Posts Tagged ‘New York Times’

Sugar Water: Off the Record, I’m a Liar

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When things are said off the record in the world of politics, they should stay off the record. Unless I need something to write about, of course.

Last week I brought you an exclusive report on the scripted outbursts Rep. Joe Wilson almost said in place of “You lie!” when responding to President Obama’s position on illegal immigrants receiving universal health care. I obtained the list of outbursts from a congressional aide named Mark Cloth, who asked not to be identified, but I’m not a real journalist with “ethics” or “common decency” — either slip me a Benjamin or suffer the consequences.

I went ahead and used Cloth’s name, but it turns out he was using an alias inspired by Deep Throat, from All the President’s Men. He duped me, but I’m not mad. The way I see it, we both got what we wanted, and neither of us had to look at the other one naked.

On Monday the president was about to be interviewed by John Harwood when the CNBC reporter casually asked him what he thought of Kanye West’s outburst at the MTV Video Music Awards on Sunday night, comparing the hip-hop artist to Wilson. West had interrupted Best Female Video winner Taylor Swift’s acceptance speech by grabbing the microphone from her and complaining that Beyoncé deserved the award instead. Obama’s opinion was “He’s a jackass,” which got some laughs from people in the room, but the president quickly tried to make sure his off-the-cuff comment would stay off the record.

Yeah, right. The tape was already rolling, and Terry Moran, co-anchor of ABC’s Nightline, apparently overheard the pre-interview conversation, because he soon jumped on his Twitter account and wrote, “Pres. Obama just called Kanye West a ‘jackass’ for his outburst at VMAs when Taylor Swift won. Now THAT’S presidential.” And that’s unprofessional, Moron — unless you somehow got a Benjamin out of it, that is. (I wonder if he had to look at Vice President Biden naked.)

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CD Review: George Benson, “Songs and Stories”

Four years ago GRP/Verve released Best of George Benson Live, recorded at a concert the veteran jazz guitarist and singer gave in Belfast, Ireland, in 2000. The set drew mainly from the 1976-’81 period of his career, when he was routinely landing songs in the Billboard pop chart’s top ten (”On Broadway,” “Turn Your Love Around”), winning Grammies in categories like Record of the Year (1976’s “This Masquerade”), and working with Quincy Jones and Rod Temperton while they were in between blockbuster Michael Jackson albums (1980’s Give Me the Night).

Benson makes another conscious nod to that period on Songs and Stories (Concord), his latest studio album. Recently, music journalist Jon Caramanica wrote in the New York Times that “Adult soul, as practiced by Maxwell, K’Jon and others, borrows from classic soul in song structure and is preoccupied with more mature themes relevant to an older audience. Twenty years ago some of these records might have been called ‘quiet storm,’ and nowadays there’s overlap between smooth jazz, gospel and adult-oriented R&B.”

Benson may be a few generations older than current stars like Maxwell, but he’s been blending jazz, R&B, and pop for decades now. In fact Songs and Stories marks his 45th anniversary in the recording business, and along with fellow ’70s hit makers like Bill Withers, his music has helped pave the way for the younger crowd.

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