Posts Tagged ‘Nina Simone’

Bootleg City: Jethro Tull, 11/25/87

As election day approaches, it’s important for a political candidate like myself to line up celebrity endorsements. One of my opponents, David Byrne, has the support of famous people-slash-political activists like Jane Fonda and Danny Glover, while another opponent, Bob Marley, has lined up a bunch of dead celebrity endorsements, including Robert Palmer, Nina Simone, Mickey Rooney, and John Lennon, who would’ve turned 69 today. How am I supposed to compete with—

… My sources have just informed me that Mr. Rooney is still alive. I’m sure they’re wrong, but I don’t want to embarrass them, so I’ll check Wikipedia after I get home.

So far the only endorsement I’ve gotten is from Jethro Tull frontman Ian Anderson, who made the trip to Bootleg City only after I convinced him that I’d gotten my hands on the world’s oldest instrument, a 35,000-year-old flute discovered by archaeologists in Germany last year. Once he arrived, I explained that my e-mail contained a few extra zeros, not to mention a gratuitous three and five.

Mr. Anderson wasn’t thrilled about traveling thousands of miles to receive a brand-new flute made in the Little Germany neighborhood of Bootleg City, but he did seem to enjoy the flute whipping he gave me, which was apparently a first. I was inspired to create a new tourism campaign with the following tag line: “Bootleg City: Experience the Unexpected (Just Be Prepared for Some Violence).”

I convinced Mr. Anderson to stay and give a talk to all the children of our city about the consequences a rock musician faces when he continues to play flute solos into his 60s. I left the City Auditorium during his speech so I could send my condolences to all the former Mrs. Mickey Rooneys of the world, but when I returned, the children were gone.

Some of these kids’ parents are still waking up from that disastrous Wizard of Oz screening. What am I going to tell them? “Sorry, folks, but a modern-day Pied Piper whose band won a Grammy in 1989 for Best Hard Rock/Metal Performance, Vocal or Instrumental, has run off and taken every child in the city with him. It’s a mystery as to why. I mean, everybody knows that award should’ve gone to Metallica.”

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Listening Booth: Nina Simone, “To Be Free”

Nina Simone – To Be Free: The Nina Simone Story (Legacy, 2008)
purchase this album (Amazon)

Nina Simone made her concert debut in the early ’40s, as a 10-year-old girl named Eunice Kathleen Waymon. It was a less racially enlightened time all over the country, but little Eunice lived in North Carolina, which meant that as the concert hall filled up with white folks, her parents were forced to move to the back. And what did our young heroine do? Motherfucker, she up and refused to play until they were given their seats back, and that tells you pretty much everything you need to know about the spirit that moved — that moves — the music of Nina Simone.

Simone had the sort of recording career that usually befalls outspoken, hard-to-pigeonhole artists, which means she played at the commercial fringes most of the time, and passed through the rosters of a rather long list of labels (Mercury, RCA, CTI, and Elektra, just to list the bigger names). The artist and her music have been frequently misunderstood, although that has as much to do with Nina herself — how many artists can go from “My Baby Just Cares for Me” to “Mississippi Goddam” in a single lifetime and count on their audience to follow along? — as it does with fickle pop tastes. Because it’s so varied, and because the copyrights are so scattered, she’s never had a truly definitive compilation, but thanks to Sony’s Legacy imprint, that all changes here.

(I feel like this must be the dozenth time I’ve sung Legacy’s praises this year, but I swear to God, you guys, I’m not on their payroll; I’m just giving credit where it’s due. Sony’s reissue arm has come a long way since its days of embarrassing, half-assed product, and 2008 has been a banner year for the label.) (more…)