Posts Tagged ‘Nickelback’

Jesus of Cool: We Wuz Robbed! Great #2 Hits of the ’00s

My apologies to anyone who’s been waiting with bated breath for me to wrap up this series – is there any such person out there? I left off in early August, with my review of songs that failed to wriggle their way past Mariah Carey and/or Boyz II Men to reach the top of Billboard’s Hot 100 during the ’90s. Since then I’ve faced the same trepidation I had last year while surveying the Worst Number One Songs of the ’00s – namely, the fact that I feel less than eminently qualified to pass judgment on the Auto-Tune Era. Finally, though, as Woody Harrelson puts it so eloquently in Zombieland, I decided it was time to “nut up or shut up,” so here we are.

Fortunately, I’ve got the artist kicking off our countdown to push me forward, and remind me why I took up this six-part (so far) endeavor in the first place. As always, I’ll conclude with a list of some other #2s from the decade.

11. “Work It,” Missy “Misdemeanor” Elliott. I don’t particularly care for this track, but there are a couple reasons why it’s a perfect launching pad for this column. For one, it represents a key step in the evolution of hip-hop toward raunchy themes and racy lyrics. Because Missy was as nasty as the boyz of her era, she absolved the trend of any misogynist stigma, and it was a quick step from “Work It” to the strip-club hip-hop soul that’s become so prevalent lately. Not that there’s anything wrong with that, necessarily … though when even Jordin Sparks is singing about “the club,” maybe the moment is over, huh? Anyway, the other key accomplishment of “Work It” was its 10-week stay at #2 — tied with Foreigner’s “Waiting for a Girl Like You” (which we celebrated here) for the longest runner-up run in chart history. And here’s where we’ve gotta give Missy her props, because she’s got the stones to admit that only reaching #2 with her biggest hit kinda sucked. “I just wanted to die those ten weeks,” she said of being blocked by Eminem’s smash “Lose Yourself” through the winter of ’03. “I mean, it wasn’t cool.” (more…)

How Bad Can It Be?: “Nickelback: Live at Sturgis 2006″

In my first quarter-year of writing How Bad Can It Be?, I have occasionally been accused of “not being the intended audience” for whatever it was that I was hatin’ on that particular week — as if that was somehow a knock on my critical credibility. That attitude confuses me, frankly. Shouldn’t art aim a little higher than simply to please those who are predisposed to be pleased with? “President of Mishka Fan Club Praises New Mishka Album, Proclaim Mishka Himself ‘Super-Delicious’ ” — that’s a “Dog Bites Man” headline. There’s no surprise, no sense of discovery, none of the stuff that makes us want to read cultural commentary to begin with. Nobody — critic or audience — is learning anything.

Still, I’m sensitive to the feedback and concerns of our readers. So when I got my review copy of Nickelback: Uncensored — Live at Sturgis 2006 (Koch Vision/Coming Home Media) — a concert film of the multiplatinum Canadian hard-rock band’s performance at the world-famous motorcycle rally — my primary focus was on the audience. Let me observe the true fans, and divine their expectations, their preferences — and try, thereby, to understand their experience, and what they’re getting out of it; or at least to distract me from the sound of the music, which — notwithstanding that Nickelback themselves seem like sincere, likeable guys — has all the melodic uplift and tonal variation of a garbage can full of angry hornets.

So. Who likes Nickelback? (more…)

Mix Six: “Oh So Middle School”

DOWNLOAD THE FULL MIX HERE

Do you remember you middle school years?  For old codgers like me, middle school was called “junior high” and yes, it was also den of conflicting emotions, big changes in bodies, self-awareness,  crushes, and for some, the beginning of a love affair with music that shaped one’s tastes for years to come.

My daughter is in the thick of it right now. Middle school friends, cliques, status symbols (Thank the cellphone gods I signed up for unlimited texting), fretting over hair, clothes, makeup, and gossiping about boys.  But music is very important to her as well.  I know she likes some of the music I enjoy, but that’s starting to change as she charts her own course and develops her own tastes that reflect her generation.

I gave her a texting assignment a few weeks ago, and it was pretty simple:  Have her friends text in three of their favorite songs, bands, or singers. She sent out a mass text to 20 of her closest friends, and most couldn’t peg a particular song they liked, but they sure had opinions on favorite band or singers.  There was a lot of overlap, and some editing by yours truly, but what follows is a pretty good unscientific sample of the middle school soundtrack in a San Francisco/Bay Area suburb.


“Fences,” Paramore (download)

Granted, this band has been around for a few years, but having a song featured on the Twilight soundtrack has propelled Paramore from “Yeah, they’re kind of cool” to the cusp of superstardom.  While many of their songs have an unremarkable pop/rock sound (to me, anyway), “Fences” stands out in part because of the infectious Cure/”Love Cats”-inspired bass line. (more…)