Posts Tagged ‘MySpace’

The Bigger Picture: Film and the Age of Facebook

mm_twitter[1]We live in a self-absorbed culture. Everything we do is shared through blogs, status updates, and tweets. Now that people have the Internet on their phones, nobody is more than a second away from an update. Yet, in this age of instantaneous content, cinema is still going strong.

Hollywood has panicked a bit in the last few years. For a time, box office numbers took a dive, and they began to blame their troubles on piracy. First, let’s discuss that logic. The entertainment industry always labels pirated works as “lost sales.” That’s not quite true. It’s difficult to predict whether the people who watch pirated movies would have actually paid for that work in the first place. People who use cracked software generally do so out of necessity, and how can the software industry really justify the prices they charge?

None of what I say is the equivocal truth, but then again, neither is the industry’s complaint of “lost sales.” I don’t even know where to look for ripped movies. The people who do it, thought prevalent, still make up an incredibly small number. Would it be justified for the retail industry to blame poor sales on shoplifting, and to call those incidents “lost sales?” (more…)

Interview: The Man Who Would Be THOR!

thor1Although a major player in Norse mythology, the character of Thor is known primarily to comics fans, and only recently to the general public, due to the news that famed director Kenneth Branagh (Peter’s Friends, Dead Again) will be helming a movie for Marvel Studios based on the character’s heroic exploits, due out in 2011.

For those not in the know, Thor is the Asgardian god of thunder, once worshiped by Vikings as a source of strength and bravery, whose name was co-opted by Marvel Comics back in 1962, when the fair-haired character (originally red-headed in the mythology) first appeared in Journey Into Mystery. Thor’s story broke with tradition in several aspects, mainly in the fact that his father Odin, chief of the gods, sought to teach his son humility by trapping him in the body of a mortal, Dr. Donald Blake. Over the years, Thor gained in popularity as he became a charter member of the Avengers (the character will also appear in a live-action Avengers feature, due out in 2012) and Journey Into Mystery officially became the Thor comic book in 1964. Although rooted moderately in Norse mythology, the thunder god’s stories only paid lip service to his true history, until artist/writer Walt Simonson’s epic 1983-1986 run on the series restored the character to his true glory and revitalized fans’ interests in the Norse superhero.

Now the god of thunder–who has had spotty appearances in non-comics media, including an okay run in the Marvel Super-Heroes anthology cartoon and a laughably horrible live-action turn in the 1988 TV movie The Incredible Hulk Returns–faces another potential upswing in popularity with the still-casting Thor: God of Thunder. While Marvel Studios has achieved a true coup in nabbing Kenneth Branagh, a director well versed in Shakespearian lore (Henry V, Hamlet, Much Ado About Nothing) to take on a character whose mythic adventures preceded and in some ways partially inspired grand epics such as Tolkien’s Lord of the Rings, the true test of whether the film will succeed or fail will depend not so much on the script as on the actor who portrays the titular hero.

While rumored names such as Brad Pitt have been tossed about for being worthy of the role, and Alexander Skarsgard is supposedly cast (still just a rumor!), my own personal favorite choice of known actors for the role was Karl Urban, who played Eomer in the Lord of the Rings trilogy, and will soon be seen as Dr. Leonard “Bones” McCoy in J.J. Abrams’ upcoming Star Trek.

Note: Urban “was” my favorite choice…until I discovered James Preston Rogers existed. (more…)

Bootleg City: David Bowie in Baton Rouge, April ‘78 (Pt. 2)

Late last summer a DVD of the movie August, which features David Bowie in a cameo, showed up at the office where I used to work. If you haven’t heard of it, you’re not alone: it was released in one theater in New York City last July before making a quick exit to video the following month. If it hadn’t been for that promo DVD, I doubt I would’ve heard of it either.

Directed by Austin Chick, August isn’t a terribly compelling film, due in large part to Josh Hartnett’s emotionally distant yet gratuitously beefcakey lead performance, i.e. “Don’t look at me! I mean, check out the six-pack, of course, but don’t look look at me.” (Is it just me, or do you get the feeling Hartnett tortured small woodland creatures as a child? Somebody needs to cast this brooding hunk as a serial killer — or at least a young Tommy Lee Jones — ASAP.) Howard A. Rodman’s script has some clever touches, though, like how it never explains what dot-com guru wannabe Tom Sterling’s (Hartnett) company actually does. I worked for a start-up for just three months in 2000 before being laid off, and during that brief time I had trouble justifying the company’s existence to my friends and family.

The press release that came with the August DVD said that the film “follows Josh Hartnett as a young dot-com entrepreneur who fights to regain control of his company from Ogilvie (David Bowie).” Based on that description you’d think Ogilvie is a major character in the movie, but as I said, the part-time actor only has a cameo. His single scene — at the film’s climax — is an important one, but he’s in and out of August in less than six minutes.

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CD Review: Lelia Broussard, “Waiting on the 9″

Lelia Broussard – Waiting on the 9 (self-released, 2008)
purchase this album (Amie Street)

I’m pretty sure I have t-shirts that are older than Lelia Broussard, but even at the tender age of 20, she’s already got a few albums under her belt — none of which I’ve heard, mind you, but having listened to Broussard’s new six-song EP, Waiting on the 9, I’m smitten enough to seek them out.

Broussard received her first major exposure thanks to Joan of Arcadia — the show featured her song “Secrets,” which she recorded when she was 14 — and her music has also appeared on The Hills, but she doesn’t have the wistful acoustic sound shared by most “as heard on TV” artists; her songs are rootsier, with slightly rougher edges, and unlike a lot of indie-pop singer/songwriters, she’s a singer as opposed to merely a vocalist. This distinction is made early on Waiting, with the subdued opening track, “Scared to Feel” — although it doesn’t contain many of the soul ingredients used on some of the EP’s other cuts, it gives Broussard an opportunity to glide from hushed to full-throated in a little over four minutes.

She co-wrote each of the EP’s tracks, and she displays her gift for easy melodies on the second cut, “Don’t Let Go,” a midtempo love song with a nicely layered arrangement and a big chorus, and the shuffling title track, where Broussard cops a Dusty in Memphis vibe without embarrassing herself. Some of the songs are more distinguished than others — “I’m Not Waiting” and “So Far by Far” fade into the background a little more than their fellow tracks — but they’re all eminently listenable, and the closing number, “Grass Is Greener,” is a piano-frosted blues belter that showcases the grittier end of her vocal delivery.

A lot of artists are still trying to figure out how to translate MySpace “friends” and YouTube views into actual, you know, dollars, but Lelia Broussard has done an admirable job of carving a career out of the digital frontier, thanks to talent and plenty of energy for self-promotion (and I do mean self-promotion — she e-mailed me directly to ask about submitting a copy of Waiting on the 9). Check out her video for “Don’t Let Go” (over one million views!) and then sample Waiting’s tracks at the link above.

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