Posts Tagged ‘Neko Case’

Live Music: Folk Festival 50, Newport, R.I. (Day Two)

Josh RitterTo be honest, I had my doubts about Day Two of Folk Festival 50. First of all, I was still tired from the day one. Next, it appeared that the lineup wasn’t quite as strong as it was on Saturday, and yet it was hard to deny that there were some compelling artists scheduled. The weather was also a bit iffy, with rain and thunderstorms predicted for the afternoon.

Josh Ritter was the first performer on the Fort Stage on Sunday, and he was one of the prime reasons that I was at the festival. I’m a big fan of the Idaho songwriter, and his set did not disappoint. He appeared with his full band, and they sounded great on songs like “Right Moves,” and “Real Long Distance” from Josh’s most recent album, The Historical Conquests of Josh Ritter, and on the title track from his 2003 album Hello Starling. The real standout however, was one that Josh played solo, the beautiful and powerful anti-war song “Girl In the War.” He dedicated “Another New World” to Pete Seeger and Joan Baez. Not only is Josh a wonderful songwriter and performer, he comes across as a completely genuine guy, and the early audience at Fort Adams was very appreciative. (more…)

The Friday Mixtape: 8/14/09

Read that headline and weep, folks. In just two more weeks, the summer of ‘09 will be finito. Yeah, I know technically summer has a few more weeks of life but, who are we kidding? Once the Muscular Dystrophy Telethon goes off the air, the season’s deader than Freddie (That’s what I said.)

We have no time for heavy sentiment. Leave that to back-to-school shopping, pool closings and those Summer credit card bills coming back to bite you on the Coppertoned ass. We have two weeks left of fun, fun, fun. Break out the beach towels and crank up the pop music.

Beagle – Well, It’s Only Pain from International Pop Overthrow, Vol. 4 (2001)

Cheap Trick – Hard To Tell from Cheap Trick (1997)

Elvis Costello and The Attractions – High Fidelity from Get Happy!! (1980)

Joe Jackson – Friday from I’m the Man (1979)

Nerk Twins – Against The Grain from International Pop Overthrow Vol. 1 (1998)

Oingo Boingo – My Life from Boi-ngo (1987)

Paul Steel – Cry Away from Moon Rock (2007)

Squeeze – Is That Love from Singles 45’s and Under (1982)

Starclock – Yo Pussycat from International Pop Overthrow, Vol. 5 (2002)

The Duckworth Lewis Method – Gentlemen And Players from Duckworth Lewis Method (2009)

The Knack – Lucinda from Get the Knack (1979)

The New Pornographers – Star Bodies from Twin Cinema (2005)

The Ravines – Dark Clouds from International Pop Overthrow Vol. 11 (3CD) (2008)

Urge Overkill – Sister Havana from Saturation (1993)

You’ll notice an inordinate amount of songs from the International Pop Overthrow collections, and for good reason. In the short time I’ve discovered this ongoing series of releases, I’ve become irrevocably hooked. You might as well, and can find these releases at the site that released them, Not Lame Recordings.

Top of the First: Popdose’s Music Picks for 2009 (So Far)

David Medsker:
As a rule, music lovers begin their journey square in the middle of the mainstream, and once they’ve gotten a taste for more adventurous fare, they take off for the fringes, often never to return. Over time, I’ve slowly found myself coming back to the middle. I have to say, I never thought this would happen. But then again, I never thought I’d move back to Ohio after over a decade in Boston and Chicago, but that’s life for ya: it changes you in ways you can’t anticipate.

This is all a roundabout way of saying that my list, much like last year’s list, isn’t exactly hip, or edgy, but that’s mainly because I’m not hip or edgy. I like what I like, whether it’s Massive Attack or Mandy Moore. And here are five albums from this year that I really, really like.

