Posts Tagged ‘New Edition’

CHART ATTACK!: 9/24/88

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Hi everybody! It’s CHART ATTACK! time once again, and this week’s pretty solid, if I do say so myself. (And I do.) This week, we bid a fond (okay, maybe not-so-fond) farewell to three artists who had a slew of Top 10 hits in the ’80s but came to a dead halt within a few weeks of this chart. One day, someone will write a requiem for Loggins, Lewis and Palmer (sounds like a really bad supergroup), but until then, we’ll just have to pay tribute to them here, as we look back to September 24, 1988!

10. Don’t Be Cruel — Bobby Brown Amazon iTunes
9. Nobody’s Fool — Kenny Loggins Amazon iTunes
8. If It Isn’t Love — New Edition Amazon iTunes
7. One Good Woman — Peter Cetera Amazon iTunes
6. Perfect World — Huey Lewis & the News Amazon iTunes
5. Love Bites — Def Leppard Amazon iTunes
4. Simply Irresistible — Robert Palmer Amazon iTunes
3. I’ll Always Love You — Taylor Dayne Amazon iTunes
2. Sweet Child O’ Mine — Guns N’ Roses Amazon iTunes
1. Don’t Worry, Be Happy — Bobby McFerrin Amazon iTunes

10. Don’t Be Cruel — Bobby Brown

Whenever I’m feeling down in the dumps, I like to present myself with some perspective. I always used to think about the Blues Traveler line “It won’t mean a thing in a hundred years,” but I think I’m switching to “hey, you could be Bobby Brown.” Because I don’t know if anybody is such a great example of having everything and then flushing it right down the toilet. He’s even worse than Andy Gibb. I mean, Bobby Brown is so universally hated that even Whitney’s Oprah interview can’t bring her back to the top. You only need to spend a few minutes with Bobby Brown to know that it’s generally a bad idea (case in point? Glenn Medeiros); Whitney spent what, five years with this tool? Maybe if she could still sing, we’d take her back, but this is all besides the point. The point is that no matter how bad you think you’ve screwed up, or how much you think you’ll never be able to get back to a better place, remember: hey, you could be Bobby Brown.

Bobby’s first solo album King of Stage didn’t do so well on the charts (quite possibly because was not the king of the stage). Not so with Don’t Be Cruel, both the album and the single. This was the lead-off single, and though it took a couple of months, it eventually peaked at #8 and paved the way for the other hits from the album. “Don’t Be Cruel” is a pretty sweet R&B song; dare I say it deserved to chart higher, or at least higher than “Humpin’ Around.” My only criticism of the song, and I can’t believe I’m going to say this, is that it ends too abruptly. Bobby does a nifty lil’ rap, and then there’s a fade-out. I seriously want more.

9. Nobody’s Fool — Kenny Loggins

As we’ve said before, Kenny Loggins was the undisputed King of the Soundtrack Songs in the ’80s. You can’t deny the awesome montage/we’re-gonna-make-it-after-all power of “I’m Alright,” “Footloose,” “Danger Zone,” and “Meet Me Half Way.” Kenny would agree; they’re included on his 1997 greatest hits collection. “Nobody’s Fool,” however, isn’t on there. Seems odd, right? The song did reach #8, certainly higher than other included songs like “Forever” (#40), “Conviction of the Heart” (#65) and “The Real Thing” (#∞).

So why isn’t it included? I’m going to guess that perhaps it’s because the song was the “Theme From Caddyshack II,” which was a terrible, terrible movie. And because it actually includes the line “Back to the shack,” which just reeks of desperation. Take a look at the video, which — of course — includes numerous clips from the movie itself. When you’re competing with Jackie Mason for screen time, you know you’re in serious, serious trouble.

“Nobody’s Fool” was Loggins’ final appearance not only in the Top 10, but in the Top 40. That might be another reason why the song isn’t included. It’s actually a shame, because the chorus is pretty damn good. You can read more about the song and its video at Gavin Edwards’ Rule 42 blog. (more…)

Soundtrack Saturday: “Ghostbusters II”

You don’t know how badly I want to slap the words “Electric Boogaloo” onto the end of Ghostbusters II (1989). Actually, I think any movie sequel whose title ends with the number two should have “Electric Boogaloo” tacked on.

Think of all the possibilities. Grease 2: Electric Boogaloo. The Godfather Part II: Electric Boogaloo. Or my favorite, Kill Bill Vol. 2: Electric Boogaloo.

But I digress. Then again, I didn’t really start anything from which to digress, did I? Sorry about that — my brain crossed the streams. (Thank you, thank you. I’m here all week.)

I’ll bet you’re wondering why I’m writing about Ghostbusters II when I haven’t written about the first Ghostbusters yet. Well, first of all, the sequel’s soundtrack is out of print and harder to find than the original’s. Second of all, this soundtrack has BOBBAAAYYY!!! (if you don’t speak cracked-out Whitney, I’m referring to Bobby Brown) and Run-D.M.C. on it. Also, after the serious tone of last week’s post, I wanted to write about something silly. And finally, because I’m still in disbelief that Hollywood’s going to make “Ghostbusters III. (I know Pete from Ickmusic and Jason Hare are disappointed that this post isn’t about Short Circuit 2 or Cocoon: The Return, but I hope they’ll get over it.)

