Posts Tagged ‘My Bloody Valentine’

My Bloody Valentine: Roseland Ballroom, New York City, September 23, 2008

Kevin Shields (photo by Ken Shane)I guess it’s true: absence does make the heart grow fonder. Of course, there’s always the “out of sight, out of mind” risk. Fortunately for My Bloody Valentine, the former is the case, as they are presently in the midst of a sold-out tour after an absence of 16 years. There have been no new albums, and there still isn’t one. Band members have gone, and come back. The constant in all of this is the enigmatic Kevin Shields, the leader of the shoegazer pack, the band’s composer-in-residence, and the king of the effected guitar. The only wisdom that Shields shared with the packed house at Roseland came just before the last song of the evening. “Okay. Thanks for coming,” he mumbled into the mic. He may have shared some other thoughts, but any vocalizing that occurred during the songs was indecipherable, so there’s no way to know for sure.

If you’re looking for a song-by-song show review, complete with insights into the technical aspects of what My Bloody Valentine was up to, and what they were wearing, I’m afraid you’ll have to look elsewhere. I’ll provide the setlist for you, but I only know it because some guy posted it on a message board the next day. No, this show was of a piece. It was basically all one long, loud song. A symphony, if you will. A symphony of cacophony. It was brilliant. By far the best thing I’ve seen all year; in fact, in several years. And you thought I was going negative, didn’t you?

Pre-show music included the Beach Boys and Scott Walker — that alone should have been a clue. The band entered the arena, unassuming and late. The drummer hit his snare drum to test it, and it nearly drove me through the back wall of the room. Shields strummed his guitar, and my hands reached for the earplugs draped around my neck. They were giving away free ones at the door, encouraging people to take them and use them, but I had my own.

Let me make something clear: this is a loud band. Standing near the soundboard, I could see the decibel meter nearing 130. Your average loud show clocks in at about 110 dbs. If you have any sense, you will wear earplugs from start to finish, but at some point early on, I decided that I had to fully experience this band, and the only way to do so was to remove the plugs and let it rip. (No one ever said I had any sense.) (more…)

Listening Booth: Patti Smith and Kevin Shields, “The Coral Sea”

From a place apart
Morpheus, God of dreams, awakes

The artist Robert Mapplethorpe died from complications of AIDS in 1989. According to his great friend, Patti Smith, “His mortal suffering was so profound that I wept through much of his illness. After his death, I wanted to give him something other than tears, so I wrote The Coral Sea.” Her epic poem was published in book form in 1996.

Smith attempted public readings of the piece, but found that she was unable to sustain a reading of the entire thing. It wasn’t until she teamed up with Kevin Shields (My Bloody Valentine) for a pair of concerts at Queen Elizabeth Hall, London in 2005 and 2006 that the true nature of her amazing achievement revealed itself.

The Coral Sea, a two-disc set released on the artists’ own PASK label, is a record of those two monumental performances. The concerts featured Smith reading her work, accompanied by Shields on guitars and effects. It is unlike anything that I have ever heard.

Art, not nature moved him
Nature, he had boasted, was meant to be redesigned
Opened and folded like a fan

The poem tells the story of Mapplethorpe, referred to variously as the sleeper, the traveller, or simply, ‘M’, as he makes his heroic journey to the next world. In this case the voyage will take him to the Solomon Islands so that he might see the Southern Cross, which his beloved uncle had described to him, before he dies. He journeys aboard a ship through uncharted waters, experiencing the stages of death, from pain and defiance, to revelation and acceptance. (more…)

Lost MP3 of the Week: My Bloody Valentine, “Sometimes”

[Taylor's note: My friend Clay makes the best mixes of anyone I know. He’s also one of the best writers I know. His words are fluid and natural, with a powerful grace and natural excitement. Naturally, I asked him to write a guest post for me about music, of his choosing. He selected My Bloody Valentine’s “Sometimes,” and these are his words to go with it. When you’re done reading, tell him to hurry up and update his food blog.]

My Bloody Valentine, “Sometimes” (download)

When I was little, there was this hope for the urban. This dream for the city. This wish that through the dense black of trees there were whole worlds made of lights. Swirling, dizzying, beautiful lights. Ascending high, up towards the stars, and plunging deep through the ground, to the realm of trains and myths. I would sit in the window of my parents’ home, especially on rainy days, and look for any sign that the city might be coming my way. Buildings never sprouted and colorful electronic billboards never appeared, but in my imagination’s eye, I saw everything that I knew the city could be. I heard freight trains through the woods, and I knew that their destination was always the city.

Fifteen years later, in my early twenties, I finally made it to the city. And while some people’s dreams crumble under the veracity of reality, mine did not. It turned out that urbanity was everything I had always imagined it to be. Buildings towered high filling up the night with a wondrous human light. Cars darted through streets leaving behind orange and red trails. People hurried and rushed everywhere. Always moving. Always going. The noise was incredible, the most perfect soundscape. I found it comforting in ways that cicadas and whippoorwills never could be.

At night, I would move through the city as if it were a cinematic space. On the metro, on foot, in a car. I would move through that harlequin mosaic filled with awe. Every window, every sign a different beacon. A signal of a human presence. Even when flesh and blood could not be perceived, there would be light. Whimsical, magical, electrical light. A sea of terrestrial stars.

Now that I have returned to the country, I dream of the city again. Next to windows on rainy days; inside books that whisper those urban abracadabras: New York, Tokyo, London; and on railroad tracks that have been overgrown. But never more do I dream of the city than when I am out under night sky, enveloped in that starlit black, amidst water and trees with highway beneath my feet. Out there I can see everything I remember the city was, and I can imagine everything that it might yet be.