38ea810ae7a05023171b0210.L._SCLZZZZZZZ_[1]Metric: Fantasies
I am admittedly late to the Emily Haines Show – a friend of mine persuaded me to download Live It Out a few years ago, but it never hooked me – but their latest is a monster blast of New Wave-tinged DOR that Garbage would kill for. Metric – “Stadium Love”

The Hours: See the Light

Epic, sky-high pop that recalls the best of the Verve, Keane and even the Wonder Stuff in singer Antony Genn’s delivery. The title track is a “Common People”-style slow burner and one of the finest pieces of British pop I’ve heard in years. The Hours – “Big Black Hole(more…)

Live Music: Akron/Family @ Union Pool, 3/29/09

Akron/Family @ Union Pool“Everyone is guilty,” Akron/Family sang at their second gig at Union Pool, but if their performance was any indication, that fact isn’t getting to them.

The bi-city band, based in New York as well as Williamsport, Pennsylvania, was full of whimsical energy Sunday night as they surged through an 11-song set without so much as a pause. Song bled into song, the transitions carried by any combination of the nine people on stage. Of those nine, three drive the madness that is Akron/Family – Seth Olinksy (guitar), Miles Seaton (bass) and Dana Janssen (drums). They have their primary roles, but much like a freak-folk version of Broken Social Scene, they’re all multi-instrumentalists, and vocal duties shift, with Olinksy usually taking the lead.

The set list focused on material from the band’s upcoming album, Set ‘Em Wild, Set ‘Em Free, due in May. But while music nerds often get stereotyped as creating highly conceptual and not always accessible music, Akron/Family found a place for it all. Shifting from lilting folk tunes like “The Alps & Their Orange Evergreen” and unexpected dance tune, “Ed Is A Portal,” Akron/Family interjected short, stylized jams in transitions, proving themselves adept at funk, prog, hardcore, whatever rock offshoot you can name. Olinksy would get an almost painful look on his face, as if he couldn’t stand it any longer, as though he had to play that next note or he might die.

Akron/Family, “Ed is a Portal” (download)

But as unafraid to fly their freak flag as they are, Akron/Family do so without alienating – quite the opposite, in fact, as they envelop the audience as often as possible, encouraging participation in a variety of ways. Olinsky ran into the audience to hand someone a drum. Seaton would rile up the crowd with exclamations like, “Move your ass!” Hand claps and sing-alongs were encouraged at every opportune moment. (more…)

CD Review: Neko Case, “Middle Cyclone”

neko case is badassOn her latest release, fiery-haired singer-songwriter Neko Case lightens the tone, musically, while trekking into deeper territory, emotionally. With Middle Cyclone, Case, who’s developed something of a reputation for avoiding love songs, has created an album stockpiled with them – but there are those caustic break-up odes, too.

She claims the perky opener, “This Tornado Loves You” is based on a dream she had about a tornado who falls in love with a boy, but a tornado is an all too fitting metaphor for someone as tenacious as Case, challenging the object of its affection to “Come out to meet me / run out to meet me / come into the light.” Despite the tornado’s destructive ways, it insists, “This tornado loves you / this tornado loves you,” before demanding to know, “What will make you believe me?”

Neko Case, “This Tornado Loves You” (download)

Then there’s the bold, heavy-hitting, “I’m An Animal,” which celebrates a tendency towards instinct. “There are things I’m still so afraid of / but my courage is roaring like the sound of the sun,” she boasts, encouraging her equally wild lover, “I’m an animal / you’re an animal, too.”

But Case’s tenacity doesn’t stop with positive feelings – she confronts the disappointing just as easily. In the almost painfully short under two-minute track, “The Next Time You Say Forever,” she slips and slides from the music box effects of the “tiniest sparks and the tenderest sounds” to bass and string-laden threats, “The next time you say forever / I will punch you in your face.” Later, she addresses the let down of a young romance in “The Pharaohs,” with the repeated line, “I want the pharaohs / but there’s only men.”

Case isn’t always be direct, though she connects the dots for us, stringing themes of animalia, weather and the play between strength and fear throughout. But there are a few curveballs, like the strange and obtuse “Polar Nettles” and “Red Tide.” (more…)