot Nights (or Hott Nites according to some bootleg copies) is quite the piece of work.

The album kicks off with the first single, “Let’s Go,”  which, simply put, is not just a pop song, but a four-minute spiritual voyage. As horns glissando into guitar lines, which sail into waves of both keyboards and timpani, Jeff weaves a tale of “getting away from it all” to a place where “words and mind collide / like a supercollider / inside of a spider”. The transcendent nature of the work continues through rest of the first half (the “Hot Nights” part) of the album, including the rave up “Lover-cize,” a strangely dark re-interpretation of TLC’s “No Scrubs,” and the second single “Just Kickin’ It,” which is sort of like a “Kokomo” for a new generation, except it doesn’t suck. (more…)