Posts Tagged ‘Nathaniel Mayer’

Lo-Fi Mojo: Odds & Ends

Lo-Fi Mojo

Rather than dive deep into a single band or song this week, I’m going to tie up a few loose ends and make mention of some lo-fi goodies I’ve been meaning to write about but, for one reason or another, hadn’t gotten around to yet.

Are you clued in to King Khan yet? This guy’s a madman — a Berlin-based Indo-Canadian garage-rock madman (real name: Arish Khan). Most often you’ll find him playing with his regular band, the Shrines, blending rock, psychedelia, soul, cheerleaders, and crazy stage outfits and antics. He also frequently performs as the King Khan & BBQ Show, a two-man punk ‘n’ doo-wop amalgam that’s as fun and riotous as everything else he does. Here’s the duo performing a song called “Fish Fight”:

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Mojo’s Cold Shot: Nathaniel Mayer, RIP

Nathaniel Mayer passed away last Saturday, from complications due to a stroke suffered back on April 13.

The Detroit soul singer was a powerful voice on the scene during the years the Motor City’s soul evolved into what eventually became the Motown sound of the Supremes, Stevie Wonder, and Marvin Gaye. Mayer, however, recorded for the less well-known Fortune Records, a regionally popular label back in the day whose seminal recordings still haven’t made it to CD—one of the factors relegating Mayer to obscurity until the good folks of Fat Possum records rediscovered him in 2004 and recorded his comeback CD I Just Want to be Held, followed up by Why Don’t You Give it to Me? last year on Alive.

The tenor crooner’s pleading, melancholy voice had a raspy quality in the Otis Redding vein, as opposed to the smooth Sam Cooke style—perfectly suited to the gritty grease and metal shavings paving the highways and byways of greater Detroit. Perfectly suited to the Fat Possum primitive sound that propelled old-skool players like R.L. Burnside and Junior Kimbrough into the limelight in the 1990s and their newer disciples like the Black Keys and Black Diamond Heavies. (more…)