Posts Tagged ‘Off Broadway’

Bottom Feeders: The Ass End of the ’80s, Part 65

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This past Monday my ability to come up with future IGMs (Inappropriate Ghetto Moments) was squelched by the po-po. No longer will I be able to drive through the ghetto on the way home with my iPod on Shuffle and watch the horror as crack whores hear Bette Midler’s “The Rose” blasting out my ride. See, yours truly was listening to “Mouth For War” by Pantera really loud and a fine officer in my borough pulled me over for violating the noise ordinance that was passed just a few months earlier. So rather than take the $1000 fine and the 30 days in jail, I’m going to have to turn my music down, which means I’ll pretty much just be turning it off now since music does nothing for me unless it’s loud. As a buddy pointed out, I’m so metal that my town can’t handle it. So horns high for this one, I suppose.

Now, rather than split the letter O up into two small posts, I’ve gone huge and given you the entire letter in one shot. Enjoy close to 30 tracks from the 15th letter of the alphabet as we look at more Bottom Feeders from the Billboard Hot 100 chart during the 1980s.

Oak
“Set the Night on Fire” — 1980, #71 (download)

Oak Sometimes Oak, sometimes Oak & Rick Pinette, sometimes Rick Pinette & Oak and even sometimes Oak & the Rick Pinette Band, this multinamed crew will always have a place in my musical heart. Their #36 hit earlier in 1980, “King of the Hill,” was easily the hardest of the all the top 40 songs to find and the first time I really had to dig to find a track. I searched high and low for that self-titled debut album for years with no luck, until I found not only a copy, but an autographed one at that (surely adding about 63 cents in value to it.) Their second hit, “Set the Night on Fire,” was from the album of the same name, which I still don’t own. I settled for the 45 which was also quite a pain in the ass to acquire. This was back in the day where I was excited to listen to the rarer stuff and almost forced myself to enjoy it based on the amount of work I put in. It was only later on that I realized most of these tough-to-find tracks are rare for good reason. But Oak and now-and-then Rick Pinette, you have avoided my wrath.

Oak Ridge Boys
“So Fine” — 1982, #76 (download)
“American Made” — 1983, #72 (download)

OakRidgeBoysGod, I hate the Oak Ridge Boys. “So Fine” is such a poor song. I know it was a cover of a tune by the Fiestas and I’ve never heard that version, but it can’t be any better ‘cause it’s just poorly written to begin with. Obviously, the Oak Ridge Boys didn’t think so and my taste in music is suspect anyway. But that opening two seconds of keyboards sounds exactly like an ‘80s sitcom theme song (someone tell me which one though!) Maybe the biggest problem I have with the Oak Ridge Boys is very evident on “American Made” which is that bass vocalist Richard Sterban just sounds so out of place with the other vocalists on a lot of tracks. The other problem that I have is that every time I run to the record store I have to weed through 10,000 copies of Oak Ridge Boys records and I swear that every time I find ones I’ve never seen before. They put out 16 damn albums in the decade. No one needs 16 albums in 10 years.

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Boys Must Be Strong

A long time ago, in a galaxy far, far away lived a kid who hadn’t a care in the world. In the small Indiana town he called home, he had a ton of friends and spent his summers riding bikes around the neighborhood, building makeshift ramps out of scrap pieces of wood, and giving the stay-at-home moms (of which there were many in those days) around the neighborhood minor heart attacks with stunts that would give Evel Knievel pause.

Then one day his own mother told him the grandfather he loved more than anything was dying of leukemia. The family would move to Michigan as his dad had agreed to step in and run the auto parts stores his grandfather had turned into a thriving business.

His first day of school in Michigan would set the tone for the remainder of his childhood. One of the kids took him aside and told him that if anyone tried to beat him up, he’d protect him. Why anyone would beat him up was such a foreign concept. Back in Indiana, there’d been no cliques, no bullies, and no reason to need one of the bigger kids to protect him.

Unable to reconcile such idiocy in his mind, he retreated into his own world and found solace in the music that blasted from his stereo. It became his most trusted friend when others failed him. It understood him when others couldn’t be bothered to try. When his grandfather passed away – having beaten the cancer, but being too weak to stave off the pneumonia that followed – he lost the one human who never judged him harshly, who’d always believed in his every dream as if it were his own. This was a man who’d been told by a teacher that he’d never amount to anything. Years later, after having become a successful business owner, he was visited by this same teacher, who’d come into the store for the express purpose of saying he was wrong. The kid always remembered this when someone told him that he too would never amount to anything. (more…)

Great Unknowns: Off Broadway

This column is dedicated to featuring those bands that aren’t household names but, to my ears, should be.

Growing up in a small town in southern Michigan, the closest major city was Chicago. We were still a good two hours away, though, so it was with great inconsistency that my little bedside transistor radio picked up Chicago rock powerhouse WLS (home of legendary rock DJ Larry Lujack). During the fateful summer of ‘79, while Cheap Trick enjoyed their first taste of national and international success, another Chicago band was also ruling the Windy City airwaves.

That band was Off Broadway, and the song was “Stay in Time,” the first single from their Atlantic Records debut, On. Comprised of simple elements — as is the case with all great rock songs — there was something about “Stay in Time” that was nevertheless unlike anything else. (more…)