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Bottom Feeders: The Ass End of the ’80s, Part 63

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If you’re just joining us here, Bottom Feeders is a look at both the awesome and terrible songs that came out of the ‘80s — each week we cover about 20 songs that peaked no higher than #41 on the Billboard Hot 100 chart that decade. We’re moving alphabetically from A to Z, so we still have a long way to go. After many weeks stuck on M, we finally move to the letter N and more songs from the ass end of the ‘80s.

Graham Nash
“Innocent Eyes” — 1986, #84 (download)

Ooofah. When I first heard this, I was shocked that this was the same Graham Nash that I knew. I don’t blame the guy for trying to stay relevant, but his album that bears the same name as the single above is a crappy overdubbed jumbled mess. “Innocent Eyes” is definitely the best track on it and that may very well be because of the presence of Kenny Loggins on background vocals.

Nazareth
“Holiday” — 1980, #87 (download)

Nazareth released a ton of records with very little success on the Billboard singles charts in the US. And while this single isn’t the worst thing I’ve ever heard, it’s got no punch. Nice riff in the verses, but the chorus turning into light rock schlock just doesn’t do it for me.

Phyllis Nelson
“I Like You” — 1986, #61 (download)

This was a #1 dance hit for Nelson, her only song to cross over to the pop charts in the US. Her earlier ‘70s and ‘80s appearances in music were mostly with disco oriented tracks so it’s not a surprise she jumped on the mid-‘80s dance wagon for her 15 minutes of fame.

Willie Nelson
“My Heroes Have Always Been Cowboys” — 1980, #44 (download)

Pure country may not be my thing, but this is a really nice song off his soundtrack to Sydney Pollack’s The Electric Horseman. Gotta love it when Willie starts talking about picking up hookers in the middle of a track. I’ve never paid attention to the Willie Nelson story in full but what a crazy trip his life must be. Close to 100 albums, been on probably hundreds more, smoked hundreds of pounds of weed — I’m assuming this guy has had one crazy, eventful life.

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When Good Albums Happen to Bad People: Bobby Brown, “Don’t Be Cruel”

It seems almost mind-blowing to think this now, but at the end of the 1980s there was no bigger star in the pop sky than Bobby Brown: Don’t Be Cruel sold over seven million copies in the United States alone. He was dating pop princess Whitney Houston (they got married in ‘92). He appeared in Ghostbusters II, sparking excitement over a burgeoning acting career. He even made New Edition a big name once again simply by being part of a rumor that he was going to rejoin the group.

Only one problem Bobby Brown couldn’t stop “being Bobby Brown.” And what more and more people would learn over time was that “being Bobby Brown” meant being a complete fucking idiot:

• When Brown defiantly rapped “Bobby Brown was good to go solo” in the 1989 remix of his top-ten hit “Every Little Step,” he neglected to mention that it really wasn’t his choice: Brown got voted out of New Edition by the other members in early ‘86 because he was giving them a bad image. Specifically, he wouldn’t stop simulating intercourse onstage at their concerts. Solo success only emboldened Brown in this area: while appearing as the musical guest on Saturday Night Live in 1992 to promote Don’t Be Cruel’s follow-up, simply titled Bobby, Brown and two backup dancers spent what seemed like a good 30 seconds of their dance breakdown dry humping the floor. It’s a tradition that Brown proudly carries on to this day, as confirmed by this concert review from Australia’s The Age newspaper last July: “At a very nineties venue in Melbourne last night, a very nineties star arrived to show his diminished legion of fans he still had it. Just what that was is unclear, but one thing’s for sure he had me in fits of laughter. Who knew watching a former rapper, who’s pushing 40, hump the mike stand, the floor and the air would have such entertainment value?”

• Brown finally rejoined New Edition for 1996’s Home Again and headed out on tour with them. The result was, as I believe the French call it, une piece du merde. Brown left the tour halfway through its scheduled route, partly because of complaints from other members of the group about his well-established humping techniques and for extending his solo sets longer than originally planned. Brown was also put off by the fact that, at least in his own mind, he was a still a solo star. As he explained it — I’m paraphrasing — “I can make 40K a night by myself. Why should I come out here and split that with five other guys?” Reality wouldn’t get in the way of his actual artistic skills, either, as Brown proceeded to fire producers like Jimmy Jam and Terry Lewis from his recording sessions, and write and produce his next — and, to date, last — solo album, 1997’s Forever, all by himself. This tank job led to the past decade of Bobby Brown, best known for drug addiction, divorce, and reality TV.

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Cutouts Gone Wild!: Various Artists, “Dragnet Original Soundtrack”

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Various Artists – Dragnet Original Soundtrack (1987)
purchase this album (Amazon)

You know, writing about cutouts in the digital age is more difficult than it looks. Not a week goes by that some knucklehead doesn’t decide to start up a reissue label, hoping to license crappy old records on the cheap and siphon mythical big bucks out of niche markets. (For instance, as we discovered last week, both the Village People’s Rendezvous and The Ethel Merman Disco Album are in print.) To find an album that’s both out of print and worth writing about is easier said than done. (For instance, I’ve had a copy of the last Quarterflash album in the Cutouts Gone Wild! on-deck circle for close to a year.)

But this? This, friends, is the magic fucking bullet. Today we gather to discuss an album that will never be in print so long as Tom Hanks, or any of his heirs, walk the earth.

Ladies and gentlemen, I give you the Dragnet soundtrack. (more…)