Posts Tagged ‘Night Ranger’

Bootleg City: Night Ranger in Los Angeles, September ‘85

This holiday season will offer you 7 Wishes. But what will you wish for first?

Will it be the Jack Blades posable action figure? Dressed in authentic Midnight Madness-era stage attire, this incredibly lifelike replica of Night Ranger®’s bassist-vocalist comes preloaded with seven Jack Blades catchphrases. Pull his string and you’ll hear these unforgettable classics:

“You can stiiiiiilllll ROCK in Amer-i-caaaaaa!”

“DON’T tell me you love meeeeeee!”

“Looks like what you need right now is a TOUCH of mad-ness!”

“You still got some more RAWK left in you to-night?”

Plus three more exciting Blade-isms, all delivered by the unstoppable Jack Blades! (Requires two AA batteries to start. Batteries not included.)

But wait — there’s more!

New for the holidays, Dawn Patrol Toys is pleased to unveil the first-ever Alan “Fitz” Fitzgerald action figure. Modeled after Night Ranger®’s legendary keyboard player, often referred to as ”the original Silent Bob,” Fitz comes with his own miniature synthesizer, shades, and beret.

And you’ll be lookin’ extra cool wearing the bonus pair of signature Alan “Fitz” Fitzgerald aviator sunglasses. These super boss blockers are a replica reproduction of the snazzy specs Fitz wore onstage at every single Night Ranger® gig as well as when he played keyboards behind the curtain for Sammy Hagar-era Van Halen. Finally, your chance to look mysteriously cool without having to say a single word!

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Bottom Feeders: The Ass End of the ’80s, Part 64

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First of all, I must give some props to the King of Grief, who decided to turn Bottom Feeders into a radio broadcast for a few hours last Tuesday. You can check him out every Tuesday over at KPFT. Great set list, even if he did play Meco’s “Ewok Celebration.”

Secondly, it’s really bugging me that in Garry Sharpe-Young’s A-Z of ’80s Rock book there are hundreds of groups that never released an album in the ’80s. Seems that to get in this book all you had to be was the ass wiper for Pretty Boy Floyd for a week and that was enough to make you an ’80s artist, despite the fact that you only released one demo in 2003; I had to weed out the non-’80s to get to the stuff the book is really supposed to be about. On the same note, I also purchased A-Z of Doom & Gothic Metal and there was a little box in the corner of the front cover that said “CD of 14 power metal tracks included.” I love me some power metal, but I can’t possibly understand why I’d buy a book on doom metal and get a power-metal CD with it. How about 14 tracks of doom and goth? Do I have to buy the power-metal book to get the doom CD?

And finally, I can now say I have something in common with Jermaine Jackson: Back in 1996 I caught a foul ball at a Philadelphia Phillies game. On Sunday night, Jermaine Jackson caught a ball at a Los Angeles Dodgers game. I guess “Blanket” is going to get a new toy from Uncle Jermaine.

And now, get ready for a little Wango Tango. Wango Wango. Tango Tango. Here’s the second and final week of the letter N, as we check out more songs from the bottom three-fifths of the Billboard Hot 100 during the 1980s.

Juice Newton
“Dirty Looks” — 1983, #90 (download)
“A Little Love” — 1984, #44 (download)
“Can’t Wait All Night” — 1984, #66 (download)

Juice_NewtonAfter talking about Anne Murray two weeks ago it was mentioned that I either liked blondes or MILFs growing up. We have three ladies in a row here to figure this out, because, frankly, I’m not sure myself.

I don’t recall ever being hot for a sip of the Juice. One place she looked like a hippie and the next some 24-year-old vixen (like on her 1984 Greatest Hits album). I do recall, however, listening to a ton of her music. Or I guess I should say listening to a few songs quite often, because really, after she hit #7 in 1982 with “Love’s Been a Little Bit Hard on Me,” I couldn’t remotely give you even one bar of any other song. But geez, “Queen of Hearts” was a staple of many of my childhood days. Listening to it again right now, I kind of dig “Can’t Wait All Night” though it’s certainly different than her normal country-pop tunes — maybe too different, as it became her last hit on the Hot 100. She still had seven more Top 10 hits on the country charts, though, right through the end of the decade.

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Freshly Unwrapped: New Music Releases, 6/30/08

Alkaline Trio, Agony & Irony (Epic)
purchase this album (Amazon)

These Chicago-bred emo pioneers have been gradually sanding down the rough edges of their sound for years — and with their Epic debut, a glossy sheen is officially all that remains. Longtime fans are already grousing about Agony & Irony, but the album’s FM-ready sound is already yielding dividends for the band: Alkaline Trio was featured on an episode of The Hills in May. That won’t be of much comfort to those pissed-off purists, but it should give a pretty big boost to the band members’ bank statements. By their next album, their transformation into the emo version of the Goo Goo Dolls should be complete; in the meantime, they should get a semi-credible hit or two out of Lit-esque tracks like “Love Love Kiss Kiss.” (MySpace)

James Brown, Gravity (Volcano)
purchase this album (Amazon)

Not James’ finest hour, to be certain — but it does contain his last major Top 40 hit, the Rocky IV soundtrack anthem “Living in America,” and it probably represents his last more or less consistent album. It’s hard to decide which is more surprising: That Gravity was out of print, or that Volcano — the imprint that once was Scotti Brothers — is still in business. Those Survivor and “Weird Al” Yankovic royalties must be more lucrative than anyone could have imagined…

John Coltrane, Dakar (Prestige)
purchase this album (Amazon)

One of Coltrane’s earliest albums gets the Prestige reissue treatment here — no bonus tracks, but it’s remastered, and considering that these sessions were recorded in 1957, the difference is probably noticeable, to say the least. Coltrane’s foils for Dakar are Cecil Payne, Pepper Adams, Mal Waldron, Doug Watkins, and Art Taylor — and though Adams and Waldron contribute some solid songs, this isn’t one of Coltrane’s essential releases (check out the way his solo trips and falls down a flight of stairs on “Witches’ Pit”). For completists and jazz fanatics only. (more…)