Posts Tagged ‘O’Jays’

Bottom Feeders: The Ass End of the ’80s, Part 65

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This past Monday my ability to come up with future IGMs (Inappropriate Ghetto Moments) was squelched by the po-po. No longer will I be able to drive through the ghetto on the way home with my iPod on Shuffle and watch the horror as crack whores hear Bette Midler’s “The Rose” blasting out my ride. See, yours truly was listening to “Mouth For War” by Pantera really loud and a fine officer in my borough pulled me over for violating the noise ordinance that was passed just a few months earlier. So rather than take the $1000 fine and the 30 days in jail, I’m going to have to turn my music down, which means I’ll pretty much just be turning it off now since music does nothing for me unless it’s loud. As a buddy pointed out, I’m so metal that my town can’t handle it. So horns high for this one, I suppose.

Now, rather than split the letter O up into two small posts, I’ve gone huge and given you the entire letter in one shot. Enjoy close to 30 tracks from the 15th letter of the alphabet as we look at more Bottom Feeders from the Billboard Hot 100 chart during the 1980s.

Oak
“Set the Night on Fire” — 1980, #71 (download)

Oak Sometimes Oak, sometimes Oak & Rick Pinette, sometimes Rick Pinette & Oak and even sometimes Oak & the Rick Pinette Band, this multinamed crew will always have a place in my musical heart. Their #36 hit earlier in 1980, “King of the Hill,” was easily the hardest of the all the top 40 songs to find and the first time I really had to dig to find a track. I searched high and low for that self-titled debut album for years with no luck, until I found not only a copy, but an autographed one at that (surely adding about 63 cents in value to it.) Their second hit, “Set the Night on Fire,” was from the album of the same name, which I still don’t own. I settled for the 45 which was also quite a pain in the ass to acquire. This was back in the day where I was excited to listen to the rarer stuff and almost forced myself to enjoy it based on the amount of work I put in. It was only later on that I realized most of these tough-to-find tracks are rare for good reason. But Oak and now-and-then Rick Pinette, you have avoided my wrath.

Oak Ridge Boys
“So Fine” — 1982, #76 (download)
“American Made” — 1983, #72 (download)

OakRidgeBoysGod, I hate the Oak Ridge Boys. “So Fine” is such a poor song. I know it was a cover of a tune by the Fiestas and I’ve never heard that version, but it can’t be any better ‘cause it’s just poorly written to begin with. Obviously, the Oak Ridge Boys didn’t think so and my taste in music is suspect anyway. But that opening two seconds of keyboards sounds exactly like an ‘80s sitcom theme song (someone tell me which one though!) Maybe the biggest problem I have with the Oak Ridge Boys is very evident on “American Made” which is that bass vocalist Richard Sterban just sounds so out of place with the other vocalists on a lot of tracks. The other problem that I have is that every time I run to the record store I have to weed through 10,000 copies of Oak Ridge Boys records and I swear that every time I find ones I’ve never seen before. They put out 16 damn albums in the decade. No one needs 16 albums in 10 years.

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CHART ATTACK!: 9/2/72

Welcome back to another edition of CHART ATTACK!, everyone! Sick of the ’90s? Sick of the ’80s? Sick of … uh … the ’40s, ’50s and ’60s, 1970, 1971, and 1973 – 1979? (I’m reaching here.) Then have we got a year for you! This time last year, guest writer Beau Dure covered a 1976 CHART ATTACK!, and he’s back to tackle 1972! By the way, Beau runs his own fantastic blog, Mostly Modern Media, and is also all over the Sports section at USA Today. Between the two sites, it’s almost like you were at the Olympics yourself! But for now, enjoy Beau’s fine writing right here at Popdose! – JH

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Are you ready to rock? Or R&B? Or AC? Or whatever you call Looking Glass?

Welcome to a diverse bunch of classics, most of which you can still hum today. You can also still hum Kid Rock’s latest, but only because you’re really humming “Werewolves of London.”

September 2, 1972:

10. Back Stabbers — O’Jays Amazon iTunes
9. Rock and Roll Part 2 — Gary Glitter Amazon iTunes
8. You Don’t Mess Around With Jim — Jim Croce Amazon iTunes
7. Goodbye to Love — Carpenters Amazon iTunes
6. Baby Don’t Get Hooked on Me — Mac Davis Amazon iTunes
5. Hold Your Head Up — Argent Amazon iTunes
4. Brandy (You’re a Fine Girl) — Looking Glass Amazon iTunes
3. I’m Still in Love With You — Al Green Amazon iTunes
2. Long Cool Woman (In a Black Dress) — The Hollies Amazon iTunes
1. Alone Again (Naturally) — Gilbert O’Sullivan Amazon iTunes

10. Back Stabbers — O’Jays

I had a lot of insights into this song as an allegory reaching beyond mere relationship paranoia to the greater social realm into which many R&B contemporaries were operating, but AllMusic already did that. They also noted the dichotomy between this one, their first hit, and the next one, the #1 ray of sunshine “Love Train.”

So what can I add to this? Probably just the performance clip from Soul Train to get us all feeling that 70s vibe …

9. Rock and Roll Part 2 — Gary Glitter

Upon reading a few books on Tibetan mysticism, a young Gary Glitter made a pilgrimage to the region. He was stunned to be greeted by the Dalai Lama himself. The Dalai’s teachings on happiness and desire were a revelation to Glitter, who had been raised on French existentialism. Now convinced that his actions and words had meaning far beyond anything he had encountered in Western philosophy, Glitter returned to the studio determined to explore connections between Buddhist meditation and the obscure Austrian philosophical school that rejected nihilism.

Then Glitter remembered that he wasn’t in Yes, and he recorded something for American sports teams to play during timeouts.

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